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CC Antya 1.167 (1975): Difference between revisions

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<div style="float:left">'''[[Sri Caitanya-caritamrta (1975)|Śrī Caitanya-caritāmṛta (1975)]] - [[CC Antya (1975)|Antya-līlā]] - [[CC Antya 1 (1975)|Chapter 1: Śrīla Rūpa Gosvāmī's Second Meeting With the Lord]]'''</div>
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''Below is the 1996 edition text, ready to be substituted with the 1975 one using the compile form.''


==== TEXT 167 ====
==== TEXT 167 ====


<div class="verse">
<div class="verse">
:kula-vara-tanu-dharma-grāva-vṛndāni bhindan
:kula-varatanu-dharma-grāva-vṛndāni bhindan
:su-mukhi niśita-dīrghāpāṅga-ṭaṅka-cchaṭābhiḥ
:sumukhi niśita-dīrghāpāṅga-ṭaṅka-cchaṭābhiḥ
:yugapad ayam apūrvaḥ kaḥ puro viśvakarmā
:yugapad ayam apūrvaḥ kaḥ puro viśva-karmā
:marakata-maṇi-lakṣair goṣṭha-kakṣāṁ cinoti
:marakata-maṇi-lakṣair goṣṭha-kakṣāṁ cinoti
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<div class="synonyms">
<div class="synonyms">
kula-vara-tanu—of the family women; dharma—in the form of dedication to the husband, etc.; grāva-vṛndāni—the stones; bhindan—splitting; su-mukhi—O beautiful-faced one; niśita—sharp; dīrgha—apāṅga—in the form of long outer corners of the eyes; ṭaṅka-chaṭābhiḥ—by chisels; yugapat—simultaneously; ayam—this; apūrvaḥ—unprecedented; kaḥ—who; puraḥ—in front; viśvakarmā—creative person; marakata-maṇi—lakṣaiḥ—with countless emeralds; goṣṭha-kakṣām—a private room for meeting; cinoti—He is constructing.
kula-varatanu—of the family women; dharma—in the form of dedication to the husband, etc.; grāva-vṛndāni—the stones; bhindan—splitting; sumukhi—O beautiful-faced one; niśita—sharp; dīrgha-apāṅga—in the form of long outer corners of the eyes; ṭaṅka-chaṭābhiḥ—by chisels; yugapat—simultaneously; ayam—this; apūrvaḥ—unprecedented; kaḥ—who; puraḥ—in front; viśva-karmā—creative person; marakata-maṇi-lakṣaiḥ—with countless emeralds; goṣṭha-kakṣām—a private room for meeting; cinoti—He is constructing.
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<div class="translation">
<div class="translation">
“‘O beautiful-faced one, who is this creative person standing before us? With the sharp chisels of His loving glances, He is splitting the hard stones of many women’s devotion to their husbands. And with the luster of His body, surpassing the brilliance of countless emeralds, He is simultaneously constructing private meeting places for His pastimes.
'O beautiful-faced one, who is this creative person standing before us? With the sharp chisels of His loving glances, He is splitting the hard stones of many women's devotion to their husbands. And with the luster of His body, surpassing the brilliance of countless emeralds, He is simultaneously constructing private meeting places for His pastimes.'
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Latest revision as of 20:13, 26 January 2020



His Divine Grace
A.C. Bhaktivedanta Swami Prabhupada



TEXT 167

kula-varatanu-dharma-grāva-vṛndāni bhindan
sumukhi niśita-dīrghāpāṅga-ṭaṅka-cchaṭābhiḥ
yugapad ayam apūrvaḥ kaḥ puro viśva-karmā
marakata-maṇi-lakṣair goṣṭha-kakṣāṁ cinoti


SYNONYMS

kula-varatanu—of the family women; dharma—in the form of dedication to the husband, etc.; grāva-vṛndāni—the stones; bhindan—splitting; sumukhi—O beautiful-faced one; niśita—sharp; dīrgha-apāṅga—in the form of long outer corners of the eyes; ṭaṅka-chaṭābhiḥ—by chisels; yugapat—simultaneously; ayam—this; apūrvaḥ—unprecedented; kaḥ—who; puraḥ—in front; viśva-karmā—creative person; marakata-maṇi-lakṣaiḥ—with countless emeralds; goṣṭha-kakṣām—a private room for meeting; cinoti—He is constructing.


TRANSLATION

'O beautiful-faced one, who is this creative person standing before us? With the sharp chisels of His loving glances, He is splitting the hard stones of many women's devotion to their husbands. And with the luster of His body, surpassing the brilliance of countless emeralds, He is simultaneously constructing private meeting places for His pastimes.'


PURPORT

This verse (Lalita-mādhava 1.52) is spoken by Rādhārāṇī to Lalitādevī.