CC Madhya 13.117 (1975): Difference between revisions
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<div style="float:left">'''[[Sri Caitanya-caritamrta (1975)|Śrī Caitanya-caritāmṛta (1975)]] - [[CC Madhya (1975)|Madhya-līlā]] - [[CC Madhya 13 (1975)|Chapter 13: The Ecstatic Dancing of the Lord at Ratha-yātrā]]'''</div> | <div style="float:left">'''[[Sri Caitanya-caritamrta (1975)|Śrī Caitanya-caritāmṛta (1975)]] - [[CC Madhya (1975)|Madhya-līlā]] - [[CC Madhya 13 (1975)|Chapter 13: The Ecstatic Dancing of the Lord at Ratha-yātrā]]'''</div> | ||
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jagannāthe—into Lord Jagannātha; magna—absorbed; prabhura—of Lord Caitanya Mahāprabhu; nayana-hṛdaya—the eyes and mind; śrī-hasta-yuge—with His two arms; kare—performed; gītera—of the song; abhinaya—dramatic movement. | |||
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Latest revision as of 07:30, 27 January 2020
Śrī Caitanya-caritāmṛta (1975) - Madhya-līlā - Chapter 13: The Ecstatic Dancing of the Lord at Ratha-yātrā
TEXT 117
- jagannāthe magna prabhura nayana-hṛdaya
- śrī-hasta-yuge kare gītera abhinaya
SYNONYMS
jagannāthe—into Lord Jagannātha; magna—absorbed; prabhura—of Lord Caitanya Mahāprabhu; nayana-hṛdaya—the eyes and mind; śrī-hasta-yuge—with His two arms; kare—performed; gītera—of the song; abhinaya—dramatic movement.
TRANSLATION
His eyes and mind fully absorbed in Lord Jagannātha, Caitanya Mahāprabhu began to play the drama of the song with His two arms.