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[[Category:Sri Caitanya-caritamrta - Antya-lila Chapter 05]]
<div style="float:left">'''[[Sri Caitanya-caritamrta|Śrī Caitanya-caritāmṛta]] - [[CC Antya|Antya-līlā]] - [[CC Antya 5|Chapter 5: How Pradyumna Miśra Received Instructions from Rāmānanda Rāya]]'''</div>
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==== TEXT 97 ====
==== TEXT 97 ====


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’rasābhāsa’ haya yadi ‘siddhānta-virodha’<br>
:'rasābhāsa' haya yadi 'siddhānta-virodha'
sahite nā pāre prabhu, mane haya krodha<br>
:sahite nā pāre prabhu, mane haya krodha
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==== SYNONYMS ====
==== SYNONYMS ====


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rasa-ābhāsa—overlapping of transcendental mellows; haya—there is; yadi—if; siddhānta-virodha—against the principles of the bhakti cult; sahite nā pāre—cannot tolerate; prabhu—Śrī Caitanya Mahāprabhu; mane—within the mind; haya—is; krodha—anger.
''rasa-ābhāsa''—overlapping of transcendental mellows; ''haya''—there is; ''yadi''—if; ''siddhānta-virodha''—against the principles of the bhakti cult; ''sahite nā pāre''—cannot tolerate; ''prabhu''—Śrī Caitanya Mahāprabhu; ''mane''—within the mind; ''haya''—is; ''krodha''—anger.
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==== TRANSLATION ====
==== TRANSLATION ====


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If there were a hint that transcendental mellows overlapped in a manner contrary to the principles of the bhakti cult, Śrī Caitanya Mahāprabhu would not tolerate it and would become very angry.
If there were a hint that transcendental mellows overlapped in a manner contrary to the principles of the bhakti cult, Śrī Caitanya Mahāprabhu would not tolerate it and would become very angry.
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==== PURPORT ====
==== PURPORT ====


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Śrīla Bhaktisiddhānta Sarasvatī Ṭhākura quotes the following definition of rasābhāsa from the Bhakti-rasāmṛta-sindhu (Uttara-vibhāga, Ninth Wave, 1-3, 33, 38 and 41):
Śrīla Bhaktisiddhānta Sarasvatī Ṭhākura quotes the following definition of ''rasābhāsa'' from the ''Bhakti-rasāmṛta-sindhu'' (''Uttara-vibhāga'', Ninth Wave, 1-3, 33, 38 and 41):


:pūrvam evānuśiṣṭena vikalā rasa-lakṣaṇā
:''pūrvam evānuśiṣṭena vikalā rasa-lakṣaṇā''
:rasā eva rasābhāsā rasajñair anukīrtitāḥ
:''rasā eva rasābhāsā rasajñair anukīrtitāḥ''
:syus tridhoparasāś cānurasāś cāparasāś ca te
:''syus tridhoparasāś cānurasāś cāparasāś ca te''
:uttamā madhyamāḥ proktāḥ kaniṣṭhāś cety amī kramāt
:''uttamā madhyamāḥ proktāḥ kaniṣṭhāś cety amī kramāt''
:prāptaiḥ sthāyi-vibhāvānubhāvādyais tu virūpatām
:''prāptaiḥ sthāyi-vibhāvānubhāvādyais tu virūpatām''
:śāntādayo rasā eva dvādaśoparasā matāḥ
:''śāntādayo rasā eva dvādaśoparasā matāḥ''
:bhaktādibhir vibhāvādyaiḥ kṛṣṇa-sambandha-varjitaiḥ
:''bhaktādibhir vibhāvādyaiḥ kṛṣṇa-sambandha-varjitaiḥ''
:rasā hāsyādayaḥ sapta śāntaś cānurasā matāḥ
:''rasā hāsyādayaḥ sapta śāntaś cānurasā matāḥ''
:kṛṣṇa-tat-pratipakṣaś ced viṣayāśrayatāṁ gatāḥ
:''kṛṣṇa-tat-pratipakṣaś ced viṣayāśrayatāṁ gatāḥ''
:hāsādīnāṁ tadā te ‘tra prājñair aparasā matāḥ
:''hāsādīnāṁ tadā te ‘tra prājñair aparasā matāḥ''
:bhāvāḥ sarve tadābhāsā rasābhāsāś ca kecana
:''bhāvāḥ sarve tadābhāsā rasābhāsāś ca kecana''
:amī prokta-rasābhijñaiḥ sarve ‘pi rasanād rasāḥ
:''amī prokta-rasābhijñaiḥ sarve 'pi rasanād rasāḥ''


“A mellow temporarily appearing transcendental but contradicting mellows previously stated and lacking some of a mellow’s necessities is called rasābhāsa, an overlapping mellow, by advanced devotees who know how to taste transcendental mellows. Such mellows are called uparasa (submellows), anurasa (imitation transcendental mellows) and aparasa (opposing transcendental mellows). Thus the overlapping of transcendental mellows is described as being first grade, second grade or third grade. When the twelve mellows—such as neutrality, servitorship and friendship—are characterized by adverse sthāyi-bhāva, vibhāva and anubhāva ecstasies, they are known as uparasa, submellows. When the seven indirect transcendental mellows and the dried-up mellow of neutrality are produced by devotees and moods not directly related to Kṛṣṇa and devotional service in ecstatic love, they are described as anurasa, imitation mellows. If Kṛṣṇa and the enemies who harbor feelings of opposition toward Him are respectively the object and abodes of the mellow of laughter, the resulting feelings are called aparasa, opposing mellows. Experts in distinguishing one mellow from another sometimes accept some overlapping transcendental mellows (rasābhāsa) as rasas due to their being pleasurable and tasteful.” Śrīla Viśvanātha Cakravartī Ṭhākura says, paraspara-vairayor yadi yogas tadā rasābhāsaḥ: “When two opposing transcendental mellows overlap, they produce rasābhāsa, or an overlapping of transcendental mellows.”
"A mellow temporarily appearing transcendental but contradicting mellows previously stated and lacking some of a mellow 's necessities is called ''rasābhāsa'', an overlapping mellow, by advanced devotees who know how to taste transcendental mellows. Such mellows are called ''uparasa'' (submellows), ''anurasa'' (imitation transcendental mellows) and ''aparasa'' (opposing transcendental mellows). Thus the overlapping of transcendental mellows is described as being first grade, second grade or third grade. When the twelve mellows—such as neutrality, servitorship and friendship—are characterized by adverse ''sthāyi-bhāva'', ''vibhāva'' and ''anubhāva'' ecstasies, they are known as ''uparasa'', submellows. When the seven indirect transcendental mellows and the dried-up mellow of neutrality are produced by devotees and moods not directly related to Kṛṣṇa and devotional service in ecstatic love, they are described as ''anurasa'', imitation mellows. If Kṛṣṇa and the enemies who harbor feelings of opposition toward Him are respectively the object and abodes of the mellow of laughter, the resulting feelings are called ''aparasa'', opposing mellows. Experts in distinguishing one mellow from another sometimes accept some overlapping transcendental mellows (''rasābhāsa'') as ''rasas'' due to their being pleasurable and tasteful." Śrīla Viśvanātha Cakravartī Ṭhākura says, ''paraspara-vairayor yadi yogas tadā rasābhāsaḥ:'' "When two opposing transcendental mellows overlap, they produce ''rasābhāsa'', or an overlapping of transcendental mellows."
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<div style="float:right; clear:both;">[[File:Go-previous.png|link=CC Antya 5.96|Antya-līlā 5.96]] '''[[CC Antya 5.96|Antya-līlā 5.96]] - [[CC Antya 5.98|Antya-līlā 5.98]]''' [[File:Go-next.png|link=CC Antya 5.98|Antya-līlā 5.98]]</div>
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Revision as of 08:54, 1 October 2021



His Divine Grace
A.C. Bhaktivedanta Swami Prabhupada



TEXT 97

'rasābhāsa' haya yadi 'siddhānta-virodha'
sahite nā pāre prabhu, mane haya krodha


SYNONYMS

rasa-ābhāsa—overlapping of transcendental mellows; haya—there is; yadi—if; siddhānta-virodha—against the principles of the bhakti cult; sahite nā pāre—cannot tolerate; prabhu—Śrī Caitanya Mahāprabhu; mane—within the mind; haya—is; krodha—anger.


TRANSLATION

If there were a hint that transcendental mellows overlapped in a manner contrary to the principles of the bhakti cult, Śrī Caitanya Mahāprabhu would not tolerate it and would become very angry.


PURPORT

Śrīla Bhaktisiddhānta Sarasvatī Ṭhākura quotes the following definition of rasābhāsa from the Bhakti-rasāmṛta-sindhu (Uttara-vibhāga, Ninth Wave, 1-3, 33, 38 and 41):

pūrvam evānuśiṣṭena vikalā rasa-lakṣaṇā
rasā eva rasābhāsā rasajñair anukīrtitāḥ
syus tridhoparasāś cānurasāś cāparasāś ca te
uttamā madhyamāḥ proktāḥ kaniṣṭhāś cety amī kramāt
prāptaiḥ sthāyi-vibhāvānubhāvādyais tu virūpatām
śāntādayo rasā eva dvādaśoparasā matāḥ
bhaktādibhir vibhāvādyaiḥ kṛṣṇa-sambandha-varjitaiḥ
rasā hāsyādayaḥ sapta śāntaś cānurasā matāḥ
kṛṣṇa-tat-pratipakṣaś ced viṣayāśrayatāṁ gatāḥ
hāsādīnāṁ tadā te ‘tra prājñair aparasā matāḥ
bhāvāḥ sarve tadābhāsā rasābhāsāś ca kecana
amī prokta-rasābhijñaiḥ sarve 'pi rasanād rasāḥ

"A mellow temporarily appearing transcendental but contradicting mellows previously stated and lacking some of a mellow 's necessities is called rasābhāsa, an overlapping mellow, by advanced devotees who know how to taste transcendental mellows. Such mellows are called uparasa (submellows), anurasa (imitation transcendental mellows) and aparasa (opposing transcendental mellows). Thus the overlapping of transcendental mellows is described as being first grade, second grade or third grade. When the twelve mellows—such as neutrality, servitorship and friendship—are characterized by adverse sthāyi-bhāva, vibhāva and anubhāva ecstasies, they are known as uparasa, submellows. When the seven indirect transcendental mellows and the dried-up mellow of neutrality are produced by devotees and moods not directly related to Kṛṣṇa and devotional service in ecstatic love, they are described as anurasa, imitation mellows. If Kṛṣṇa and the enemies who harbor feelings of opposition toward Him are respectively the object and abodes of the mellow of laughter, the resulting feelings are called aparasa, opposing mellows. Experts in distinguishing one mellow from another sometimes accept some overlapping transcendental mellows (rasābhāsa) as rasas due to their being pleasurable and tasteful." Śrīla Viśvanātha Cakravartī Ṭhākura says, paraspara-vairayor yadi yogas tadā rasābhāsaḥ: "When two opposing transcendental mellows overlap, they produce rasābhāsa, or an overlapping of transcendental mellows."



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