Go to Vaniquotes | Go to Vanipedia | Go to Vanimedia


Vanisource - the complete essence of Vedic knowledge


CC Madhya 13.45 (1975): Difference between revisions

(Vanibot #0027: CCMirror - Mirror CC's 1996 edition to form a basis for 1975)
 
(Vanibot #0020: VersionCompareLinker - added a link to the Version Compare feature)
 
Line 2: Line 2:
<div style="float:left">'''[[Sri Caitanya-caritamrta (1975)|Śrī Caitanya-caritāmṛta (1975)]] - [[CC Madhya (1975)|Madhya-līlā]] - [[CC Madhya 13 (1975)|Chapter 13: The Ecstatic Dancing of the Lord at Ratha-yātrā]]'''</div>
<div style="float:left">'''[[Sri Caitanya-caritamrta (1975)|Śrī Caitanya-caritāmṛta (1975)]] - [[CC Madhya (1975)|Madhya-līlā]] - [[CC Madhya 13 (1975)|Chapter 13: The Ecstatic Dancing of the Lord at Ratha-yātrā]]'''</div>
<div style="float:right">[[File:Go-previous.png|link=CC Madhya 13.44 (1975)|Madhya-līlā 13.44]] '''[[CC Madhya 13.44 (1975)|Madhya-līlā 13.44]] - [[CC Madhya 13.46 (1975)|Madhya-līlā 13.46]]''' [[File:Go-next.png|link=CC Madhya 13.46 (1975)|Madhya-līlā 13.46]]</div>
<div style="float:right">[[File:Go-previous.png|link=CC Madhya 13.44 (1975)|Madhya-līlā 13.44]] '''[[CC Madhya 13.44 (1975)|Madhya-līlā 13.44]] - [[CC Madhya 13.46 (1975)|Madhya-līlā 13.46]]''' [[File:Go-next.png|link=CC Madhya 13.46 (1975)|Madhya-līlā 13.46]]</div>
{{CompareVersions|CC|Madhya 13.45|CC 1975|CC 1996}}
{{RandomImage}}
{{RandomImage}}


''Below is the 1996 edition text, ready to be substituted with the 1975 one using the compile form.''


==== TEXT 45 ====
==== TEXT 45 ====

Latest revision as of 07:51, 27 January 2020



His Divine Grace
A.C. Bhaktivedanta Swami Prabhupada



TEXT 45

śāntipurera ācāryera eka sampradāya
acyutānanda nāce tathā, āra saba gāya


SYNONYMS

śāntipurera—of Śāntipura; ācāryera—of Advaita Ācārya; eka—one; sampradāya—group; acyutānanda—the son of Advaita Ācārya; nāce—dances; tathā—there; āra—the rest; saba—all; gāya—were singing.


TRANSLATION

There was another party that came from Śāntipura and was formed by Advaita Ācārya. Acyutānanda was the dancer, and the rest of the men were singers.