CC Madhya 14.101: Difference between revisions
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{{ | [[Category:Sri Caitanya-caritamrta - Madhya-lila Chapter 14|C101]] | ||
<div style="float:left">'''[[Sri Caitanya-caritamrta|Śrī Caitanya-caritāmṛta]] - [[CC Madhya|Madhya-līlā]] - [[CC Madhya 14|Chapter 14: Performance of the Vṛndāvana Pastimes]]'''</div> | |||
<div style="float:right">[[File:Go-previous.png|link=CC Madhya 14.100|Madhya-līlā 14.100]] '''[[CC Madhya 14.100|Madhya-līlā 14.100]] - [[CC Madhya 14.102|Madhya-līlā 14.102]]''' [[File:Go-next.png|link=CC Madhya 14.102|Madhya-līlā 14.102]]</div> | |||
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==== TEXT 101 ==== | ==== TEXT 101 ==== | ||
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prabhu-saṅge svarūpādi kīrtanīyā gāya | :prabhu-saṅge svarūpādi kīrtanīyā gāya | ||
dik-vidik nāhi jñāna premera vanyāya | :dik-vidik nāhi jñāna premera vanyāya | ||
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==== SYNONYMS ==== | ==== SYNONYMS ==== | ||
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prabhu- | ''prabhu-saṅge''—with Śrī Caitanya Mahāprabhu; ''svarūpa-ādi''—headed by Svarūpa Dāmodara; ''kīrtanīyā''—chanters; ''gāya''—sing; ''dik-vidik''—of time and circumstances; ''nāhi''—not; ''jñāna''—knowledge; ''premera''—of ecstatic love; ''vanyāya''—by the inundation. | ||
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==== TRANSLATION ==== | ==== TRANSLATION ==== | ||
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Then devotees like Svarūpa Dāmodara and other kīrtana performers began to sing along with Śrī Caitanya Mahāprabhu. Being inundated with ecstatic love, they lost all consideration of time and circumstance. | Then devotees like Svarūpa Dāmodara and other kīrtana performers began to sing along with Śrī Caitanya Mahāprabhu. Being inundated with ecstatic love, they lost all consideration of time and circumstance. | ||
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<div style="float:right; clear:both;">[[File:Go-previous.png|link=CC Madhya 14.100|Madhya-līlā 14.100]] '''[[CC Madhya 14.100|Madhya-līlā 14.100]] - [[CC Madhya 14.102|Madhya-līlā 14.102]]''' [[File:Go-next.png|link=CC Madhya 14.102|Madhya-līlā 14.102]]</div> | |||
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Revision as of 16:23, 29 August 2021
TEXT 101
- prabhu-saṅge svarūpādi kīrtanīyā gāya
- dik-vidik nāhi jñāna premera vanyāya
SYNONYMS
prabhu-saṅge—with Śrī Caitanya Mahāprabhu; svarūpa-ādi—headed by Svarūpa Dāmodara; kīrtanīyā—chanters; gāya—sing; dik-vidik—of time and circumstances; nāhi—not; jñāna—knowledge; premera—of ecstatic love; vanyāya—by the inundation.
TRANSLATION
Then devotees like Svarūpa Dāmodara and other kīrtana performers began to sing along with Śrī Caitanya Mahāprabhu. Being inundated with ecstatic love, they lost all consideration of time and circumstance.