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CC Adi 16.52: Difference between revisions

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[[Category:Sri Caitanya-caritamrta - Adi-lila Chapter 16|C052]]
<div style="float:left">'''[[Sri Caitanya-caritamrta|Śrī Caitanya-caritāmṛta]] - [[CC Adi|Ādi-līlā]] - [[CC Adi 16|Chapter 16: The Pastimes of the Lord in His Childhood and Youth]]'''</div>
<div style="float:right">[[File:Go-previous.png|link=CC Adi 16.51|Ādi-līlā 16.51]] '''[[CC Adi 16.51|Ādi-līlā 16.51]] - [[CC Adi 16.53|Ādi-līlā 16.53]]''' [[File:Go-next.png|link=CC Adi 16.53|Ādi-līlā 16.53]]</div>
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==== TEXT 52 ====
==== TEXT 52 ====


<div id="text">
<div class="verse">
nāhi paḍi alaṅkāra, kariyāchi śravaṇa<br>
:nāhi paḍi alaṅkāra, kariyāchi śravaṇa
tāte ei śloke dekhi bahu doṣa-guṇa<br>
:tāte ei śloke dekhi bahu doṣa-guṇa
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==== SYNONYMS ====
==== SYNONYMS ====


<div id="synonyms">
<div class="synonyms">
nāhi paḍi—I do not study; alaṅkāra—the art of literary embellishment; kariyāchi—I have done; śravaṇa—hearing; tāte—by that; ei śloke—in this verse; dekhi—I see; bahu—many; doṣa—faults; guṇa—good qualities.
''[//vanipedia.org/wiki/Special:VaniSearch?s=nāhi&tab=syno_o&ds=1 nāhi] [//vanipedia.org/wiki/Special:VaniSearch?s=paḍi&tab=syno_o&ds=1 paḍi]'' — I do not study; ''[//vanipedia.org/wiki/Special:VaniSearch?s=alaṅkāra&tab=syno_o&ds=1 alaṅkāra]'' — the art of literary embellishment; ''[//vanipedia.org/wiki/Special:VaniSearch?s=kariyāchi&tab=syno_o&ds=1 kariyāchi]'' — I have done; ''[//vanipedia.org/wiki/Special:VaniSearch?s=śravaṇa&tab=syno_o&ds=1 śravaṇa]'' — hearing; ''[//vanipedia.org/wiki/Special:VaniSearch?s=tāte&tab=syno_o&ds=1 tāte]'' — by that; ''[//vanipedia.org/wiki/Special:VaniSearch?s=ei&tab=syno_o&ds=1 ei] [//vanipedia.org/wiki/Special:VaniSearch?s=śloke&tab=syno_o&ds=1 śloke]'' — in this verse; ''[//vanipedia.org/wiki/Special:VaniSearch?s=dekhi&tab=syno_o&ds=1 dekhi]'' — I see; ''[//vanipedia.org/wiki/Special:VaniSearch?s=bahu&tab=syno_o&ds=1 bahu]'' — many; ''[//vanipedia.org/wiki/Special:VaniSearch?s=doṣa&tab=syno_o&ds=1 doṣa]'' — faults; ''[//vanipedia.org/wiki/Special:VaniSearch?s=guṇa&tab=syno_o&ds=1 guṇa]'' — good qualities.
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==== TRANSLATION ====
==== TRANSLATION ====


<div id="translation">
<div class="translation">
“Certainly I have not studied the art of literary embellishments. But I have heard about it from higher circles, and thus I can review this verse and find in it many faults and many good qualities.”
“Certainly I have not studied the art of literary embellishments. But I have heard about it from higher circles, and thus I can review this verse and find in it many faults and many good qualities.”
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==== PURPORT ====
==== PURPORT ====


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The statement kariyāchi śravaṇa (“I have heard it”) is very important in the sense that hearing is more important than directly studying or perceiving. If one is expert in hearing and hears from the right source, his knowledge is immediately perfect. This process is called śrauta-panthā, or the acquisition of knowledge by hearing from authorities. All Vedic knowledge is based on the principle that one must approach a bona fide spiritual master and hear from him the authoritative statements of the Vedas. It is not necessary for one to be a highly polished literary man to receive knowledge; to receive perfect knowledge from a perfect person, one must be expert in hearing. This is called the descending process of deductive knowledge, or avaroha-panthā.
The statement ''kariyāchi śravaṇa'' (“I have heard it”) is very important in the sense that hearing is more important than directly studying or perceiving. If one is expert in hearing and hears from the right source, his knowledge is immediately perfect. This process is called ''śrauta-panthā'', or the acquisition of knowledge by hearing from authorities. All Vedic knowledge is based on the principle that one must approach a bona fide spiritual master and hear from him the authoritative statements of the ''Vedas''. It is not necessary for one to be a highly polished literary man to receive knowledge; to receive perfect knowledge from a perfect person, one must be expert in hearing. This is called the descending process of deductive knowledge, or ''avaroha-panthā''.
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<div style="float:right; clear:both;">[[File:Go-previous.png|link=CC Adi 16.51|Ādi-līlā 16.51]] '''[[CC Adi 16.51|Ādi-līlā 16.51]] - [[CC Adi 16.53|Ādi-līlā 16.53]]''' [[File:Go-next.png|link=CC Adi 16.53|Ādi-līlā 16.53]]</div>
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Latest revision as of 18:33, 19 February 2024



His Divine Grace
A.C. Bhaktivedanta Swami Prabhupada



TEXT 52

nāhi paḍi alaṅkāra, kariyāchi śravaṇa
tāte ei śloke dekhi bahu doṣa-guṇa


SYNONYMS

nāhi paḍi — I do not study; alaṅkāra — the art of literary embellishment; kariyāchi — I have done; śravaṇa — hearing; tāte — by that; ei śloke — in this verse; dekhi — I see; bahu — many; doṣa — faults; guṇa — good qualities.


TRANSLATION

“Certainly I have not studied the art of literary embellishments. But I have heard about it from higher circles, and thus I can review this verse and find in it many faults and many good qualities.”


PURPORT

The statement kariyāchi śravaṇa (“I have heard it”) is very important in the sense that hearing is more important than directly studying or perceiving. If one is expert in hearing and hears from the right source, his knowledge is immediately perfect. This process is called śrauta-panthā, or the acquisition of knowledge by hearing from authorities. All Vedic knowledge is based on the principle that one must approach a bona fide spiritual master and hear from him the authoritative statements of the Vedas. It is not necessary for one to be a highly polished literary man to receive knowledge; to receive perfect knowledge from a perfect person, one must be expert in hearing. This is called the descending process of deductive knowledge, or avaroha-panthā.