SB 3.12.47: Difference between revisions
m (1 revision(s)) |
(Vanibot #0054 edit - transform synonyms into clickable links, which search similar occurrences) |
||
(One intermediate revision by one other user not shown) | |||
Line 1: | Line 1: | ||
{{info | {{info | ||
|speaker=Maitreya | |speaker=Maitreya Ṛṣi | ||
|listener=Vidura | |listener=Vidura | ||
}} | }} | ||
[[Category:Srimad-Bhagavatam - Canto 03 Chapter 12]] | |||
[[Category:Bhagavatam Verses Spoken by Maitreya Rsi - Vanisource|031247]] | |||
<div style="float:left">'''[[Srimad-Bhagavatam]] - [[SB 3|Third Canto]] - [[SB 3.12: Creation of the Kumaras and Others|Chapter 12: Creation of the Kumāras and Others]]'''</div> | |||
<div style="float:right">[[File:Go-previous.png|link=SB 3.12.46]] '''[[SB 3.12.46]] - [[SB 3.12.48]]''' [[File:Go-next.png|link=SB 3.12.48]]</div> | |||
{{RandomImage}} | |||
==== TEXT 47 ==== | ==== TEXT 47 ==== | ||
<div | <div class="verse"> | ||
sparśas tasyābhavaj jīvaḥ | :sparśas tasyābhavaj jīvaḥ | ||
svaro deha udāhṛta | :svaro deha udāhṛta | ||
ūṣmāṇam indriyāṇy āhur | :ūṣmāṇam indriyāṇy āhur | ||
antaḥ-sthā balam ātmanaḥ | :antaḥ-sthā balam ātmanaḥ | ||
svarāḥ sapta vihāreṇa | :svarāḥ sapta vihāreṇa | ||
bhavanti sma prajāpateḥ | :bhavanti sma prajāpateḥ | ||
</div> | </div> | ||
Line 18: | Line 24: | ||
==== SYNONYMS ==== | ==== SYNONYMS ==== | ||
<div | <div class="synonyms"> | ||
''[//vanipedia.org/wiki/Special:VaniSearch?s=sparśaḥ&tab=syno_o&ds=1 sparśaḥ]'' — the set of letters from ''ka'' to ''ma''; ''[//vanipedia.org/wiki/Special:VaniSearch?s=tasya&tab=syno_o&ds=1 tasya]'' — his; ''[//vanipedia.org/wiki/Special:VaniSearch?s=abhavat&tab=syno_o&ds=1 abhavat]'' — became; ''[//vanipedia.org/wiki/Special:VaniSearch?s=jīvaḥ&tab=syno_o&ds=1 jīvaḥ]'' — the soul; ''[//vanipedia.org/wiki/Special:VaniSearch?s=svaraḥ&tab=syno_o&ds=1 svaraḥ]'' — vowels; ''[//vanipedia.org/wiki/Special:VaniSearch?s=dehaḥ&tab=syno_o&ds=1 dehaḥ]'' — his body; ''[//vanipedia.org/wiki/Special:VaniSearch?s=udāhṛtaḥ&tab=syno_o&ds=1 udāhṛtaḥ]'' — are expressed; ''[//vanipedia.org/wiki/Special:VaniSearch?s=ūṣmāṇam&tab=syno_o&ds=1 ūṣmāṇam]'' — the letters ''śa'', ''ṣa'', ''sa'' and ''ha''; ''[//vanipedia.org/wiki/Special:VaniSearch?s=indriyāṇi&tab=syno_o&ds=1 indriyāṇi]'' — the senses; ''[//vanipedia.org/wiki/Special:VaniSearch?s=āhuḥ&tab=syno_o&ds=1 āhuḥ]'' — are called; ''[//vanipedia.org/wiki/Special:VaniSearch?s=antaḥ&tab=syno_o&ds=1 antaḥ]-[//vanipedia.org/wiki/Special:VaniSearch?s=sthāḥ&tab=syno_o&ds=1 sthāḥ]'' — the set of letters so known (''ya'', ''ra'', ''la'' and ''va''); ''[//vanipedia.org/wiki/Special:VaniSearch?s=balam&tab=syno_o&ds=1 balam]'' — energy; ''[//vanipedia.org/wiki/Special:VaniSearch?s=ātmanaḥ&tab=syno_o&ds=1 ātmanaḥ]'' — of his self; ''[//vanipedia.org/wiki/Special:VaniSearch?s=svarāḥ&tab=syno_o&ds=1 svarāḥ]'' — music; ''[//vanipedia.org/wiki/Special:VaniSearch?s=sapta&tab=syno_o&ds=1 sapta]'' — seven; ''[//vanipedia.org/wiki/Special:VaniSearch?s=vihāreṇa&tab=syno_o&ds=1 vihāreṇa]'' — by the sensual activities; ''[//vanipedia.org/wiki/Special:VaniSearch?s=bhavanti&tab=syno_o&ds=1 bhavanti] [//vanipedia.org/wiki/Special:VaniSearch?s=sma&tab=syno_o&ds=1 sma]'' — became manifested; ''[//vanipedia.org/wiki/Special:VaniSearch?s=prajāpateḥ&tab=syno_o&ds=1 prajāpateḥ]'' — of the lord of the living entities. | |||
</div> | </div> | ||
Line 25: | Line 31: | ||
==== TRANSLATION ==== | ==== TRANSLATION ==== | ||
<div | <div class="translation"> | ||
Brahmā's soul was manifested as the touch alphabets, his body as the vowels, his senses as the sibilant alphabets, his strength as the intermediate alphabets and his sensual activities as the seven notes of music. | Brahmā's soul was manifested as the touch alphabets, his body as the vowels, his senses as the sibilant alphabets, his strength as the intermediate alphabets and his sensual activities as the seven notes of music. | ||
</div> | </div> | ||
Line 32: | Line 38: | ||
==== PURPORT ==== | ==== PURPORT ==== | ||
<div | <div class="purport"> | ||
In Sanskrit there are thirteen vowels and thirty-five consonants. The vowels are a, ā, i, ī, u, ū, ṛ, ṟ, ḷ, e, ai, o, au, and the consonants are ka, kha, ga, gha, etc. Amongst the consonants, the first twenty-five letters are called the sparśas. There are also four antaḥ-sthas. Of the ūṣmas there are three s's, called tālavya, mūrdhanya and dantya. The musical notes are ṣa, ṛ, gā, ma, dha, and ni. All these sound vibrations are originally called śabda-brahma, or spiritual sound. It is said, therefore, that Brahmā was created in the Mahā-kalpa as the incarnation of spiritual sound. The Vedas are spiritual sound, and therefore there is no need of material interpretation for the sound vibration of the Vedic literature. The Vedas should be vibrated as they are, although they are symbolically represented with letters which are known to us materially. In the ultimate issue there is nothing material because everything has its origin in the spiritual world. The material manifestation is therefore called illusion in the proper sense of the term. For those who are realized souls there is nothing but spirit. | In Sanskrit there are thirteen vowels and thirty-five consonants. The vowels are ''a'', ''ā'', ''i'', ''ī'', ''u'', ''ū'', ''ṛ'', ''ṟ'', ''ḷ'', ''e'', ''ai'', ''o'', ''au'', and the consonants are ''ka'', ''kha'', ''ga'', ''gha'', etc. Amongst the consonants, the first twenty-five letters are called the sparśas. There are also four ''antaḥ-sthas''. Of the ''ūṣmas'' there are three s's, called ''tālavya'', ''mūrdhanya'' and ''dantya''. The musical notes are ''ṣa'', ''ṛ'', ''gā'', ''ma'', ''dha'', and ''ni''. All these sound vibrations are originally called ''śabda-brahma'', or spiritual sound. It is said, therefore, that Brahmā was created in the Mahā-kalpa as the incarnation of spiritual sound. The ''Vedas'' are spiritual sound, and therefore there is no need of material interpretation for the sound vibration of the Vedic literature. The ''Vedas'' should be vibrated as they are, although they are symbolically represented with letters which are known to us materially. In the ultimate issue there is nothing material because everything has its origin in the spiritual world. The material manifestation is therefore called illusion in the proper sense of the term. For those who are realized souls there is nothing but spirit. | ||
</div> | </div> | ||
__NOTOC__ | |||
<div style="float:right; clear:both;">[[File:Go-previous.png|link=SB 3.12.46]] '''[[SB 3.12.46]] - [[SB 3.12.48]]''' [[File:Go-next.png|link=SB 3.12.48]]</div> | |||
__NOTOC__ | |||
__NOEDITSECTION__ |
Latest revision as of 21:27, 17 February 2024
A.C. Bhaktivedanta Swami Prabhupada
TEXT 47
- sparśas tasyābhavaj jīvaḥ
- svaro deha udāhṛta
- ūṣmāṇam indriyāṇy āhur
- antaḥ-sthā balam ātmanaḥ
- svarāḥ sapta vihāreṇa
- bhavanti sma prajāpateḥ
SYNONYMS
sparśaḥ — the set of letters from ka to ma; tasya — his; abhavat — became; jīvaḥ — the soul; svaraḥ — vowels; dehaḥ — his body; udāhṛtaḥ — are expressed; ūṣmāṇam — the letters śa, ṣa, sa and ha; indriyāṇi — the senses; āhuḥ — are called; antaḥ-sthāḥ — the set of letters so known (ya, ra, la and va); balam — energy; ātmanaḥ — of his self; svarāḥ — music; sapta — seven; vihāreṇa — by the sensual activities; bhavanti sma — became manifested; prajāpateḥ — of the lord of the living entities.
TRANSLATION
Brahmā's soul was manifested as the touch alphabets, his body as the vowels, his senses as the sibilant alphabets, his strength as the intermediate alphabets and his sensual activities as the seven notes of music.
PURPORT
In Sanskrit there are thirteen vowels and thirty-five consonants. The vowels are a, ā, i, ī, u, ū, ṛ, ṟ, ḷ, e, ai, o, au, and the consonants are ka, kha, ga, gha, etc. Amongst the consonants, the first twenty-five letters are called the sparśas. There are also four antaḥ-sthas. Of the ūṣmas there are three s's, called tālavya, mūrdhanya and dantya. The musical notes are ṣa, ṛ, gā, ma, dha, and ni. All these sound vibrations are originally called śabda-brahma, or spiritual sound. It is said, therefore, that Brahmā was created in the Mahā-kalpa as the incarnation of spiritual sound. The Vedas are spiritual sound, and therefore there is no need of material interpretation for the sound vibration of the Vedic literature. The Vedas should be vibrated as they are, although they are symbolically represented with letters which are known to us materially. In the ultimate issue there is nothing material because everything has its origin in the spiritual world. The material manifestation is therefore called illusion in the proper sense of the term. For those who are realized souls there is nothing but spirit.