CC Antya 5.22 (1975): Difference between revisions
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<div style="float:left">'''[[Sri Caitanya-caritamrta (1975)|Śrī Caitanya-caritāmṛta (1975)]] - [[CC Antya (1975)|Antya-līlā]] - [[CC Antya 5 (1975)|Chapter 5: How Pradyumna Miśra Received Instructions from Rāmānanda Rāya]]'''</div> | <div style="float:left">'''[[Sri Caitanya-caritamrta (1975)|Śrī Caitanya-caritāmṛta (1975)]] - [[CC Antya (1975)|Antya-līlā]] - [[CC Antya 5 (1975)|Chapter 5: How Pradyumna Miśra Received Instructions from Rāmānanda Rāya]]'''</div> | ||
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Latest revision as of 02:32, 27 January 2020
Śrī Caitanya-caritāmṛta (1975) - Antya-līlā - Chapter 5: How Pradyumna Miśra Received Instructions from Rāmānanda Rāya
His Divine Grace
A.C. Bhaktivedanta Swami Prabhupada
A.C. Bhaktivedanta Swami Prabhupada
TEXT 22
- tabe sei dui-jane nṛtya śikhāilā
- gītera gūḍha artha abhinaya karāilā
SYNONYMS
tabe—thereupon; sei—those; dui-jane—two young girls; nṛtya śikhāilā—directed how to dance; gītera—of the songs; gūḍha artha—the deep meaning; abhinaya karāilā—taught how to express by dramatic performances.
TRANSLATION
Rāmānanda Rāya directed the two girls how to dance and express the deep meaning of his songs through dramatic performances.