CC Antya 1.137 (1975): Difference between revisions
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<div style="float:left">'''[[Sri Caitanya-caritamrta (1975)|Śrī Caitanya-caritāmṛta (1975)]] - [[CC Antya (1975)|Antya-līlā]] - [[CC Antya 1 (1975)|Chapter 1: Śrīla Rūpa Gosvāmī's Second Meeting With the Lord]]'''</div> | <div style="float:left">'''[[Sri Caitanya-caritamrta (1975)|Śrī Caitanya-caritāmṛta (1975)]] - [[CC Antya (1975)|Antya-līlā]] - [[CC Antya 1 (1975)|Chapter 1: Śrīla Rūpa Gosvāmī's Second Meeting With the Lord]]'''</div> | ||
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==== TEXT 137 ==== | ==== TEXT 137 ==== | ||
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:rāya kahe, | :rāya kahe,--"prarocanādi kaha dekhi, śuni?" | ||
:rūpa kahe, | :rūpa kahe,--"mahāprabhura śravaṇecchā jāni" | ||
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rāya kahe—Śrīla Rāmānanda Rāya says; prarocanādi kaha—please recite the prarocanā; dekhi—I shall see; śuni—and hear; rūpa kahe—Śrīla Rūpa Gosāñi replies; mahāprabhura—of Śrī Caitanya Mahāprabhu; śravaṇa- | rāya kahe—Śrīla Rāmānanda Rāya says; prarocanādi kaha—please recite the prarocanā; dekhi—I shall see; śuni—and hear; rūpa kahe—Śrīla Rūpa Gosāñi replies; mahāprabhura—of Śrī Caitanya Mahāprabhu; śravaṇa-icchā—desired to hear; jāni—I think. | ||
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Rāmānanda Rāya said, | Rāmānanda Rāya said, "Please recite the prarocanā portion so that I may hear and examine it." Śrī Rūpa replied, "I think that the desire to hear of Śrī Caitanya Mahāprabhu is prarocanā. | ||
Śrī Rūpa replied, | |||
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The method of inducing the audience to become more and more eager to hear by praising the time and place, the hero and the audience is called prarocanā. This is the statement regarding prarocanā in the Nāṭaka-candrikā: | The method of inducing the audience to become more and more eager to hear by praising the time and place, the hero and the audience is called prarocanā. This is the statement regarding prarocanā in the Nāṭaka-candrikā: | ||
deśa-kāla-kathā-vastu- | |||
:sabhyādīnāṁ praśaṁsayā | |||
: | :śrotṝṇām unmukhī-kāraḥ | ||
:kathiteyaṁ prarocanā | |||
Similarly the Sāhitya-darpaṇa (6.286) says: | |||
Similarly | :tasyāḥ prarocanā vīthī | ||
:tathā prahasanā-mukhe | |||
aṅgānyatronmukhī-kāraḥ | |||
:tasyāḥ prarocanā vīthī tathā prahasanā-mukhe | :praśaṁsātaḥ prarocanā | ||
Any literature presented in Sanskrit must follow the rules and regulations mentioned in the authoritative reference books. The technical inquiries by Śrīla Rāmānanda Rāya and the replies of Śrīla Rūpa Gosvāmī indicate that both of them were expert and fully conversant with the techniques of writing drama. | Any literature presented in Sanskrit must follow the rules and regulations mentioned in the authoritative reference books. The technical inquiries by Śrīla Rāmānanda Rāya and the replies of Śrīla Rūpa Gosvāmī indicate that both of them were expert and fully conversant with the techniques of writing drama. | ||
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Latest revision as of 20:08, 26 January 2020
Śrī Caitanya-caritāmṛta (1975) - Antya-līlā - Chapter 1: Śrīla Rūpa Gosvāmī's Second Meeting With the Lord
His Divine Grace
A.C. Bhaktivedanta Swami Prabhupada
A.C. Bhaktivedanta Swami Prabhupada
TEXT 137
- rāya kahe,--"prarocanādi kaha dekhi, śuni?"
- rūpa kahe,--"mahāprabhura śravaṇecchā jāni"
SYNONYMS
rāya kahe—Śrīla Rāmānanda Rāya says; prarocanādi kaha—please recite the prarocanā; dekhi—I shall see; śuni—and hear; rūpa kahe—Śrīla Rūpa Gosāñi replies; mahāprabhura—of Śrī Caitanya Mahāprabhu; śravaṇa-icchā—desired to hear; jāni—I think.
TRANSLATION
Rāmānanda Rāya said, "Please recite the prarocanā portion so that I may hear and examine it." Śrī Rūpa replied, "I think that the desire to hear of Śrī Caitanya Mahāprabhu is prarocanā.
PURPORT
The method of inducing the audience to become more and more eager to hear by praising the time and place, the hero and the audience is called prarocanā. This is the statement regarding prarocanā in the Nāṭaka-candrikā:
deśa-kāla-kathā-vastu-
- sabhyādīnāṁ praśaṁsayā
- śrotṝṇām unmukhī-kāraḥ
- kathiteyaṁ prarocanā
Similarly the Sāhitya-darpaṇa (6.286) says:
- tasyāḥ prarocanā vīthī
- tathā prahasanā-mukhe
aṅgānyatronmukhī-kāraḥ
- praśaṁsātaḥ prarocanā
Any literature presented in Sanskrit must follow the rules and regulations mentioned in the authoritative reference books. The technical inquiries by Śrīla Rāmānanda Rāya and the replies of Śrīla Rūpa Gosvāmī indicate that both of them were expert and fully conversant with the techniques of writing drama.