CC Antya 1.167 (1975): Difference between revisions
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<div style="float:left">'''[[Sri Caitanya-caritamrta (1975)|Śrī Caitanya-caritāmṛta (1975)]] - [[CC Antya (1975)|Antya-līlā]] - [[CC Antya 1 (1975)|Chapter 1: Śrīla Rūpa Gosvāmī's Second Meeting With the Lord]]'''</div> | <div style="float:left">'''[[Sri Caitanya-caritamrta (1975)|Śrī Caitanya-caritāmṛta (1975)]] - [[CC Antya (1975)|Antya-līlā]] - [[CC Antya 1 (1975)|Chapter 1: Śrīla Rūpa Gosvāmī's Second Meeting With the Lord]]'''</div> | ||
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==== TEXT 167 ==== | ==== TEXT 167 ==== | ||
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:kula- | :kula-varatanu-dharma-grāva-vṛndāni bhindan | ||
: | :sumukhi niśita-dīrghāpāṅga-ṭaṅka-cchaṭābhiḥ | ||
:yugapad ayam apūrvaḥ kaḥ puro | :yugapad ayam apūrvaḥ kaḥ puro viśva-karmā | ||
:marakata-maṇi-lakṣair goṣṭha-kakṣāṁ cinoti | :marakata-maṇi-lakṣair goṣṭha-kakṣāṁ cinoti | ||
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kula- | kula-varatanu—of the family women; dharma—in the form of dedication to the husband, etc.; grāva-vṛndāni—the stones; bhindan—splitting; sumukhi—O beautiful-faced one; niśita—sharp; dīrgha-apāṅga—in the form of long outer corners of the eyes; ṭaṅka-chaṭābhiḥ—by chisels; yugapat—simultaneously; ayam—this; apūrvaḥ—unprecedented; kaḥ—who; puraḥ—in front; viśva-karmā—creative person; marakata-maṇi-lakṣaiḥ—with countless emeralds; goṣṭha-kakṣām—a private room for meeting; cinoti—He is constructing. | ||
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'O beautiful-faced one, who is this creative person standing before us? With the sharp chisels of His loving glances, He is splitting the hard stones of many women's devotion to their husbands. And with the luster of His body, surpassing the brilliance of countless emeralds, He is simultaneously constructing private meeting places for His pastimes.' | |||
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Latest revision as of 20:13, 26 January 2020
TEXT 167
- kula-varatanu-dharma-grāva-vṛndāni bhindan
- sumukhi niśita-dīrghāpāṅga-ṭaṅka-cchaṭābhiḥ
- yugapad ayam apūrvaḥ kaḥ puro viśva-karmā
- marakata-maṇi-lakṣair goṣṭha-kakṣāṁ cinoti
SYNONYMS
kula-varatanu—of the family women; dharma—in the form of dedication to the husband, etc.; grāva-vṛndāni—the stones; bhindan—splitting; sumukhi—O beautiful-faced one; niśita—sharp; dīrgha-apāṅga—in the form of long outer corners of the eyes; ṭaṅka-chaṭābhiḥ—by chisels; yugapat—simultaneously; ayam—this; apūrvaḥ—unprecedented; kaḥ—who; puraḥ—in front; viśva-karmā—creative person; marakata-maṇi-lakṣaiḥ—with countless emeralds; goṣṭha-kakṣām—a private room for meeting; cinoti—He is constructing.
TRANSLATION
'O beautiful-faced one, who is this creative person standing before us? With the sharp chisels of His loving glances, He is splitting the hard stones of many women's devotion to their husbands. And with the luster of His body, surpassing the brilliance of countless emeralds, He is simultaneously constructing private meeting places for His pastimes.'
PURPORT
This verse (Lalita-mādhava 1.52) is spoken by Rādhārāṇī to Lalitādevī.