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SB 10.81.24: Difference between revisions

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(Vanibot #0054 edit - transform synonyms into clickable links, which search similar occurrences)
 
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''evam''—thus; ''mīmāṁsamānam''—who was deeply pondering; ''tam''—him; ''narāḥ''—the men; ''nāryaḥ''—and women; ''amara''—like the demigods'; ''prabhāḥ''—whose effulgent complexions; ''pratyagṛhṇan''—greeted; ''mahā-bhāgam''—most fortunate; ''gīta''—with singing; ''vādyena''—and instrumental accompaniment; ''bhūyasā''—loud.
''[//vanipedia.org/wiki/Special:VaniSearch?s=evam&tab=syno_o&ds=1 evam]'' — thus; ''[//vanipedia.org/wiki/Special:VaniSearch?s=mīmāṁsamānam&tab=syno_o&ds=1 mīmāṁsamānam]'' — who was deeply pondering; ''[//vanipedia.org/wiki/Special:VaniSearch?s=tam&tab=syno_o&ds=1 tam]'' — him; ''[//vanipedia.org/wiki/Special:VaniSearch?s=narāḥ&tab=syno_o&ds=1 narāḥ]'' — the men; ''[//vanipedia.org/wiki/Special:VaniSearch?s=nāryaḥ&tab=syno_o&ds=1 nāryaḥ]'' — and women; ''[//vanipedia.org/wiki/Special:VaniSearch?s=amara&tab=syno_o&ds=1 amara]'' — like the demigods'; ''[//vanipedia.org/wiki/Special:VaniSearch?s=prabhāḥ&tab=syno_o&ds=1 prabhāḥ]'' — whose effulgent complexions; ''[//vanipedia.org/wiki/Special:VaniSearch?s=pratyagṛhṇan&tab=syno_o&ds=1 pratyagṛhṇan]'' — greeted; ''[//vanipedia.org/wiki/Special:VaniSearch?s=mahā&tab=syno_o&ds=1 mahā]-[//vanipedia.org/wiki/Special:VaniSearch?s=bhāgam&tab=syno_o&ds=1 bhāgam]'' — most fortunate; ''[//vanipedia.org/wiki/Special:VaniSearch?s=gīta&tab=syno_o&ds=1 gīta]'' — with singing; ''[//vanipedia.org/wiki/Special:VaniSearch?s=vādyena&tab=syno_o&ds=1 vādyena]'' — and instrumental accompaniment; ''[//vanipedia.org/wiki/Special:VaniSearch?s=bhūyasā&tab=syno_o&ds=1 bhūyasā]'' — loud.
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Latest revision as of 20:02, 17 February 2024

His Divine Grace
A.C. Bhaktivedanta Swami Prabhupada


Please note: The synonyms, translation and purport of this verse were composed by disciples of Śrīla Prabhupāda

TEXT 24

evaṁ mīmāṁsamānaṁ taṁ
narā nāryo 'mara-prabhāḥ
pratyagṛhṇan mahā-bhāgaṁ
gīta-vādyena bhūyasā


SYNONYMS

evam — thus; mīmāṁsamānam — who was deeply pondering; tam — him; narāḥ — the men; nāryaḥ — and women; amara — like the demigods'; prabhāḥ — whose effulgent complexions; pratyagṛhṇan — greeted; mahā-bhāgam — most fortunate; gīta — with singing; vādyena — and instrumental accompaniment; bhūyasā — loud.

Translation and purport composed by disciples of Śrīla Prabhupāda


TRANSLATION

As he continued to ponder in this way, the beautiful men—and maidservants, as effulgent as demigods, came forward to greet their greatly fortunate master with loud song and instrumental music.


PURPORT

As explained by Ācārya Viśvanātha Cakravartī, the word pratyagṛhṇan ("they acknowledged in turn") indicates that first Sudāmā accepted the servants within his mind, deciding "My Lord must want me to have them," and in response to the visible change in his attitude, they approached him as their master.



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