Go to Vaniquotes | Go to Vanipedia | Go to Vanimedia


Vanisource - the complete essence of Vedic knowledge


SB 4.8.47: Difference between revisions

m (1 revision(s))
 
No edit summary
Line 1: Line 1:
{{SB_Header|{{PAGENAME}}}}
{{info
{{info
|speaker=Narada Muni
|speaker=Nārada Muni
|listener=King Dhruva
|listener=King Dhruva
}}
}}
[[Category:Srimad-Bhagavatam - Canto 04 Chapter 08]]
[[Category:Bhagavatam Verses Spoken by Narada Muni - Vanisource|040847]]
<div style="float:left">'''[[Srimad-Bhagavatam]] - [[SB 4|Fourth Canto]] - [[SB 4.8: Dhruva Maharaja Leaves Home for the Forest|Chapter 8: Dhruva Mahārāja Leaves Home for the Forest]]'''</div>
<div style="float:right">[[File:Go-previous.png|link=SB 4.8.46]] '''[[SB 4.8.46]] - [[SB 4.8.48]]''' [[File:Go-next.png|link=SB 4.8.48]]</div>
{{RandomImage}}
==== TEXT 47 ====
==== TEXT 47 ====


<div id="text">
<div class="verse">
śrīvatsāṅkaṁ ghana-śyāmaṁ<br>
:śrīvatsāṅkaṁ ghana-śyāmaṁ
puruṣaṁ vana-mālinam<br>
:puruṣaṁ vana-mālinam
śaṅkha-cakra-gadā-padmair<br>
:śaṅkha-cakra-gadā-padmair
abhivyakta-caturbhujam<br>
:abhivyakta-caturbhujam
</div>
</div>


Line 16: Line 22:
==== SYNONYMS ====
==== SYNONYMS ====


<div id="synonyms">
<div class="synonyms">
śrīvatsa-aṅkam—the mark of Śrīvatsa on the chest of the Lord; ghana-śyāmam—deeply bluish; puruṣam—the Supreme Person; vana-mālinam—with a garland of flowers; śaṅkha—conchshell; cakra—wheel; gadā—club; padmaiḥ—lotus flower; abhivyakta—manifested; catuḥ-bhujam—four handed.
''śrīvatsa-aṅkam''—the mark of Śrīvatsa on the chest of the Lord; ''ghana-śyāmam''—deeply bluish; ''puruṣam''—the Supreme Person; ''vana-mālinam''—with a garland of flowers; ''śaṅkha''—conchshell; ''cakra''—wheel; ''gadā''—club; ''padmaiḥ''—lotus flower; ''abhivyakta''—manifested; ''catuḥ-bhujam''—four handed.
</div>
</div>


Line 23: Line 29:
==== TRANSLATION ====
==== TRANSLATION ====


<div id="translation">
<div class="translation">
The Lord is further described as having the mark of Śrīvatsa, or the sitting place of the goddess of fortune, and His bodily hue is deep bluish. The Lord is a person, He wears a garland of flowers, and He is eternally manifest with four hands, which hold [beginning from the lower left hand] a conchshell, wheel, club and lotus flower.
The Lord is further described as having the mark of Śrīvatsa, or the sitting place of the goddess of fortune, and His bodily hue is deep bluish. The Lord is a person, He wears a garland of flowers, and He is eternally manifest with four hands, which hold [beginning from the lower left hand] a conchshell, wheel, club and lotus flower.
</div>
</div>
Line 30: Line 36:
==== PURPORT ====
==== PURPORT ====


<div id="purport">
<div class="purport">
Here in this verse the word puruṣam is very significant. The Lord is never female. He is always male (puruṣa). Therefore the impersonalist who imagines the Lord's form as that of a woman is mistaken. The Lord appears in female form if necessary, but His perpetual form is puruṣa because He is originally male. The feminine feature of the Lord is displayed by goddesses of fortune—Lakṣmī, Rādhārāṇī, Sītā, etc. All these goddesses of fortune are servitors of the Lord; they are not the Supreme, as falsely imagined by the impersonalist. Lord Kṛṣṇa in His Nārāyaṇa feature is always four handed. On the Battlefield of Kurukṣetra, when Arjuna wanted to see His universal form, He showed this feature of four-handed Nārāyaṇa. Some devotees are of the opinion that Kṛṣṇa is an incarnation of Nārāyaṇa, but the Bhāgavata school says that Nārāyaṇa is a manifestation of Kṛṣṇa.
Here in this verse the word ''puruṣam'' is very significant. The Lord is never female. He is always male ''(puruṣa)''. Therefore the impersonalist who imagines the Lord's form as that of a woman is mistaken. The Lord appears in female form if necessary, but His perpetual form is ''puruṣa'' because He is originally male. The feminine feature of the Lord is displayed by goddesses of fortune—Lakṣmī, Rādhārāṇī, Sītā, etc. All these goddesses of fortune are servitors of the Lord; they are not the Supreme, as falsely imagined by the impersonalist. Lord Kṛṣṇa in His Nārāyaṇa feature is always four handed. On the Battlefield of Kurukṣetra, when Arjuna wanted to see His universal form, He showed this feature of four-handed Nārāyaṇa. Some devotees are of the opinion that Kṛṣṇa is an incarnation of Nārāyaṇa, but the Bhāgavata school says that Nārāyaṇa is a manifestation of Kṛṣṇa.
</div>
</div>
__NOTOC__{{SB_Footer|{{PAGENAME}}}}
 
 
<div style="float:right; clear:both;">[[File:Go-previous.png|link=SB 4.8.46]] '''[[SB 4.8.46]] - [[SB 4.8.48]]''' [[File:Go-next.png|link=SB 4.8.48]]</div>
__NOTOC__
__NOEDITSECTION__

Revision as of 12:44, 10 May 2021

His Divine Grace
A.C. Bhaktivedanta Swami Prabhupada



TEXT 47

śrīvatsāṅkaṁ ghana-śyāmaṁ
puruṣaṁ vana-mālinam
śaṅkha-cakra-gadā-padmair
abhivyakta-caturbhujam


SYNONYMS

śrīvatsa-aṅkam—the mark of Śrīvatsa on the chest of the Lord; ghana-śyāmam—deeply bluish; puruṣam—the Supreme Person; vana-mālinam—with a garland of flowers; śaṅkha—conchshell; cakra—wheel; gadā—club; padmaiḥ—lotus flower; abhivyakta—manifested; catuḥ-bhujam—four handed.


TRANSLATION

The Lord is further described as having the mark of Śrīvatsa, or the sitting place of the goddess of fortune, and His bodily hue is deep bluish. The Lord is a person, He wears a garland of flowers, and He is eternally manifest with four hands, which hold [beginning from the lower left hand] a conchshell, wheel, club and lotus flower.


PURPORT

Here in this verse the word puruṣam is very significant. The Lord is never female. He is always male (puruṣa). Therefore the impersonalist who imagines the Lord's form as that of a woman is mistaken. The Lord appears in female form if necessary, but His perpetual form is puruṣa because He is originally male. The feminine feature of the Lord is displayed by goddesses of fortune—Lakṣmī, Rādhārāṇī, Sītā, etc. All these goddesses of fortune are servitors of the Lord; they are not the Supreme, as falsely imagined by the impersonalist. Lord Kṛṣṇa in His Nārāyaṇa feature is always four handed. On the Battlefield of Kurukṣetra, when Arjuna wanted to see His universal form, He showed this feature of four-handed Nārāyaṇa. Some devotees are of the opinion that Kṛṣṇa is an incarnation of Nārāyaṇa, but the Bhāgavata school says that Nārāyaṇa is a manifestation of Kṛṣṇa.



... more about "SB 4.8.47"
Nārada Muni +
King Dhruva +