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CC Antya 1.145 (1975): Difference between revisions

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<div style="float:left">'''[[Sri Caitanya-caritamrta (1975)|Śrī Caitanya-caritāmṛta (1975)]] - [[CC Antya (1975)|Antya-līlā]] - [[CC Antya 1 (1975)|Chapter 1: Śrīla Rūpa Gosvāmī's Second Meeting With the Lord]]'''</div>
<div style="float:left">'''[[Sri Caitanya-caritamrta (1975)|Śrī Caitanya-caritāmṛta (1975)]] - [[CC Antya (1975)|Antya-līlā]] - [[CC Antya 1 (1975)|Chapter 1: Śrīla Rūpa Gosvāmī's Second Meeting With the Lord]]'''</div>
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''Below is the 1996 edition text, ready to be substituted with the 1975 one using the compile form.''


==== TEXT 145 ====
==== TEXT 145 ====
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:guñjānāṁ ca vilokanān muhur asau sāsraṁ parikrośati
:guñjānāṁ ca vilokanān muhur asau sāsraṁ parikrośati
:no jāne janayann apūrva-naṭana-krīḍā-camatkāritāṁ
:no jāne janayann apūrva-naṭana-krīḍā-camatkāritāṁ
:bālāyāḥ kila citta-bhūmim aviśat ko ‘yaṁ navīna-grahaḥ
:bālāyāḥ kila citta-bhūmim aviśat ko 'yaṁ navīna-grahaḥ
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<div class="synonyms">
<div class="synonyms">
agre—in front; vīkṣya—seeing; śikhaṇḍa-khaṇḍam—some peacock feathers; acirāt—all of a sudden; utkampam—trembling of the heart and body; ālambate—takes to; guñjānām—of a garland of guñjā (small conchshells); ca—also; vilokanāt—by seeing; muhuḥ—constantly; asau—She; sa-asram—with tears; parikrośati—goes around crying; na u—not; jāne—I know; janayan—awakening; apūrva-naṭana—like unheard-of dramatic dancing; krīḍā—of activities; camatkāritām—the madness; bālāyāḥ—of this poor girl; kila—certainly; citta-bhūmim—within the heart; aviśat—has entered; kaḥ—what; ayam—this; navīna-grahaḥ—new ecstatic influence.
agre—in front; vīkṣya—seeing; śikhaṇḍa-khaṇḍam—some peacock feathers; acirāt—all of a sudden; utkampam—trembling of the heart and body; ālambate—takes to; guñjānām—of a garland of guñjā (small conchshells); ca—also; vilokanāt—by seeing; muhuḥ—constantly; asau—She; sa-asram—with tears; parikrośati—goes around crying; no—not; jāne—I know; janayan—awakening; apūrva-naṭana—like unheard-of dramatic dancing; krīḍā—of activities; camatkāritām—the madness; bālāyāḥ—of this poor girl; kila—certainly; citta-bhūmim—within the heart; aviśat—has entered; kaḥ—what; ayam—this; navīna-grahaḥ—new ecstatic influence.
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<div class="translation">
<div class="translation">
“‘Upon seeing peacock feathers in front of Her, this girl suddenly begins trembling. When She sometimes sees a necklace of guñjā [small conchshells], She sheds tears and cries loudly. I do not know what kind of new ecstatic influence has entered the heart of this poor girl. It has imbued Her with the dancing attitude of a player creating wonderful, unprecedented dances on a stage.’
"Upon seeing peacock feathers in front of Her, this girl suddenly begins trembling. When She sometimes sees a necklace of guñjā [small conchshells], She sheds tears and cries Ioudly. I do not know what kind of new ecstatic influence has entered the heart of this poor girl. It has imbued Her with the dancing attitude of a player creating wonderful, unprecedented dances on a stage."
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<div class="purport">
<div class="purport">
This verse (Vidagdha-mādhava 2.15) is spoken by Mukharā, a friend of Lord Kṛṣṇa’s grandmother, in a conversation with Paurṇamāsī, the grandmother of Madhumaṅgala.
This verse (Vidagdha-mādhava 2.15) is spoken by Mukharā, Lord Kṛṣṇa's grandmother, in a conversation with the grandmother of Rādhārāṇī, Paurṇamāsī.
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Latest revision as of 20:09, 26 January 2020



His Divine Grace
A.C. Bhaktivedanta Swami Prabhupada



TEXT 145

agre vīkṣya śikhaṇḍa-khaṇḍam acirād utkampam ālambate
guñjānāṁ ca vilokanān muhur asau sāsraṁ parikrośati
no jāne janayann apūrva-naṭana-krīḍā-camatkāritāṁ
bālāyāḥ kila citta-bhūmim aviśat ko 'yaṁ navīna-grahaḥ


SYNONYMS

agre—in front; vīkṣya—seeing; śikhaṇḍa-khaṇḍam—some peacock feathers; acirāt—all of a sudden; utkampam—trembling of the heart and body; ālambate—takes to; guñjānām—of a garland of guñjā (small conchshells); ca—also; vilokanāt—by seeing; muhuḥ—constantly; asau—She; sa-asram—with tears; parikrośati—goes around crying; no—not; jāne—I know; janayan—awakening; apūrva-naṭana—like unheard-of dramatic dancing; krīḍā—of activities; camatkāritām—the madness; bālāyāḥ—of this poor girl; kila—certainly; citta-bhūmim—within the heart; aviśat—has entered; kaḥ—what; ayam—this; navīna-grahaḥ—new ecstatic influence.


TRANSLATION

"Upon seeing peacock feathers in front of Her, this girl suddenly begins trembling. When She sometimes sees a necklace of guñjā [small conchshells], She sheds tears and cries Ioudly. I do not know what kind of new ecstatic influence has entered the heart of this poor girl. It has imbued Her with the dancing attitude of a player creating wonderful, unprecedented dances on a stage."


PURPORT

This verse (Vidagdha-mādhava 2.15) is spoken by Mukharā, Lord Kṛṣṇa's grandmother, in a conversation with the grandmother of Rādhārāṇī, Paurṇamāsī.



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