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CC Adi 16.74: Difference between revisions

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[[Category:Sri Caitanya-caritamrta - Adi-lila Chapter 16|C074]]
<div style="float:left">'''[[Sri Caitanya-caritamrta|Śrī Caitanya-caritāmṛta]] - [[CC Adi|Ādi-līlā]] - [[CC Adi 16|Chapter 16: The Pastimes of the Lord in His Childhood and Youth]]'''</div>
<div style="float:right">[[File:Go-previous.png|link=CC Adi 16.73|Ādi-līlā 16.73]] '''[[CC Adi 16.73|Ādi-līlā 16.73]] - [[CC Adi 16.75|Ādi-līlā 16.75]]''' [[File:Go-next.png|link=CC Adi 16.75|Ādi-līlā 16.75]]</div>
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==== TEXT 74 ====
==== TEXT 74 ====


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prathama-caraṇe pañca ‘ta’-kārera pāṅti<br>
:prathama-caraṇe pañca ‘ta’-kārera pāṅti
tṛtīya-caraṇe haya pañca ‘repha’-sthiti<br>
:tṛtīya-caraṇe haya pañca ‘repha’-sthiti
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==== SYNONYMS ====
==== SYNONYMS ====


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prathama-caraṇe—in the first line; pañca—five; ta-karera—of the letter ta; pāṅti—very nice composition; tṛtīya-caraṇe—in the third line; haya—there is; pañca—five; repha—of the letter ra; sthiti—composition.
''prathama-caraṇe''—in the first line; ''pañca—''five; ''ta-karera''—of the letter ta; ''pāṅti''—very nice composition; ''tṛtīya-caraṇe''—in the third line; ''haya''—there is; ''pañca''—five; ''repha—''of the letter ''ra''; ''sthiti''—composition.
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==== TRANSLATION ====
==== TRANSLATION ====


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“In the arrangement of the first line the letter ‘ta’ occurs five times, and the arrangement of the third line repeats the letter ‘ra’ five times.
“In the arrangement of the first line the letter ‘ta’ occurs five times, and the arrangement of the third line repeats the letter ‘ra’ five times.
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<div style="float:right; clear:both;">[[File:Go-previous.png|link=CC Adi 16.73|Ādi-līlā 16.73]] '''[[CC Adi 16.73|Ādi-līlā 16.73]] - [[CC Adi 16.75|Ādi-līlā 16.75]]''' [[File:Go-next.png|link=CC Adi 16.75|Ādi-līlā 16.75]]</div>
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Revision as of 10:10, 21 July 2021



His Divine Grace
A.C. Bhaktivedanta Swami Prabhupada



TEXT 74

prathama-caraṇe pañca ‘ta’-kārera pāṅti
tṛtīya-caraṇe haya pañca ‘repha’-sthiti


SYNONYMS

prathama-caraṇe—in the first line; pañca—five; ta-karera—of the letter ta; pāṅti—very nice composition; tṛtīya-caraṇe—in the third line; haya—there is; pañca—five; repha—of the letter ra; sthiti—composition.


TRANSLATION

“In the arrangement of the first line the letter ‘ta’ occurs five times, and the arrangement of the third line repeats the letter ‘ra’ five times.