CC Antya 20.103: Difference between revisions
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{{ | [[Category:Sri Caitanya-caritamrta - Antya-lila Chapter 20|C103]] | ||
<div style="float:left">'''[[Sri Caitanya-caritamrta|Śrī Caitanya-caritāmṛta]] - [[CC Antya|Antya-līlā]] - [[CC Antya 20|Chapter 20: The Śikṣāṣṭaka Prayers]]'''</div> | |||
<div style="float:right">[[File:Go-previous.png|link=CC Antya 20.102|Antya-līlā 20.102]] '''[[CC Antya 20.102|Antya-līlā 20.102]] - [[CC Antya 20.104|Antya-līlā 20.104]]''' [[File:Go-next.png|link=CC Antya 20.104|Antya-līlā 20.104]]</div> | |||
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==== TEXT 103 ==== | ==== TEXT 103 ==== | ||
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prathama paricchede—rūpera dvitīya-milana | :prathama paricchede—rūpera dvitīya-milana | ||
tāra madhye dui-nāṭakera vidhāna-śravaṇa | :tāra madhye dui-nāṭakera vidhāna-śravaṇa | ||
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==== SYNONYMS ==== | ==== SYNONYMS ==== | ||
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prathama | ''prathama paricchede''—in the First Chapter; ''rūpera''—of Rūpa Gosvāmī; ''dvitīya-milana''—the second meeting with Lord Caitanya; ''tāra madhye''—within that chapter; ''dui-nāṭakera''—of the two dramas; ''vidhāna-śravaṇa''—hearing of the process of writing. | ||
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==== TRANSLATION ==== | ==== TRANSLATION ==== | ||
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The First Chapter describes how Rūpa Gosvāmī met Śrī Caitanya Mahāprabhu for the second time and how the Lord heard his two dramas [Vidagdha-mādhava and Lalita-mādhava]. | The First Chapter describes how Rūpa Gosvāmī met Śrī Caitanya Mahāprabhu for the second time and how the Lord heard his two dramas [Vidagdha-mādhava and Lalita-mādhava]. | ||
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Revision as of 17:28, 22 October 2021
His Divine Grace
A.C. Bhaktivedanta Swami Prabhupada
A.C. Bhaktivedanta Swami Prabhupada
TEXT 103
- prathama paricchede—rūpera dvitīya-milana
- tāra madhye dui-nāṭakera vidhāna-śravaṇa
SYNONYMS
prathama paricchede—in the First Chapter; rūpera—of Rūpa Gosvāmī; dvitīya-milana—the second meeting with Lord Caitanya; tāra madhye—within that chapter; dui-nāṭakera—of the two dramas; vidhāna-śravaṇa—hearing of the process of writing.
TRANSLATION
The First Chapter describes how Rūpa Gosvāmī met Śrī Caitanya Mahāprabhu for the second time and how the Lord heard his two dramas [Vidagdha-mādhava and Lalita-mādhava].