CC Adi 4.217: Difference between revisions
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{{ | [[Category:Sri Caitanya-caritamrta - Adi-lila Chapter 04|C217]] | ||
<div style="float:left">'''[[Sri Caitanya-caritamrta|Śrī Caitanya-caritāmṛta]] - [[CC Adi|Ādi-līlā]] - [[CC Adi 4|Chapter 4: The Confidential Reasons for the Appearance of Śrī Caitanya Mahāprabhu]]'''</div> | |||
<div style="float:right">[[File:Go-previous.png|link=CC Adi 4.216|Ādi-līlā 4.216]] '''[[CC Adi 4.216|Ādi-līlā 4.216]] - [[CC Adi 4.218|Ādi-līlā 4.218]]''' [[File:Go-next.png|link=CC Adi 4.218|Ādi-līlā 4.218]]</div> | |||
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==== TEXT 217 ==== | ==== TEXT 217 ==== | ||
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rādhā-saha krīḍā rasa-vṛddhira kāraṇa | :rādhā-saha krīḍā rasa-vṛddhira kāraṇa | ||
āra saba gopī-gaṇa rasopakaraṇa | :āra saba gopī-gaṇa rasopakaraṇa | ||
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==== SYNONYMS ==== | ==== SYNONYMS ==== | ||
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rādhā- | ''[//vanipedia.org/wiki/Special:VaniSearch?s=rādhā&tab=syno_o&ds=1 rādhā]-[//vanipedia.org/wiki/Special:VaniSearch?s=saha&tab=syno_o&ds=1 saha]'' — with Śrīmatī Rādhārāṇī; ''[//vanipedia.org/wiki/Special:VaniSearch?s=krīḍā&tab=syno_o&ds=1 krīḍā]'' — pastimes; ''[//vanipedia.org/wiki/Special:VaniSearch?s=rasa&tab=syno_o&ds=1 rasa]'' — of mellow; ''[//vanipedia.org/wiki/Special:VaniSearch?s=vṛddhira&tab=syno_o&ds=1 vṛddhira]'' — of the increase; ''[//vanipedia.org/wiki/Special:VaniSearch?s=kāraṇa&tab=syno_o&ds=1 kāraṇa]'' — the cause; ''[//vanipedia.org/wiki/Special:VaniSearch?s=āra&tab=syno_o&ds=1 āra]'' — the other; ''[//vanipedia.org/wiki/Special:VaniSearch?s=saba&tab=syno_o&ds=1 saba]'' — all; ''[//vanipedia.org/wiki/Special:VaniSearch?s=gopī&tab=syno_o&ds=1 gopī]-[//vanipedia.org/wiki/Special:VaniSearch?s=gaṇa&tab=syno_o&ds=1 gaṇa]'' — ''gopīs''; ''[//vanipedia.org/wiki/Special:VaniSearch?s=rasa&tab=syno_o&ds=1 rasa]-[//vanipedia.org/wiki/Special:VaniSearch?s=upakaraṇa&tab=syno_o&ds=1 upakaraṇa]'' — accessories of mellow. | ||
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==== TRANSLATION ==== | ==== TRANSLATION ==== | ||
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All the other gopīs help increase the joy of Kṛṣṇa’s pastimes with Rādhārāṇī. The gopīs act as the instruments of Their mutual enjoyment. | All the other gopīs help increase the joy of Kṛṣṇa’s pastimes with Rādhārāṇī. The gopīs act as the instruments of Their mutual enjoyment. | ||
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==== PURPORT ==== | ==== PURPORT ==== | ||
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It is said that the gopīs are divided into five groups, namely the sakhīs, nitya-sakhīs, prāṇa-sakhīs, priya-sakhīs and parama-preṣṭha-sakhīs. All these fair-complexioned associates of Śrīmatī Rādhārāṇī, the Queen of Vṛndāvana-dhāma, are expert artists in evoking erotic sentiments in Kṛṣṇa. The parama-preṣṭha-sakhīs are eight in number, and in the ecstatic dealings of Kṛṣṇa and Rādhā they side sometimes with Kṛṣṇa and at other times with Rādhārāṇī, just to create a situation in which it appears that they favor one against the other. That makes the exchange of mellows more palatable. | It is said that the ''gopīs'' are divided into five groups, namely the ''sakhīs'', ''nitya-sakhīs'', ''prāṇa-sakhīs'', ''priya-sakhīs'' and ''parama-preṣṭha-sakhīs''. All these fair-complexioned associates of Śrīmatī Rādhārāṇī, the Queen of ''Vṛndāvana-dhāma'', are expert artists in evoking erotic sentiments in Kṛṣṇa. The ''parama-preṣṭha-sakhīs'' are eight in number, and in the ecstatic dealings of Kṛṣṇa and Rādhā they side sometimes with Kṛṣṇa and at other times with Rādhārāṇī, just to create a situation in which it appears that they favor one against the other. That makes the exchange of mellows more palatable. | ||
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Latest revision as of 18:57, 19 February 2024
TEXT 217
- rādhā-saha krīḍā rasa-vṛddhira kāraṇa
- āra saba gopī-gaṇa rasopakaraṇa
SYNONYMS
rādhā-saha — with Śrīmatī Rādhārāṇī; krīḍā — pastimes; rasa — of mellow; vṛddhira — of the increase; kāraṇa — the cause; āra — the other; saba — all; gopī-gaṇa — gopīs; rasa-upakaraṇa — accessories of mellow.
TRANSLATION
All the other gopīs help increase the joy of Kṛṣṇa’s pastimes with Rādhārāṇī. The gopīs act as the instruments of Their mutual enjoyment.
PURPORT
It is said that the gopīs are divided into five groups, namely the sakhīs, nitya-sakhīs, prāṇa-sakhīs, priya-sakhīs and parama-preṣṭha-sakhīs. All these fair-complexioned associates of Śrīmatī Rādhārāṇī, the Queen of Vṛndāvana-dhāma, are expert artists in evoking erotic sentiments in Kṛṣṇa. The parama-preṣṭha-sakhīs are eight in number, and in the ecstatic dealings of Kṛṣṇa and Rādhā they side sometimes with Kṛṣṇa and at other times with Rādhārāṇī, just to create a situation in which it appears that they favor one against the other. That makes the exchange of mellows more palatable.