CC Madhya 21.128 (1975): Difference between revisions
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<div style="float:left">'''[[Sri Caitanya-caritamrta (1975)|Śrī Caitanya-caritāmṛta (1975)]] - [[CC Madhya (1975)|Madhya-līlā]] - [[CC Madhya 21 (1975)|Chapter 21: The Opulence and Sweetness of Lord Śrī Kṛṣṇa]]'''</div> | <div style="float:left">'''[[Sri Caitanya-caritamrta (1975)|Śrī Caitanya-caritāmṛta (1975)]] - [[CC Madhya (1975)|Madhya-līlā]] - [[CC Madhya 21 (1975)|Chapter 21: The Opulence and Sweetness of Lord Śrī Kṛṣṇa]]'''</div> | ||
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==== TEXT 128 ==== | ==== TEXT 128 ==== | ||
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:kara-nakha-cāndera hāṭa, | :kara-nakha-cāndera hāṭa, vaṁśī-upara kare nāṭa, | ||
:tāra gīta muralīra tāna | :tāra gīta muralīra tāna | ||
:pada-nakha-candra-gaṇa, | :pada-nakha-candra-gaṇa, tale kare nartana, | ||
:nūpurera dhvani yāra gāna | :nūpurera dhvani yāra gāna | ||
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"His fingernails are many full moons, and they dance on the flute on His hands. Their song is the melody of that flute. His toenails are also many full moons, and they dance on the ground. Their song is the jingling of His ankle bells. | |||
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Latest revision as of 13:47, 27 January 2020
Śrī Caitanya-caritāmṛta (1975) - Madhya-līlā - Chapter 21: The Opulence and Sweetness of Lord Śrī Kṛṣṇa
TEXT 128
- kara-nakha-cāndera hāṭa, vaṁśī-upara kare nāṭa,
- tāra gīta muralīra tāna
- pada-nakha-candra-gaṇa, tale kare nartana,
- nūpurera dhvani yāra gāna
SYNONYMS
kara-nakha—of the nails on the hands; cāndera—of the full moons; hāṭa—the bazaar; vaṁśī—the flute; upara—on; kare—do; nāṭa—dancing; tāra—of them; gīta—the song; muralīra tāna—the melody of the flute; pada-nakha—of the nails on the toes; candra-gaṇa—the different full moons; tale—on the ground; kare—do; nartana—dancing; nūpurera—of the ankle bells; dhvani—the sound; yāra—whose; gāna—musical song.
TRANSLATION
"His fingernails are many full moons, and they dance on the flute on His hands. Their song is the melody of that flute. His toenails are also many full moons, and they dance on the ground. Their song is the jingling of His ankle bells.