CC Antya 1.144 (1975): Difference between revisions

Latest revision as of 20:09, 26 January 2020

Śrī Caitanya-caritāmṛta (1975) - Antya-līlā - Chapter 1: Śrīla Rūpa Gosvāmī's Second Meeting With the Lord

Antya-līlā 1.143 - Antya-līlā 1.145

Compare Versions: CC 1975 with CC 1996

His Divine Grace
A.C. Bhaktivedanta Swami Prabhupada

TEXT 144

dhari-a paḍicchanda-guṇaṁ

sundara maha mandire tumaṁ vasasi

taha taha rundhasi bali-aṁ

jaha jaha ca-idā palāemhi

SYNONYMS

dhari-a—capturing; paḍicchanda-guṇam—the quality of an artistic picture; sundara—O most beautiful one; maha—my; mandire—within the heart; tumam—You; vasasi—reside; taha taha—that much; rundhasi—You block; bali-am—by force; jaha jaha—as much as; ca-idā—being disturbed; palāemhi—I try to escape.

TRANSLATION

"O dearly beautiful, the artistic loveliness of Your picture is now impressed within My mind. Since You are now living within My mind, wherever I wish to run because I am agitated by impressions of You, I find that You, O My friend, are blocking My way."

PURPORT

This verse (Vidagdha-mādhava 2.33) is written in the Prākṛta language, not in Sanskrit. When transformed into Sanskrit, it reads as follows:

dhṛtvā praticchanda-guṇaṁ sundara mama mandire tvaṁ vasasi

tathā tathā ruṇatsi balitaṁ yathā yathā cakitā palāye

The meaning is the same, but the native language is different. It was spoken by Madhumaṅgala to Śrī Kṛṣṇa.

Antya-līlā 1.143 - Antya-līlā 1.145

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 <div style="float:left">'''[[Sri Caitanya-caritamrta (1975)|Śrī Caitanya-caritāmṛta (1975)]] - [[CC Antya (1975)|Antya-līlā]] - [[CC Antya 1 (1975)|Chapter 1: Śrīla Rūpa Gosvāmī's Second Meeting With the Lord]]'''</div>
 <div style="float:right">[[File:Go-previous.png|link=CC Antya 1.143 (1975)|Antya-līlā 1.143]] '''[[CC Antya 1.143 (1975)|Antya-līlā 1.143]] - [[CC Antya 1.145 (1975)|Antya-līlā 1.145]]''' [[File:Go-next.png|link=CC Antya 1.145 (1975)|Antya-līlā 1.145]]</div>
+{{CompareVersions|CC|Antya 1.144|CC 1975|CC 1996}}
 {{RandomImage}}
-''Below is the 1996 edition text, ready to be substituted with the 1975 one using the compile form.''
 ==== TEXT 144 ====
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 <div class="synonyms">
-dhari-a—capturing; paḍicchanda-guṇam—the quality of an artistic picture; sundara—O most beautiful one; maha—My; mandire—within the heart; tumam—You; vasasi—reside; taha taha—that much; rundhasi—You block; bali-am—by force; jaha jaha—as much as; ca-idā—being disturbed; palāemhi—I try to escape.
+dhari-a—capturing; paḍicchanda-guṇam—the quality of an artistic picture; sundara—O most beautiful one; maha—my; mandire—within the heart; tumam—You; vasasi—reside; taha taha—that much; rundhasi—You block; bali-am—by force; jaha jaha—as much as; ca-idā—being disturbed; palāemhi—I try to escape.
 </div>
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 <div class="translation">
-“‘“O dearly beautiful one, the artistic loveliness of Your picture is now impressed within My mind. Since You are now living within My mind, wherever I wish to run because I am agitated by impressions of You, I find that You, O My friend, are blocking My way.”’
+"O dearly beautiful, the artistic loveliness of Your picture is now impressed within My mind. Since You are now living within My mind, wherever I wish to run because I am agitated by impressions of You, I find that You, O My friend, are blocking My way."
 </div>
@@ Line 34: / Line 33: @@
 <div class="purport">
-This verse (Vidagdha-mādhava 2.33) is written in the Prakrit language, not in Sanskrit. When transformed into Sanskrit, it reads as follows:
+This verse (Vidagdha-mādhava 2.33) is written in the Prākṛta language, not in Sanskrit. When transformed into Sanskrit, it reads as follows:
 :dhṛtvā praticchanda-guṇaṁ sundara mama mandire tvaṁ vasasi
 :tathā tathā ruṇatsi balitaṁ yathā yathā cakitā palāye
+The meaning is the same, but the native language is different. It was spoken by Madhumaṅgala to Śrī Kṛṣṇa.
-The meaning is the same, but the native language is different. It was spoken to Kṛṣṇa by Madhumaṅgala as he read Him a letter from Śrīmatī Rādhārāṇī.
 </div>