CC Madhya 20.167: Difference between revisions
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{{ | [[Category:Sri Caitanya-caritamrta - Madhya-lila Chapter 20|C167]] | ||
<div style="float:left">'''[[Sri Caitanya-caritamrta|Śrī Caitanya-caritāmṛta]] - [[CC Madhya|Madhya-līlā]] - [[CC Madhya 20|Chapter 20: Lord Śrī Caitanya Mahāprabhu Instructs Sanātana Gosvāmī in the Science of the Absolute Truth]]'''</div> | |||
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==== TEXT 167 ==== | ==== TEXT 167 ==== | ||
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‘prābhava-vaibhava’-rūpe dvividha prakāśe | :‘prābhava-vaibhava’-rūpe dvividha prakāśe | ||
eka-vapu bahu rūpa yaiche haila rāse | :eka-vapu bahu rūpa yaiche haila rāse | ||
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==== SYNONYMS ==== | ==== SYNONYMS ==== | ||
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prābhava | ''prābhava''—prābhava; ''vaibhava''—vaibhava; ''rūpe''—in forms; ''dvi-vidha prakāśe''—twofold manifestations; ''eka-vapu''—the same original form; ''bahu rūpa''—expanded into unlimited numbers; ''yaiche''—like; ''haila''—it was; ''rāse''—while dancing in the ''rāsa'' dance with the ''gopīs''. | ||
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==== TRANSLATION ==== | ==== TRANSLATION ==== | ||
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“In His original form, Kṛṣṇa manifests Himself in two features—prābhava and vaibhava. He expands His one original form into many, as He did during the rāsa-līlā dance. | “In His original form, Kṛṣṇa manifests Himself in two features—prābhava and vaibhava. He expands His one original form into many, as He did during the rāsa-līlā dance. | ||
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Revision as of 03:07, 7 September 2021
Śrī Caitanya-caritāmṛta - Madhya-līlā - Chapter 20: Lord Śrī Caitanya Mahāprabhu Instructs Sanātana Gosvāmī in the Science of the Absolute Truth
His Divine Grace
A.C. Bhaktivedanta Swami Prabhupada
A.C. Bhaktivedanta Swami Prabhupada
TEXT 167
- ‘prābhava-vaibhava’-rūpe dvividha prakāśe
- eka-vapu bahu rūpa yaiche haila rāse
SYNONYMS
prābhava—prābhava; vaibhava—vaibhava; rūpe—in forms; dvi-vidha prakāśe—twofold manifestations; eka-vapu—the same original form; bahu rūpa—expanded into unlimited numbers; yaiche—like; haila—it was; rāse—while dancing in the rāsa dance with the gopīs.
TRANSLATION
“In His original form, Kṛṣṇa manifests Himself in two features—prābhava and vaibhava. He expands His one original form into many, as He did during the rāsa-līlā dance.