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{{ | [[Category:Sri Caitanya-caritamrta - Antya-lila Chapter 05]] | ||
<div style="float:left">'''[[Sri Caitanya-caritamrta|Śrī Caitanya-caritāmṛta]] - [[CC Antya|Antya-līlā]] - [[CC Antya 5|Chapter 5: How Pradyumna Miśra Received Instructions from Rāmānanda Rāya]]'''</div> | |||
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==== TEXT 22 ==== | ==== TEXT 22 ==== | ||
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tabe sei dui-jane nṛtya śikhāilā | :tabe sei dui-jane nṛtya śikhāilā | ||
gītera gūḍha artha abhinaya karāilā | :gītera gūḍha artha abhinaya karāilā | ||
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==== SYNONYMS ==== | ==== SYNONYMS ==== | ||
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''tabe''—thereupon; ''sei''—those; ''dui-jane''—two young girls; ''nṛtya śikhāilā''—directed how to dance; ''gītera''—of the songs; ''gūḍha artha''—the deep meaning; ''abhinaya karāilā''—taught how to express by dramatic performances. | |||
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==== TRANSLATION ==== | ==== TRANSLATION ==== | ||
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Rāmānanda Rāya directed the two girls how to dance and express the deep meaning of his songs through dramatic performances. | Rāmānanda Rāya directed the two girls how to dance and express the deep meaning of his songs through dramatic performances. | ||
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Revision as of 03:16, 29 September 2021
Śrī Caitanya-caritāmṛta - Antya-līlā - Chapter 5: How Pradyumna Miśra Received Instructions from Rāmānanda Rāya
His Divine Grace
A.C. Bhaktivedanta Swami Prabhupada
A.C. Bhaktivedanta Swami Prabhupada
TEXT 22
- tabe sei dui-jane nṛtya śikhāilā
- gītera gūḍha artha abhinaya karāilā
SYNONYMS
tabe—thereupon; sei—those; dui-jane—two young girls; nṛtya śikhāilā—directed how to dance; gītera—of the songs; gūḍha artha—the deep meaning; abhinaya karāilā—taught how to express by dramatic performances.
TRANSLATION
Rāmānanda Rāya directed the two girls how to dance and express the deep meaning of his songs through dramatic performances.