CC Antya 2.34-35 (1975): Difference between revisions

Latest revision as of 00:19, 27 January 2020

Śrī Caitanya-caritāmṛta (1975) - Antya-līlā - Chapter 2: The Chastisement of Junior Haridāsa

Antya-līlā 2.33 - Antya-līlā 2.36

Compare Versions: CC 1975 with CC 1996

His Divine Grace
A.C. Bhaktivedanta Swami Prabhupada

TEXTS 34-35

śacīra mandire, āra nityānanda-nartane

śrīvāsa-kīrtane, āra rāghava-bhavane

ei cāri ṭhāñi prabhura sadā 'āvirbhāva'

premākṛṣṭa haya,--prabhura sahaja svabhāva

SYNONYMS

śacīra mandire—in the household temple of mother Śacī; āra—and; nityānanda-nartane—at the time of Śrī Nityānanda Prabhu's dancing; śrīvāsa-kīrtane—at the time of congregational chanting headed by Śrīvāsa Paṇḍita; āra—and; rāghava-bhavane—in the house of Rāghava; ei cāri ṭhāñi—in these four places; prabhura—of Śrī Caitanya Mahāprabhu; sadā—always; āvirbhāva—appearance; prema-ākṛṣṭa haya—is attracted by love; prabhura—of Śrī Caitanya Mahāprabhu; sahaja sva-bhāva—natural characteristic.

TRANSLATION

Śrī Caitanya Mahāprabhu always appeared in four places-in the household temple of mother Śacī, in the places where Śrī Nityānanda Prabhu danced, in the house of Śrīvāsa Paṇḍita during congregational chanting and in the house of Rāghava Paṇḍita. He appeared because of His attraction to the love of His devotees. That is His natural characteristic.

Antya-līlā 2.33 - Antya-līlā 2.36

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 <div style="float:left">'''[[Sri Caitanya-caritamrta (1975)|Śrī Caitanya-caritāmṛta (1975)]] - [[CC Antya (1975)|Antya-līlā]] - [[CC Antya 2 (1975)|Chapter 2: The Chastisement of Junior Haridāsa]]'''</div>
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+{{CompareVersions|CC|Antya 2.34-35|CC 1975|CC 1996}}
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 :śacīra mandire, āra nityānanda-nartane
 :śrīvāsa-kīrtane, āra rāghava-bhavane
-:ei cāri ṭhāñi prabhura sadā ‘āvirbhāva’
+:ei cāri ṭhāñi prabhura sadā 'āvirbhāva'
-:premākṛṣṭa haya,—prabhura sahaja svabhāva
+:premākṛṣṭa haya,--prabhura sahaja svabhāva
 </div>
@@ Line 18: / Line 19: @@
 <div class="synonyms">
-śacīra mandire—in the household temple of mother Śacī; āra—and; nityānanda-nartane—at the time of Śrī Nityānanda Prabhu’s dancing; śrīvāsa-kīrtane—at the time of congregational chanting headed by Śrīvāsa Paṇḍita; āra—and; rāghava-bhavane—in the house of Rāghava; ei cāri ṭhāñi—in these four places; prabhura—of Śrī Caitanya Mahāprabhu; sadā—always; āvirbhāva—appearance; prema-ākṛṣṭa haya—is attracted by love; prabhura—of Śrī Caitanya Mahāprabhu; sahaja svabhāva—natural characteristic.
+śacīra mandire—in the household temple of mother Śacī; āra—and; nityānanda-nartane—at the time of Śrī Nityānanda Prabhu's dancing; śrīvāsa-kīrtane—at the time of congregational chanting headed by Śrīvāsa Paṇḍita; āra—and; rāghava-bhavane—in the house of Rāghava; ei cāri ṭhāñi—in these four places; prabhura—of Śrī Caitanya Mahāprabhu; sadā—always; āvirbhāva—appearance; prema-ākṛṣṭa haya—is attracted by love; prabhura—of Śrī Caitanya Mahāprabhu; sahaja sva-bhāva—natural characteristic.
 </div>
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 <div class="translation">
-Śrī Caitanya Mahāprabhu always appeared in four places—in the household temple of mother Śacī, in the places where Śrī Nityānanda Prabhu danced, in the house of Śrīvāsa Paṇḍita during congregational chanting, and in the house of Rāghava Paṇḍita. He appeared because of His attraction to the love of His devotees. That is His natural characteristic.
+Śrī Caitanya Mahāprabhu always appeared in four places-in the household temple of mother Śacī, in the places where Śrī Nityānanda Prabhu danced, in the house of Śrīvāsa Paṇḍita during congregational chanting and in the house of Rāghava Paṇḍita. He appeared because of His attraction to the love of His devotees. That is His natural characteristic.
 </div>