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{{ | [[Category:Sri Caitanya-caritamrta - Adi-lila Chapter 17|C123]] | ||
<div style="float:left">'''[[Sri Caitanya-caritamrta|Śrī Caitanya-caritāmṛta]] - [[CC Adi|Ādi-līlā]] - [[CC Adi 17|Chapter 17: The Pastimes of Lord Caitanya Mahāprabhu in His Youth]]'''</div> | |||
<div style="float:right">[[File:Go-previous.png|link=CC Adi 17.122|Ādi-līlā 17.122]] '''[[CC Adi 17.122|Ādi-līlā 17.122]] - [[CC Adi 17.124|Ādi-līlā 17.124]]''' [[File:Go-next.png|link=CC Adi 17.124|Ādi-līlā 17.124]]</div> | |||
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==== TEXT 123 ==== | ==== TEXT 123 ==== | ||
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mṛdaṅga-karatāla saṅkīrtana-mahādhvani | :mṛdaṅga-karatāla saṅkīrtana-mahādhvani | ||
‘hari’ ‘hari’—dhvani vinā anya nāhi śuni | :‘hari’ ‘hari’—dhvani vinā anya nāhi śuni | ||
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==== SYNONYMS ==== | ==== SYNONYMS ==== | ||
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''mṛdaṅga''—drum; ''karatāla''—hand bells; ''saṅkīrtana''—chanting of the holy name of the Lord; ''mahā-dhvani''—great vibration; ''hari''—the Lord; ''hari''—the Lord; ''dhvani''—sound; ''vinā''—except; ''anya''—another; ''nāhi''—not; ''śuni''—one can hear. | |||
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==== TRANSLATION ==== | ==== TRANSLATION ==== | ||
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When the saṅkīrtana movement thus started, no one in Navadvīpa could hear any sound other than the words “Hari! Hari!” and the beating of the mṛdaṅga and clashing of hand bells. | When the saṅkīrtana movement thus started, no one in Navadvīpa could hear any sound other than the words “Hari! Hari!” and the beating of the mṛdaṅga and clashing of hand bells. | ||
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==== PURPORT ==== | ==== PURPORT ==== | ||
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The International Society for Krishna Consciousness now has its world center in Navadvīpa, Māyāpur. The managers of this center should see that twenty-four hours a day there is chanting of the holy names of the Hare Kṛṣṇa mahā-mantra, with the addition of haraye namaḥ, kṛṣṇa yādavāya namaḥ, for this song was a favorite of Śrī Caitanya Mahāprabhu’s. But all such saṅkīrtana must be preceded by the chanting of the holy names of the five tattvas—śrī-kṛṣṇa-caitanya prabhu-nityānanda śrī-advaita gadādhara śrīvāsādi-gaura-bhakta-vṛnda. We are already accustomed to chant these two | The International Society for Krishna Consciousness now has its world center in Navadvīpa, Māyāpur. The managers of this center should see that twenty-four hours a day there is chanting of the holy names of the Hare Kṛṣṇa ''mahā-mantra'', with the addition of ''haraye namaḥ, kṛṣṇa yādavāya namaḥ'', for this song was a favorite of Śrī Caitanya Mahāprabhu’s. But all such ''saṅkīrtana'' must be preceded by the chanting of the holy names of the five ''tattvas—śrī-kṛṣṇa-caitanya prabhu-nityānanda śrī-advaita gadādhara śrīvāsādi-gaura-bhakta-vṛnda.'' We are already accustomed to chant these two mantras—''śrī-kṛṣṇa-caitanya prabhu-nityānanda śrī-advaita gadādhara śrīvāsādi-gaura-bhakta-vṛnda'' and Hare Kṛṣṇa, Hare Kṛṣṇa, Kṛṣṇa Kṛṣṇa, Hare Hare/ Hare Rāma, Hare Rāma, Rāma Rāma, Hare Hare. Now, after these, the other two lines—namely ''haraye namaḥ, kṛṣṇa yādavāya namaḥ/ gopāla govinda rāma śrī-madhusūdana''—should be added, especially in Māyāpur. Chanting of these six lines should go on so perfectly well that no one there hears any vibration other than the chanting of the holy names of the Lord. That will make the center spiritually all-perfect. | ||
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Revision as of 12:05, 24 July 2021
A.C. Bhaktivedanta Swami Prabhupada
TEXT 123
- mṛdaṅga-karatāla saṅkīrtana-mahādhvani
- ‘hari’ ‘hari’—dhvani vinā anya nāhi śuni
SYNONYMS
mṛdaṅga—drum; karatāla—hand bells; saṅkīrtana—chanting of the holy name of the Lord; mahā-dhvani—great vibration; hari—the Lord; hari—the Lord; dhvani—sound; vinā—except; anya—another; nāhi—not; śuni—one can hear.
TRANSLATION
When the saṅkīrtana movement thus started, no one in Navadvīpa could hear any sound other than the words “Hari! Hari!” and the beating of the mṛdaṅga and clashing of hand bells.
PURPORT
The International Society for Krishna Consciousness now has its world center in Navadvīpa, Māyāpur. The managers of this center should see that twenty-four hours a day there is chanting of the holy names of the Hare Kṛṣṇa mahā-mantra, with the addition of haraye namaḥ, kṛṣṇa yādavāya namaḥ, for this song was a favorite of Śrī Caitanya Mahāprabhu’s. But all such saṅkīrtana must be preceded by the chanting of the holy names of the five tattvas—śrī-kṛṣṇa-caitanya prabhu-nityānanda śrī-advaita gadādhara śrīvāsādi-gaura-bhakta-vṛnda. We are already accustomed to chant these two mantras—śrī-kṛṣṇa-caitanya prabhu-nityānanda śrī-advaita gadādhara śrīvāsādi-gaura-bhakta-vṛnda and Hare Kṛṣṇa, Hare Kṛṣṇa, Kṛṣṇa Kṛṣṇa, Hare Hare/ Hare Rāma, Hare Rāma, Rāma Rāma, Hare Hare. Now, after these, the other two lines—namely haraye namaḥ, kṛṣṇa yādavāya namaḥ/ gopāla govinda rāma śrī-madhusūdana—should be added, especially in Māyāpur. Chanting of these six lines should go on so perfectly well that no one there hears any vibration other than the chanting of the holy names of the Lord. That will make the center spiritually all-perfect.