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{{info
|speaker=Suta Goswami
|speaker=Sūta Gosvāmī
|listener=Sages of Naimisaranya
|listener=Sages of Naimiṣāraṇya
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[[Category:Srimad-Bhagavatam - Canto 01 Chapter 10]]
[[Category:Bhagavatam Verses Spoken by Suta Gosvami - Vanisource|011020]]
<div style="float:left">'''[[Srimad-Bhagavatam]] - [[SB 1|First Canto]] - [[SB 1.10: Departure of Lord Krsna for Dvaraka|Chapter 10: Departure of Lord Kṛṣṇa for Dvārakā]]'''</div>
<div style="float:right">[[File:Go-previous.png|link=SB 1.10.19]] '''[[SB 1.10.19]] - [[SB 1.10.21]]''' [[File:Go-next.png|link=SB 1.10.21]]</div>
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==== TEXT 20 ====
==== TEXT 20 ====


 
<div class="verse">
<div id="text">
:anyonyam āsīt sañjalpa
anyonyam āsīt sañjalpa<br>
:uttama-śloka-cetasām
uttama-śloka-cetasām<br>
:kauravendra-pura-strīṇāṁ
kauravendra-pura-strīṇāṁ<br>
:sarva-śruti-mano-haraḥ
sarva-śruti-mano-haraḥ<br>
</div>
</div>


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==== SYNONYMS ====
==== SYNONYMS ====


 
<div class="synonyms">
<div id="synonyms">
''anyonyam''—among each other; ''āsīt''—there was; ''sañjalpaḥ''—talking; ''uttama-śloka''—the Supreme, who is praised by selected poetry; ''cetasām''—of those whose hearts are absorbed in that way; ''kaurava-indra''—the king of the Kurus; ''pura''—capital; ''strīṇām''—all the ladies; ''sarva''—all; ''śruti''—the Vedas; ''manaḥ-haraḥ''—attractive to the mind.
anyonyam—among each other; āsīt—there was; sañjalpaḥ—talking; uttama-śloka—the Supreme, who is praised by selected poetry; cetasām—of those whose hearts are absorbed in that way; kaurava-indra—the king of the Kurus; pura—capital; strīṇām—all the ladies; sarva—all; śruti—the Vedas; manaḥ-haraḥ—attractive to the mind.
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==== TRANSLATION ====
==== TRANSLATION ====


 
<div class="translation">
<div id="translation">
Absorbed in the thought of the transcendental qualities of the Lord, who is glorified in select poetry, the ladies on the roofs of all the houses of Hastināpura began to talk of Him. This talk was more attractive than the hymns of the Vedas.
Absorbed in the thought of the transcendental qualities of the Lord, who is glorified in select poetry, the ladies on the roofs of all the houses of Hastināpura began to talk of Him. This talk was more attractive than the hymns of the Vedas.
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==== PURPORT ====
==== PURPORT ====


<div class="purport">
In the [[Bhagavad-gita As It Is (1972)|''Bhagavad-gītā'']] it is said that in all the Vedic literatures the goal is the Personality of Godhead Śrī Kṛṣṇa. Factually the glories of the Lord are depicted in such literature as the ''Vedas'', ''Rāmāyaṇa'' and ''Mahābhārata''. And in the [[Srimad-Bhagavatam|''Bhāgavatam'']] they are specifically mentioned in respect to the Supreme Lord. Therefore, while the ladies on the tops of the houses in the capital of the kings of the Kuru dynasty were talking about the Lord, their talk was more pleasing than the Vedic hymns. Anything sung in the praise of the Lord is ''Śruti-mantra''. There are songs of Ṭhākura Narottama dāsa, one of the ''ācāryas'' in the Gauḍīya-''sampradāya'', composed in simple Bengali language. But Ṭhākura Viśvanātha Cakravartī, another very learned ''ācārya'' of the same ''sampradāya'', has approved the songs by Ṭhākura Narottama dāsa to be as good as Vedic ''mantras''. And this is so because of the subject matter. The language is immaterial, but the subject matter is important. The ladies, who were all absorbed in the thought and actions of the Lord, developed the consciousness of Vedic wisdom by the grace of the Lord. And therefore although such ladies might not have been very learned scholars in Sanskrit or otherwise, still whatever they spoke was more attractive than the Vedic hymns. The Vedic hymns in the ''Upaniṣads'' are sometimes indirectly directed to the Supreme Lord. But the talks of the ladies were directly spoken of the Lord, and thus they were more pleasing to the heart. The ladies' talks appeared to be more valuable than the learned ''brāhmaṇas'' ' benedictions.
</div>


<div id="purport">
 
In the Bhagavad-gītā it is said that in all the Vedic literatures the goal is the Personality of Godhead Śrī Kṛṣṇa. Factually the glories of the Lord are depicted in such literature as the Vedas, Rāmāyaṇa and Mahābhārata. And in the Bhāgavatam they are specifically mentioned in respect to the Supreme Lord. Therefore, while the ladies on the tops of the houses in the capital of the kings of the Kuru dynasty were talking about the Lord, their talk was more pleasing than the Vedic hymns. Anything sung in the praise of the Lord is Śruti-mantra. There are songs of Ṭhākura Narottama dāsa, one of the ācāryas in the Gauḍīya-sampradāya, composed in simple Bengali language. But Ṭhākura Viśvanātha Cakravartī, another very learned ācārya of the same sampradāya, has approved the songs by Ṭhākura Narottama dāsa to be as good as Vedic mantras. And this is so because of the subject matter. The language is immaterial, but the subject matter is important. The ladies, who were all absorbed in the thought and actions of the Lord, developed the consciousness of Vedic wisdom by the grace of the Lord. And therefore although such ladies might not have been very learned scholars in Sanskrit or otherwise, still whatever they spoke was more attractive than the Vedic hymns. The Vedic hymns in the Upaniṣads are sometimes indirectly directed to the Supreme Lord. But the talks of the ladies were directly spoken of the Lord, and thus they were more pleasing to the heart. The ladies' talks appeared to be more valuable than the learned brāhmaṇas' benedictions.
<div style="float:right; clear:both;">[[File:Go-previous.png|link=SB 1.10.19]] '''[[SB 1.10.19]] - [[SB 1.10.21]]''' [[File:Go-next.png|link=SB 1.10.21]]</div>
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Revision as of 10:12, 1 May 2021



His Divine Grace
A.C. Bhaktivedanta Swami Prabhupada



TEXT 20

anyonyam āsīt sañjalpa
uttama-śloka-cetasām
kauravendra-pura-strīṇāṁ
sarva-śruti-mano-haraḥ


SYNONYMS

anyonyam—among each other; āsīt—there was; sañjalpaḥ—talking; uttama-śloka—the Supreme, who is praised by selected poetry; cetasām—of those whose hearts are absorbed in that way; kaurava-indra—the king of the Kurus; pura—capital; strīṇām—all the ladies; sarva—all; śruti—the Vedas; manaḥ-haraḥ—attractive to the mind.


TRANSLATION

Absorbed in the thought of the transcendental qualities of the Lord, who is glorified in select poetry, the ladies on the roofs of all the houses of Hastināpura began to talk of Him. This talk was more attractive than the hymns of the Vedas.


PURPORT

In the Bhagavad-gītā it is said that in all the Vedic literatures the goal is the Personality of Godhead Śrī Kṛṣṇa. Factually the glories of the Lord are depicted in such literature as the Vedas, Rāmāyaṇa and Mahābhārata. And in the Bhāgavatam they are specifically mentioned in respect to the Supreme Lord. Therefore, while the ladies on the tops of the houses in the capital of the kings of the Kuru dynasty were talking about the Lord, their talk was more pleasing than the Vedic hymns. Anything sung in the praise of the Lord is Śruti-mantra. There are songs of Ṭhākura Narottama dāsa, one of the ācāryas in the Gauḍīya-sampradāya, composed in simple Bengali language. But Ṭhākura Viśvanātha Cakravartī, another very learned ācārya of the same sampradāya, has approved the songs by Ṭhākura Narottama dāsa to be as good as Vedic mantras. And this is so because of the subject matter. The language is immaterial, but the subject matter is important. The ladies, who were all absorbed in the thought and actions of the Lord, developed the consciousness of Vedic wisdom by the grace of the Lord. And therefore although such ladies might not have been very learned scholars in Sanskrit or otherwise, still whatever they spoke was more attractive than the Vedic hymns. The Vedic hymns in the Upaniṣads are sometimes indirectly directed to the Supreme Lord. But the talks of the ladies were directly spoken of the Lord, and thus they were more pleasing to the heart. The ladies' talks appeared to be more valuable than the learned brāhmaṇas ' benedictions.



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