CC Madhya 13.172 (1975): Difference between revisions
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<div style="float:left">'''[[Sri Caitanya-caritamrta (1975)|Śrī Caitanya-caritāmṛta (1975)]] - [[CC Madhya (1975)|Madhya-līlā]] - [[CC Madhya 13 (1975)|Chapter 13: The Ecstatic Dancing of the Lord at Ratha-yātrā]]'''</div> | <div style="float:left">'''[[Sri Caitanya-caritamrta (1975)|Śrī Caitanya-caritāmṛta (1975)]] - [[CC Madhya (1975)|Madhya-līlā]] - [[CC Madhya 13 (1975)|Chapter 13: The Ecstatic Dancing of the Lord at Ratha-yātrā]]'''</div> | ||
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Latest revision as of 07:40, 27 January 2020
Śrī Caitanya-caritāmṛta (1975) - Madhya-līlā - Chapter 13: The Ecstatic Dancing of the Lord at Ratha-yātrā
His Divine Grace
A.C. Bhaktivedanta Swami Prabhupada
A.C. Bhaktivedanta Swami Prabhupada
TEXT 172
- bhāvodaya, bhāva-śānti, sandhi, śābalya
- sañcārī, sāttvika, sthāyī svabhāva-prābalya
SYNONYMS
bhāva-udaya—awakening of emotion; bhāva-śānti—emotions of peace; sandhi—the junction of different emotions; śābalya—mixing of all emotions; sañcārī—impetuses for all kinds of emotion; sāttvika—transcendental; sthāyī—prevalent; svabhāva—natural emotion; prābalya—increase.
TRANSLATION
There was an increase in all the natural emotional symptoms. Thus there were awakening emotions, peacefulness, joined, mixed, transcendental and prevalent emotions, and impetuses for emotion.