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CC Madhya 21.143: Difference between revisions

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[[Category:Sri Caitanya-caritamrta - Madhya-lila Chapter 21|C143]]
<div style="float:left">'''[[Sri Caitanya-caritamrta|Śrī Caitanya-caritāmṛta]] - [[CC Madhya|Madhya-līlā]] - [[CC Madhya 21|Chapter 21: The Opulence and Sweetness of Lord Śrī Kṛṣṇa]]'''</div>
<div style="float:right">[[File:Go-previous.png|link=CC Madhya 21.142|Madhya-līlā 21.142]] '''[[CC Madhya 21.142|Madhya-līlā 21.142]] - [[CC Madhya 21.144|Madhya-līlā 21.144]]''' [[File:Go-next.png|link=CC Madhya 21.144|Madhya-līlā 21.144]]</div>
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==== TEXT 143 ====
==== TEXT 143 ====


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nīvi khasāya pati-āge,    gṛha-dharma karāya tyāge,<br>
:nīvi khasāya pati-āge,    gṛha-dharma karāya tyāge,
bale dhari’ āne kṛṣṇa-sthāne<br>
:bale dhari’ āne kṛṣṇa-sthāne
loka-dharma, lajjā, bhaya,    saba jñāna lupta haya,<br>
:loka-dharma, lajjā, bhaya,    saba jñāna lupta haya,
aiche nācāya saba nārī-gaṇe<br>
:aiche nācāya saba nārī-gaṇe
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==== SYNONYMS ====
==== SYNONYMS ====


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nīvi—the knots of the underwear; khasāya—loosens; pati-āge—even in front of the husbands; gṛha-dharma—household duties; karāya tyāge—causes to give up; bale—by force; dhari’—catching; āne—brings; kṛṣṇa-sthāne—before Lord Kṛṣṇa; loka-dharma—social etiquette; lajjā—shame; bhaya—fear; saba—all; jñāna—such knowledge; lupta haya—becomes hidden; aiche—in that way; nācāya—causes to dance; saba—all; nārī-gaṇe—the women.
''nīvi''—the knots of the underwear; ''khasāya''—loosens; ''pati-āge''—even in front of the husbands; ''gṛha-dharma''—household duties; ''karāya tyāge''—causes to give up; ''bale''—by force; ''dhari’''—catching; ''āne''—brings; ''kṛṣṇa-sthāne''—before Lord Kṛṣṇa; ''loka-dharma''—social etiquette; ''lajjā''—shame; ''bhaya''—fear; ''saba''—all; ''jñāna''—such knowledge; ''lupta haya''—becomes hidden; ''aiche''—in that way; ''nācāya''—causes to dance; ''saba''—all; ''nārī-gaṇe''—the women.
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==== TRANSLATION ====
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“The vibration of His flute slackens the knots of their underwear even in front of their husbands. Thus the gopīs are forced to abandon their household duties and come before Lord Kṛṣṇa. In this way all social etiquette, shame and fear are vanquished. The vibration of His flute causes all women to dance.
“The vibration of His flute slackens the knots of their underwear even in front of their husbands. Thus the gopīs are forced to abandon their household duties and come before Lord Kṛṣṇa. In this way all social etiquette, shame and fear are vanquished. The vibration of His flute causes all women to dance.
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<div style="float:right; clear:both;">[[File:Go-previous.png|link=CC Madhya 21.142|Madhya-līlā 21.142]] '''[[CC Madhya 21.142|Madhya-līlā 21.142]] - [[CC Madhya 21.144|Madhya-līlā 21.144]]''' [[File:Go-next.png|link=CC Madhya 21.144|Madhya-līlā 21.144]]</div>
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Revision as of 09:32, 9 September 2021



His Divine Grace
A.C. Bhaktivedanta Swami Prabhupada



TEXT 143

nīvi khasāya pati-āge, gṛha-dharma karāya tyāge,
bale dhari’ āne kṛṣṇa-sthāne
loka-dharma, lajjā, bhaya, saba jñāna lupta haya,
aiche nācāya saba nārī-gaṇe


SYNONYMS

nīvi—the knots of the underwear; khasāya—loosens; pati-āge—even in front of the husbands; gṛha-dharma—household duties; karāya tyāge—causes to give up; bale—by force; dhari’—catching; āne—brings; kṛṣṇa-sthāne—before Lord Kṛṣṇa; loka-dharma—social etiquette; lajjā—shame; bhaya—fear; saba—all; jñāna—such knowledge; lupta haya—becomes hidden; aiche—in that way; nācāya—causes to dance; saba—all; nārī-gaṇe—the women.


TRANSLATION

“The vibration of His flute slackens the knots of their underwear even in front of their husbands. Thus the gopīs are forced to abandon their household duties and come before Lord Kṛṣṇa. In this way all social etiquette, shame and fear are vanquished. The vibration of His flute causes all women to dance.