CC Madhya 14.168 (1975): Difference between revisions

Latest revision as of 08:14, 27 January 2020

Śrī Caitanya-caritāmṛta (1975) - Madhya-līlā - Chapter 14: Performance of the Vṛndāvana Pastimes

Madhya-līlā 14.167 - Madhya-līlā 14.169

Compare Versions: CC 1975 with CC 1996

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His Divine Grace
A.C. Bhaktivedanta Swami Prabhupada

TEXT 168

'kila-kiñcita', 'kuṭṭamita', 'vilāsa', 'lalita'

'vivvoka', 'moṭṭāyita', āra 'maugdhya', 'cakita'

SYNONYMS

kila-kiñcita—a particular type of ornament at the time of seeing Kṛṣṇa; kuṭṭamita—the symptom explained in verse 197; vilāsa—the symptom explained in verse 187; lalita—the symptom explained in verse 192; vivvoka—neglecting the presentation given by the hero; moṭṭāyita—awakening of lusty desires by the remembrance and words of the hero; āra—and; maugdhya—assuming the position of not knowing things although everything is known; cakita—a position in which the heroine appears very afraid although she is not at all afraid.

TRANSLATION

"Some of the symptoms critically explained in the following verses are kilakiñcita, kuṭṭamita, vilāsa, lalita, vivvoka, moṭṭāyita, maugdhya and cakita.

Madhya-līlā 14.167 - Madhya-līlā 14.169

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 <div style="float:left">'''[[Sri Caitanya-caritamrta (1975)|Śrī Caitanya-caritāmṛta (1975)]] - [[CC Madhya (1975)|Madhya-līlā]] - [[CC Madhya 14 (1975)|Chapter 14: Performance of the Vṛndāvana Pastimes]]'''</div>
 <div style="float:right">[[File:Go-previous.png|link=CC Madhya 14.167 (1975)|Madhya-līlā 14.167]] '''[[CC Madhya 14.167 (1975)|Madhya-līlā 14.167]] - [[CC Madhya 14.169 (1975)|Madhya-līlā 14.169]]''' [[File:Go-next.png|link=CC Madhya 14.169 (1975)|Madhya-līlā 14.169]]</div>
+{{CompareVersions|CC|Madhya 14.168|CC 1975|CC 1996}}
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-''Below is the 1996 edition text, ready to be substituted with the 1975 one using the compile form.''
 ==== TEXT 168 ====
 <div class="verse">
-:‘kila-kiñcita’, ‘kuṭṭamita’, ‘vilāsa’, ‘lalita’
+:'kila-kiñcita', 'kuṭṭamita', 'vilāsa', 'lalita'
-:‘vivvoka’, ‘moṭṭāyita’, āra ‘maugdhya’, ‘cakita’
+:'vivvoka', 'moṭṭāyita', āra 'maugdhya', 'cakita'
 </div>
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 <div class="synonyms">
-kila-kiñcita—a particular type of ecstatic ornament manifested at the time of seeing Kṛṣṇa; kuṭṭamita—the symptom explained in verse 197; vilāsa—the symptom explained in verse 187; lalita—the symptom explained in verse 192; vivvoka—neglecting the presentation given by the hero; moṭṭāyita—awakening of lusty desires by the remembrance and words of the hero; āra—and; maugdhya—assuming the position of not knowing things although everything is known; cakita—a position in which the heroine appears very much afraid although she is not at all afraid.
+kila-kiñcita—a particular type of ornament at the time of seeing Kṛṣṇa; kuṭṭamita—the symptom explained in verse 197; vilāsa—the symptom explained in verse 187; lalita—the symptom explained in verse 192; vivvoka—neglecting the presentation given by the hero; moṭṭāyita—awakening of lusty desires by the remembrance and words of the hero; āra—and; maugdhya—assuming the position of not knowing things although everything is known; cakita—a position in which the heroine appears very afraid although she is not at all afraid.
 </div>
@@ Line 25: / Line 24: @@
 <div class="translation">
-“Some of the symptoms critically explained in the following verses are kila-kiñcita, kuṭṭamita, vilāsa, lalita, vivvoka, moṭṭāyita, maugdhya and cakita.
+"Some of the symptoms critically explained in the following verses are kilakiñcita, kuṭṭamita, vilāsa, lalita, vivvoka, moṭṭāyita, maugdhya and cakita.
 </div>