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CC Antya 1.184 (1975): Difference between revisions

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<div style="float:left">'''[[Sri Caitanya-caritamrta (1975)|Śrī Caitanya-caritāmṛta (1975)]] - [[CC Antya (1975)|Antya-līlā]] - [[CC Antya 1 (1975)|Chapter 1: Śrīla Rūpa Gosvāmī's Second Meeting With the Lord]]'''</div>
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''Below is the 1996 edition text, ready to be substituted with the 1975 one using the compile form.''


==== TEXT 184 ====
==== TEXT 184 ====
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naṭatā—dancing on the stage; kirāta-rājam—the ruler of the Kirātas (uncivilized men), Kaṁsa; nihatya—killing; raṅga-sthale—on the stage; kalā-nidhinā—the master of all arts; samaye—at the time; tena—by Him; vidheyam—to be done; guṇa-vati—at the qualified moment; tārā-kara—of the hand of Tārā (Rādhā); grahaṇam—the acceptance.
naṭatā—dancing on the stage; kirāta-rājam—the ruler of the kirāta (uncivilized men), Kaṁsa; nihatya—killing; raṅga-sthale—on the stage; kalā-nidhinā—the master of all arts; samaye—at the time; tena—by Him; vidheyam—to be done; guṇa-vati—at the qualified moment; tārā-kara—of the hand of Tārā (Rādhā); grahaṇam—the acceptance.
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“‘While dancing on the stage after having killed the ruler of uncivilized men [Kaṁsa], Lord Kṛṣṇa, master of all arts, will at the proper time accept the hand of Śrīmatī Rādhārāṇī, who is qualified with all transcendental attributes.’
" 'While dancing on the stage after having killed the ruler of uncivilized men [Kaṁsa], Lord Kṛṣṇa, master of all arts, will at the proper time accept the hand of Śrīmatī Rādhārāṇī, who is qualified with all transcendental attributes.' (Lalita-mādhava 1.11)
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This verse is Lalita-mādhava 1.11.
 
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Latest revision as of 20:16, 26 January 2020



His Divine Grace
A.C. Bhaktivedanta Swami Prabhupada



TEXT 184

naṭatā kirāta-rājaṁ
nihatya raṅga-sthale kalā-nidhinā
samaye tena vidheyaṁ
guṇavati tārā-kara-grahaṇam


SYNONYMS

naṭatā—dancing on the stage; kirāta-rājam—the ruler of the kirāta (uncivilized men), Kaṁsa; nihatya—killing; raṅga-sthale—on the stage; kalā-nidhinā—the master of all arts; samaye—at the time; tena—by Him; vidheyam—to be done; guṇa-vati—at the qualified moment; tārā-kara—of the hand of Tārā (Rādhā); grahaṇam—the acceptance.


TRANSLATION

" 'While dancing on the stage after having killed the ruler of uncivilized men [Kaṁsa], Lord Kṛṣṇa, master of all arts, will at the proper time accept the hand of Śrīmatī Rādhārāṇī, who is qualified with all transcendental attributes.' (Lalita-mādhava 1.11)


PURPORT



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