CC Madhya 14.168: Difference between revisions
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{{ | [[Category:Sri Caitanya-caritamrta - Madhya-lila Chapter 14|C168]] | ||
<div style="float:left">'''[[Sri Caitanya-caritamrta|Śrī Caitanya-caritāmṛta]] - [[CC Madhya|Madhya-līlā]] - [[CC Madhya 14|Chapter 14: Performance of the Vṛndāvana Pastimes]]'''</div> | |||
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==== TEXT 168 ==== | ==== TEXT 168 ==== | ||
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‘kila-kiñcita’, ‘kuṭṭamita’, ‘vilāsa’, ‘lalita’ | :‘kila-kiñcita’, ‘kuṭṭamita’, ‘vilāsa’, ‘lalita’ | ||
‘vivvoka’, ‘moṭṭāyita’, āra ‘maugdhya’, ‘cakita’ | :‘vivvoka’, ‘moṭṭāyita’, āra ‘maugdhya’, ‘cakita’ | ||
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==== SYNONYMS ==== | ==== SYNONYMS ==== | ||
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kila- | ''kila-kiñcita''—a particular type of ecstatic ornament manifested at the time of seeing Kṛṣṇa; ''kuṭṭamita''—the symptom explained in verse 197; ''vilāsa''—the symptom explained in verse 187; ''lalita''—the symptom explained in verse 192; ''vivvoka''—neglecting the presentation given by the hero; ''moṭṭāyita''—awakening of lusty desires by the remembrance and words of the hero; ''āra''—and; ''maugdhya''—assuming the position of not knowing things although everything is known; ''cakita''—a position in which the heroine appears very much afraid although she is not at all afraid. | ||
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==== TRANSLATION ==== | ==== TRANSLATION ==== | ||
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“Some of the symptoms critically explained in the following verses are kila-kiñcita, kuṭṭamita, vilāsa, lalita, vivvoka, moṭṭāyita, maugdhya and cakita. | “Some of the symptoms critically explained in the following verses are kila-kiñcita, kuṭṭamita, vilāsa, lalita, vivvoka, moṭṭāyita, maugdhya and cakita. | ||
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Revision as of 09:00, 1 September 2021
His Divine Grace
A.C. Bhaktivedanta Swami Prabhupada
A.C. Bhaktivedanta Swami Prabhupada
TEXT 168
- ‘kila-kiñcita’, ‘kuṭṭamita’, ‘vilāsa’, ‘lalita’
- ‘vivvoka’, ‘moṭṭāyita’, āra ‘maugdhya’, ‘cakita’
SYNONYMS
kila-kiñcita—a particular type of ecstatic ornament manifested at the time of seeing Kṛṣṇa; kuṭṭamita—the symptom explained in verse 197; vilāsa—the symptom explained in verse 187; lalita—the symptom explained in verse 192; vivvoka—neglecting the presentation given by the hero; moṭṭāyita—awakening of lusty desires by the remembrance and words of the hero; āra—and; maugdhya—assuming the position of not knowing things although everything is known; cakita—a position in which the heroine appears very much afraid although she is not at all afraid.
TRANSLATION
“Some of the symptoms critically explained in the following verses are kila-kiñcita, kuṭṭamita, vilāsa, lalita, vivvoka, moṭṭāyita, maugdhya and cakita.