CC Madhya 21.140 (1975): Difference between revisions
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<div style="float:left">'''[[Sri Caitanya-caritamrta (1975)|Śrī Caitanya-caritāmṛta (1975)]] - [[CC Madhya (1975)|Madhya-līlā]] - [[CC Madhya 21 (1975)|Chapter 21: The Opulence and Sweetness of Lord Śrī Kṛṣṇa]]'''</div> | <div style="float:left">'''[[Sri Caitanya-caritamrta (1975)|Śrī Caitanya-caritāmṛta (1975)]] - [[CC Madhya (1975)|Madhya-līlā]] - [[CC Madhya 21 (1975)|Chapter 21: The Opulence and Sweetness of Lord Śrī Kṛṣṇa]]'''</div> | ||
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==== TEXT 140 ==== | ==== TEXT 140 ==== | ||
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:smita-kiraṇa-sukarpūre, | :smita-kiraṇa-sukarpūre, paiśe adhara-madhure, | ||
:sei madhu mātāya tribhuvane | :sei madhu mātāya tribhuvane | ||
:vaṁśī-chidra ākāśe, | :vaṁśī-chidra ākāśe, tāra guṇa śabde paiśe, | ||
:dhvani-rūpe pāñā pariṇāme | :dhvani-rūpe pāñā pariṇāme | ||
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smita-kiraṇa—the shining of | smita-kiraṇa—the shining of Kṛṣṇa's smile; su-karpūre—compared to camphor; paiśe—enters; adhara-madhure—within the sweetness of the lips; sei madhu—that ambrosia; mātāya—maddens; tri-bhuvane—the three worlds; vaṁśī-chidra—of the holes in the flute; ākāśe—in the space; tāra guṇa—the quality of that sweetness; śabde—in sound vibration; paiśe—enters; dhvani-rūpe—the form of sound vibration; pāñā—obtaining; pariṇāme—by transformation. | ||
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"His slight smiling and fragrant illumination are compared to camphor, which enters the sweetness of the lips. That sweetness is transformed and enters into space as vibrations from the holes of His flute. | |||
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Latest revision as of 13:49, 27 January 2020
Śrī Caitanya-caritāmṛta (1975) - Madhya-līlā - Chapter 21: The Opulence and Sweetness of Lord Śrī Kṛṣṇa
TEXT 140
- smita-kiraṇa-sukarpūre, paiśe adhara-madhure,
- sei madhu mātāya tribhuvane
- vaṁśī-chidra ākāśe, tāra guṇa śabde paiśe,
- dhvani-rūpe pāñā pariṇāme
SYNONYMS
smita-kiraṇa—the shining of Kṛṣṇa's smile; su-karpūre—compared to camphor; paiśe—enters; adhara-madhure—within the sweetness of the lips; sei madhu—that ambrosia; mātāya—maddens; tri-bhuvane—the three worlds; vaṁśī-chidra—of the holes in the flute; ākāśe—in the space; tāra guṇa—the quality of that sweetness; śabde—in sound vibration; paiśe—enters; dhvani-rūpe—the form of sound vibration; pāñā—obtaining; pariṇāme—by transformation.
TRANSLATION
"His slight smiling and fragrant illumination are compared to camphor, which enters the sweetness of the lips. That sweetness is transformed and enters into space as vibrations from the holes of His flute.