CC Antya 5.97 (1975): Difference between revisions

Latest revision as of 02:45, 27 January 2020

Śrī Caitanya-caritāmṛta (1975) - Antya-līlā - Chapter 5: How Pradyumna Miśra Received Instructions from Rāmānanda Rāya

Antya-līlā 5.96 - Antya-līlā 5.98

Compare Versions: CC 1975 with CC 1996

His Divine Grace
A.C. Bhaktivedanta Swami Prabhupada

TEXT 97

'rasābhāsa' haya yadi 'siddhānta-virodha'

sahite nā pāre prabhu, mane haya krodha

SYNONYMS

rasa-ābhāsa—overlapping of transcendental mellows; haya—there is; yadi—if; siddhānta-virodha—against the principles of the bhakti cult; sahite nā pāre—cannot tolerate; prabhu—Śrī Caitanya Mahāprabhu; mane—within the mind; haya—is; krodha—anger.

TRANSLATION

If there were a hint that transcendental mellows overlapped in a manner contrary to the principles of the bhakti cult, Śrī Caitanya Mahāprabhu would not tolerate it and would become very angry.

PURPORT

Śrīla Bhaktisiddhānta Sarasvatī Ṭhākura quotes the following definition of rasābhāsa from the Bhakti-rasāmṛta-sindhu (Uttara-vibhāga, Ninth Wave, 1-3,20,22,24):

pūrvam evānuśiṣṭena

vikalā rasa-lakṣaṇā

rasā eva rasābhāsā

rasajñair anukīrtitāḥ

syus tridhoparasāś cānu-

rasāś cāparasāś ca te

uttamā madhyamāḥ proktāḥ

kaniṣṭhāś cety amī kramāt

prāptaiḥ sthāyi-vibhāvānu-

bhāvādyais tu virūpatām

śāntādayo rasā eva

dvādaśoparasā matāḥ

bhaktādibhir vibhāvādyaiḥ

kṛṣṇa-sambandha-varjitaiḥ

rasā hāsyādayaḥ sapta

śāntaś cānurasā matāḥ

kṛṣṇa-tat-pratipakṣaś ced

viṣayāśrayatāṁ gatāḥ

hāsādīnāṁ tadā te 'tra

prājñair aparasā matāḥ

bhāvāḥ sarve tadābhāsā

rasābhāsāś ca kecana

amī prokta-rasābhijñaiḥ

sarve 'pi rasanād rasāḥ

A mellow temporarily appearing transcendental but contradicting mellows previously stated and lacking some of a mellow's necessities is called rasābhāsa, an overlapping mellow, by advanced devotees who know how to taste transcendental mellows. Such mellows are called uparasa (submellows), anurasa (imitation transcendental mellows) and aparasa (opposing transcendental mellows). Thus the overlapping of transcendental mellows is described as being first grade, second grade or third grade. When the twelve mellows-such as neutrality, servitorship and friendship-are characterized by adverse sthāyi-bhāva, vibhāva and anubhāva ecstasies, they are known as uparasa, submellows. When the seven indirect transcendental mellows and the dried up mellow of neutrality are produced by devotees and moods not directly related to Kṛṣṇa and devotional service in ecstatic love, they are described as anurasa, imitation mellows. If Kṛṣṇa and the enemies who harbor feelings of opposition toward Him are respectively the object and abodes of the mellow of laughter, the resulting feelings are called aparasa, opposing mellows. Experts in distinguishing one mellow from another sometimes accept some overlapping transcendental mellows (rasābhāsa) as rasas due to their being pleasurable and tasteful. Śrīla Viśvanātha Cakravartī Ṭhākura says, paraspara-vairayor yadi yogas tadā rasābhāsaḥ: "When two opposing transcendental mellows overlap, they produce rasābhāsa, or an overlapping of transcendental mellows."

Antya-līlā 5.96 - Antya-līlā 5.98

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 <div style="float:left">'''[[Sri Caitanya-caritamrta (1975)|Śrī Caitanya-caritāmṛta (1975)]] - [[CC Antya (1975)|Antya-līlā]] - [[CC Antya 5 (1975)|Chapter 5: How Pradyumna Miśra Received Instructions from Rāmānanda Rāya]]'''</div>
 <div style="float:right">[[File:Go-previous.png|link=CC Antya 5.96 (1975)|Antya-līlā 5.96]] '''[[CC Antya 5.96 (1975)|Antya-līlā 5.96]] - [[CC Antya 5.98 (1975)|Antya-līlā 5.98]]''' [[File:Go-next.png|link=CC Antya 5.98 (1975)|Antya-līlā 5.98]]</div>
+{{CompareVersions|CC|Antya 5.97|CC 1975|CC 1996}}
 {{RandomImage}}
-''Below is the 1996 edition text, ready to be substituted with the 1975 one using the compile form.''
 ==== TEXT 97 ====
 <div class="verse">
-:’rasābhāsa’ haya yadi ‘siddhānta-virodha’
+:'rasābhāsa' haya yadi 'siddhānta-virodha'
 :sahite nā pāre prabhu, mane haya krodha
 </div>
@@ Line 32: / Line 31: @@
 <div class="purport">
-Śrīla Bhaktisiddhānta Sarasvatī Ṭhākura quotes the following definition of rasābhāsa from the Bhakti-rasāmṛta-sindhu (Uttara-vibhāga, Ninth Wave, 1-3, 33, 38 and 41):
+Śrīla Bhaktisiddhānta Sarasvatī Ṭhākura quotes the following definition of rasābhāsa from the Bhakti-rasāmṛta-sindhu (Uttara-vibhāga, Ninth Wave, 1-3,20,22,24):
+:pūrvam evānuśiṣṭena
+:vikalā rasa-lakṣaṇā
+:rasā eva rasābhāsā
+:rasajñair anukīrtitāḥ
+:syus tridhoparasāś cānu-
+:rasāś cāparasāś ca te
+:uttamā madhyamāḥ proktāḥ
+:kaniṣṭhāś cety amī kramāt
+:prāptaiḥ sthāyi-vibhāvānu-
+:bhāvādyais tu virūpatām
+:śāntādayo rasā eva
+:dvādaśoparasā matāḥ
+:bhaktādibhir vibhāvādyaiḥ
+:kṛṣṇa-sambandha-varjitaiḥ
+:rasā hāsyādayaḥ sapta
+:śāntaś cānurasā matāḥ
+:kṛṣṇa-tat-pratipakṣaś ced
+:viṣayāśrayatāṁ gatāḥ
+:hāsādīnāṁ tadā te 'tra
+:prājñair aparasā matāḥ
-:pūrvam evānuśiṣṭena vikalā rasa-lakṣaṇā
+:bhāvāḥ sarve tadābhāsā
-:rasā eva rasābhāsā rasajñair anukīrtitāḥ
+:rasābhāsāś ca kecana
-:syus tridhoparasāś cānurasāś cāparasāś ca te
+:amī prokta-rasābhijñaiḥ
-:uttamā madhyamāḥ proktāḥ kaniṣṭhāś cety amī kramāt
+:sarve 'pi rasanād rasāḥ
-:prāptaiḥ sthāyi-vibhāvānubhāvādyais tu virūpatām
-:śāntādayo rasā eva dvādaśoparasā matāḥ
-:bhaktādibhir vibhāvādyaiḥ kṛṣṇa-sambandha-varjitaiḥ
-:rasā hāsyādayaḥ sapta śāntaś cānurasā matāḥ
-:kṛṣṇa-tat-pratipakṣaś ced viṣayāśrayatāṁ gatāḥ
-:hāsādīnāṁ tadā te ‘tra prājñair aparasā matāḥ
-:bhāvāḥ sarve tadābhāsā rasābhāsāś ca kecana
-:amī prokta-rasābhijñaiḥ sarve ‘pi rasanād rasāḥ
-“A mellow temporarily appearing transcendental but contradicting mellows previously stated and lacking some of a mellow’s necessities is called rasābhāsa, an overlapping mellow, by advanced devotees who know how to taste transcendental mellows. Such mellows are called uparasa (submellows), anurasa (imitation transcendental mellows) and aparasa (opposing transcendental mellows). Thus the overlapping of transcendental mellows is described as being first grade, second grade or third grade. When the twelve mellows—such as neutrality, servitorship and friendship—are characterized by adverse sthāyi-bhāva, vibhāva and anubhāva ecstasies, they are known as uparasa, submellows. When the seven indirect transcendental mellows and the dried-up mellow of neutrality are produced by devotees and moods not directly related to Kṛṣṇa and devotional service in ecstatic love, they are described as anurasa, imitation mellows. If Kṛṣṇa and the enemies who harbor feelings of opposition toward Him are respectively the object and abodes of the mellow of laughter, the resulting feelings are called aparasa, opposing mellows. Experts in distinguishing one mellow from another sometimes accept some overlapping transcendental mellows (rasābhāsa) as rasas due to their being pleasurable and tasteful.” Śrīla Viśvanātha Cakravartī Ṭhākura says, paraspara-vairayor yadi yogas tadā rasābhāsaḥ: “When two opposing transcendental mellows overlap, they produce rasābhāsa, or an overlapping of transcendental mellows.”
+A mellow temporarily appearing transcendental but contradicting mellows previously stated and lacking some of a mellow's necessities is called rasābhāsa, an overlapping mellow, by advanced devotees who know how to taste transcendental mellows. Such mellows are called uparasa (submellows), anurasa (imitation transcendental mellows) and aparasa (opposing transcendental mellows). Thus the overlapping of transcendental mellows is described as being first grade, second grade or third grade. When the twelve mellows-such as neutrality, servitorship and friendship-are characterized by adverse sthāyi-bhāva, vibhāva and anubhāva ecstasies, they are known as uparasa, submellows. When the seven indirect transcendental mellows and the dried up mellow of neutrality are produced by devotees and moods not directly related to Kṛṣṇa and devotional service in ecstatic love, they are described as anurasa, imitation mellows. If Kṛṣṇa and the enemies who harbor feelings of opposition toward Him are respectively the object and abodes of the mellow of laughter, the resulting feelings are called aparasa, opposing mellows. Experts in distinguishing one mellow from another sometimes accept some overlapping transcendental mellows (rasābhāsa) as rasas due to their being pleasurable and tasteful. Śrīla Viśvanātha Cakravartī Ṭhākura says, paraspara-vairayor yadi yogas tadā rasābhāsaḥ: "When two opposing transcendental mellows overlap, they produce rasābhāsa, or an overlapping of transcendental mellows."
 </div>