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CC Antya 1.184: Difference between revisions

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[[Category:Sri Caitanya-caritamrta - Antya-lila Chapter 01|C184]]
<div style="float:left">'''[[Sri Caitanya-caritamrta|Śrī Caitanya-caritāmṛta]] - [[CC Antya|Antya-līlā]] - [[CC Antya 1|Chapter 1: Śrīla Rūpa Gosvāmī's Second Meeting With the Lord]]'''</div>
<div style="float:right">[[File:Go-previous.png|link=CC Antya 1.183|Antya-līlā 1.183]] '''[[CC Antya 1.183|Antya-līlā 1.183]] - [[CC Antya 1.185|Antya-līlā 1.185]]''' [[File:Go-next.png|link=CC Antya 1.185|Antya-līlā 1.185]]</div>
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==== TEXT 184 ====
==== TEXT 184 ====


 
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:naṭatā kirāta-rājaṁ
naṭatā kirāta-rājaṁ<br>
:nihatya raṅga-sthale kalā-nidhinā
nihatya raṅga-sthale kalā-nidhinā<br>
:samaye tena vidheyaṁ
samaye tena vidheyaṁ<br>
:guṇavati tārā-kara-grahaṇam
guṇavati tārā-kara-grahaṇam<br>
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==== SYNONYMS ====
==== SYNONYMS ====


 
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''naṭatā''—dancing on the stage; ''kirāta-rājam''—the ruler of the Kirātas (uncivilized men), Kaṁsa; ''nihatya''—killing; ''raṅga-sthale''—on the stage; ''kalā-nidhinā''—the master of all arts; ''samaye''—at the time; ''tena''—by Him; ''vidheyam''—to be done; ''guṇa-vati''—at the qualified moment; ''tārā-kara''—of the hand of Tārā (Rādhā); ''grahaṇam''—the acceptance.
naṭatā—dancing on the stage; kirāta-rājam—the ruler of the Kirātas (uncivilized men), Kaṁsa; nihatya—killing; raṅga-sthale—on the stage; kalā-nidhinā—the master of all arts; samaye—at the time; tena—by Him; vidheyam—to be done; guṇa-vati—at the qualified moment; tārā-kara—of the hand of Tārā (Rādhā); grahaṇam—the acceptance.
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==== TRANSLATION ====
==== TRANSLATION ====


 
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" 'While dancing on the stage after having killed the ruler of uncivilized men [Kaṁsa], Lord Kṛṣṇa, master of all arts, will at the proper time accept the hand of Śrīmatī Rādhārāṇī, who is qualified with all transcendental attributes.'
“‘While dancing on the stage after having killed the ruler of uncivilized men [Kaṁsa], Lord Kṛṣṇa, master of all arts, will at the proper time accept the hand of Śrīmatī Rādhārāṇī, who is qualified with all transcendental attributes.’
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==== PURPORT ====
==== PURPORT ====
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This verse is ''Lalita-mādhava'' 1.11.
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<div id="purport">
<div style="float:right; clear:both;">[[File:Go-previous.png|link=CC Antya 1.183|Antya-līlā 1.183]] '''[[CC Antya 1.183|Antya-līlā 1.183]] - [[CC Antya 1.185|Antya-līlā 1.185]]''' [[File:Go-next.png|link=CC Antya 1.185|Antya-līlā 1.185]]</div>
This verse is Lalita-mādhava 1.11.
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Revision as of 10:07, 17 September 2021



His Divine Grace
A.C. Bhaktivedanta Swami Prabhupada



TEXT 184

naṭatā kirāta-rājaṁ
nihatya raṅga-sthale kalā-nidhinā
samaye tena vidheyaṁ
guṇavati tārā-kara-grahaṇam


SYNONYMS

naṭatā—dancing on the stage; kirāta-rājam—the ruler of the Kirātas (uncivilized men), Kaṁsa; nihatya—killing; raṅga-sthale—on the stage; kalā-nidhinā—the master of all arts; samaye—at the time; tena—by Him; vidheyam—to be done; guṇa-vati—at the qualified moment; tārā-kara—of the hand of Tārā (Rādhā); grahaṇam—the acceptance.


TRANSLATION

" 'While dancing on the stage after having killed the ruler of uncivilized men [Kaṁsa], Lord Kṛṣṇa, master of all arts, will at the proper time accept the hand of Śrīmatī Rādhārāṇī, who is qualified with all transcendental attributes.'


PURPORT

This verse is Lalita-mādhava 1.11.



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