CC Antya 5.23: Difference between revisions
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{{ | [[Category:Sri Caitanya-caritamrta - Antya-lila Chapter 05]] | ||
<div style="float:left">'''[[Sri Caitanya-caritamrta|Śrī Caitanya-caritāmṛta]] - [[CC Antya|Antya-līlā]] - [[CC Antya 5|Chapter 5: How Pradyumna Miśra Received Instructions from Rāmānanda Rāya]]'''</div> | |||
<div style="float:right">[[File:Go-previous.png|link=CC Antya 5.22|Antya-līlā 5.22]] '''[[CC Antya 5.22|Antya-līlā 5.22]] - [[CC Antya 5.24|Antya-līlā 5.24]]''' [[File:Go-next.png|link=CC Antya 5.24|Antya-līlā 5.24]]</div> | |||
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==== TEXT 23 ==== | ==== TEXT 23 ==== | ||
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sañcārī, sāttvika, sthāyi-bhāvera lakṣaṇa | :sañcārī, sāttvika, sthāyi-bhāvera lakṣaṇa | ||
mukhe netre abhinaya kare prakaṭana | :mukhe netre abhinaya kare prakaṭana | ||
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==== SYNONYMS ==== | ==== SYNONYMS ==== | ||
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''sañcārī''—passing; ''sāttvika''—natural; ''sthāyi''—continuously existing; ''bhāvera''—of ecstasies; ''lakṣaṇa''—symptoms; ''mukhe''—in the facial expressions; ''netre''—in the movement of the eyes; ''abhinaya''—the dramatic performance; ''kare prakaṭana''—he demonstrates. | |||
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==== TRANSLATION ==== | ==== TRANSLATION ==== | ||
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He taught them how to express the symptoms of continuous, natural and transitional ecstasies with the movements of their faces, their eyes and the other parts of their bodies. | He taught them how to express the symptoms of continuous, natural and transitional ecstasies with the movements of their faces, their eyes and the other parts of their bodies. | ||
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Revision as of 03:18, 29 September 2021
Śrī Caitanya-caritāmṛta - Antya-līlā - Chapter 5: How Pradyumna Miśra Received Instructions from Rāmānanda Rāya
TEXT 23
- sañcārī, sāttvika, sthāyi-bhāvera lakṣaṇa
- mukhe netre abhinaya kare prakaṭana
SYNONYMS
sañcārī—passing; sāttvika—natural; sthāyi—continuously existing; bhāvera—of ecstasies; lakṣaṇa—symptoms; mukhe—in the facial expressions; netre—in the movement of the eyes; abhinaya—the dramatic performance; kare prakaṭana—he demonstrates.
TRANSLATION
He taught them how to express the symptoms of continuous, natural and transitional ecstasies with the movements of their faces, their eyes and the other parts of their bodies.