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CC Antya 5.23: Difference between revisions

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[[Category:Sri Caitanya-caritamrta - Antya-lila Chapter 05]]
<div style="float:left">'''[[Sri Caitanya-caritamrta|Śrī Caitanya-caritāmṛta]] - [[CC Antya|Antya-līlā]] - [[CC Antya 5|Chapter 5: How Pradyumna Miśra Received Instructions from Rāmānanda Rāya]]'''</div>
<div style="float:right">[[File:Go-previous.png|link=CC Antya 5.22|Antya-līlā 5.22]] '''[[CC Antya 5.22|Antya-līlā 5.22]] - [[CC Antya 5.24|Antya-līlā 5.24]]''' [[File:Go-next.png|link=CC Antya 5.24|Antya-līlā 5.24]]</div>
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==== TEXT 23 ====
==== TEXT 23 ====


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sañcārī, sāttvika, sthāyi-bhāvera lakṣaṇa<br>
:sañcārī, sāttvika, sthāyi-bhāvera lakṣaṇa
mukhe netre abhinaya kare prakaṭana<br>
:mukhe netre abhinaya kare prakaṭana
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==== SYNONYMS ====
==== SYNONYMS ====


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sañcārī—passing; sāttvika—natural; sthāyi—continuously existing; bhāvera—of ecstasies; lakṣaṇa—symptoms; mukhe—in the facial expressions; netre—in the movement of the eyes; abhinaya—the dramatic performance; kare prakaṭana—he demonstrates.
''sañcārī''—passing; ''sāttvika''—natural; ''sthāyi''—continuously existing; ''bhāvera''—of ecstasies; ''lakṣaṇa''—symptoms; ''mukhe''—in the facial expressions; ''netre''—in the movement of the eyes; ''abhinaya''—the dramatic performance; ''kare prakaṭana''—he demonstrates.
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==== TRANSLATION ====
==== TRANSLATION ====


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He taught them how to express the symptoms of continuous, natural and transitional ecstasies with the movements of their faces, their eyes and the other parts of their bodies.
He taught them how to express the symptoms of continuous, natural and transitional ecstasies with the movements of their faces, their eyes and the other parts of their bodies.
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Revision as of 03:18, 29 September 2021



His Divine Grace
A.C. Bhaktivedanta Swami Prabhupada



TEXT 23

sañcārī, sāttvika, sthāyi-bhāvera lakṣaṇa
mukhe netre abhinaya kare prakaṭana


SYNONYMS

sañcārī—passing; sāttvika—natural; sthāyi—continuously existing; bhāvera—of ecstasies; lakṣaṇa—symptoms; mukhe—in the facial expressions; netre—in the movement of the eyes; abhinaya—the dramatic performance; kare prakaṭana—he demonstrates.


TRANSLATION

He taught them how to express the symptoms of continuous, natural and transitional ecstasies with the movements of their faces, their eyes and the other parts of their bodies.