CC Madhya 2.55 (1975): Difference between revisions

Latest revision as of 12:27, 27 January 2020

Śrī Caitanya-caritāmṛta (1975) - Madhya-līlā - Chapter 2: The Ecstatic Manifestations of Lord Śrī Caitanya Mahāprabhu

Madhya-līlā 2.54 - Madhya-līlā 2.56

Compare Versions: CC 1975 with CC 1996

His Divine Grace
A.C. Bhaktivedanta Swami Prabhupada

TEXT 55

tāhāṅ haite ghare āsi', māṭīra upare vasi',

nakhe kare pṛthivī likhana

hā-hā kāhāṅ vṛndāvana, kāhāṅ gopendra-nandana,

kāhāṅ sei vaṁśī-vadana

SYNONYMS

tāhāṅ haite—from there; ghare āsi'-coming back home; māṭīra—the ground; upare—upon; vasi'-sitting; nakhe—by the nails; kare—does; pṛthivī—on the surface of the earth; likhana—marking; hā-hā—alas; kāhāṅ—where is; vṛndāvana—Vṛndāvana; kāhāṅ—where; gopa-indra-nandana—the son of the King of the cowherd men; kāhāṅ—where; sei—that; vaṁśī-vadana—the person with the flute.

TRANSLATION

When coming from the Jagannātha temple to return to His house, Śrī Caitanya Mahāprabhu used to sit on the ground and mark it with His nails. At such times He would be greatly morose and would cry, "Alas, where is Vṛndāvana? Where is Kṛṣṇa, the son of the King of the cowherd men? Where is that person who plays the flute?"

Madhya-līlā 2.54 - Madhya-līlā 2.56

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 <div style="float:left">'''[[Sri Caitanya-caritamrta (1975)|Śrī Caitanya-caritāmṛta (1975)]] - [[CC Madhya (1975)|Madhya-līlā]] - [[CC Madhya 2 (1975)|Chapter 2: The Ecstatic Manifestations of Lord Śrī Caitanya Mahāprabhu]]'''</div>
 <div style="float:right">[[File:Go-previous.png|link=CC Madhya 2.54 (1975)|Madhya-līlā 2.54]] '''[[CC Madhya 2.54 (1975)|Madhya-līlā 2.54]] - [[CC Madhya 2.56 (1975)|Madhya-līlā 2.56]]''' [[File:Go-next.png|link=CC Madhya 2.56 (1975)|Madhya-līlā 2.56]]</div>
+{{CompareVersions|CC|Madhya 2.55|CC 1975|CC 1996}}
 {{RandomImage}}
-''Below is the 1996 edition text, ready to be substituted with the 1975 one using the compile form.''
 ==== TEXT 55 ====
 <div class="verse">
-:tāhāṅ haite ghare āsi’,     māṭīra upare vasi’,
+:tāhāṅ haite ghare āsi', māṭīra upare vasi',
 :nakhe kare pṛthivī likhana
-:hā-hā kāhāṅ vṛndāvana,     kāhāṅ gopendra-nandana,
+:hā-hā kāhāṅ vṛndāvana, kāhāṅ gopendra-nandana,
 :kāhāṅ sei vaṁśī-vadana
 </div>
@@ Line 20: / Line 19: @@
 <div class="synonyms">
-tāhāṅ haite—from there; ghare āsi’—coming back home; māṭīra—the ground; upare—upon; vasi’—sitting; nakhe—by the nails; kare—does; pṛthivī—on the surface of the earth; likhana—marking; hā-hā—alas; kāhāṅ—where is; vṛndāvana—Vṛndāvana; kāhāṅ—where; gopa-indra-nandana—the son of the King of the cowherd men; kāhāṅ—where; sei—that; vaṁśī-vadana—the person with the flute.
+tāhāṅ haite—from there; ghare āsi'-coming back home; māṭīra—the ground; upare—upon; vasi'-sitting; nakhe—by the nails; kare—does; pṛthivī—on the surface of the earth; likhana—marking; hā-hā—alas; kāhāṅ—where is; vṛndāvana—Vṛndāvana; kāhāṅ—where; gopa-indra-nandana—the son of the King of the cowherd men; kāhāṅ—where; sei—that; vaṁśī-vadana—the person with the flute.
 </div>
@@ Line 27: / Line 26: @@
 <div class="translation">
-When coming from the Jagannātha temple to return to His house, Śrī Caitanya Mahāprabhu used to sit on the ground and mark it with His nails. At such times He would be greatly morose and would cry, “Alas, where is Vṛndāvana? Where is Kṛṣṇa, the son of the King of the cowherd men? Where is that person who plays the flute?”
+When coming from the Jagannātha temple to return to His house, Śrī Caitanya Mahāprabhu used to sit on the ground and mark it with His nails. At such times He would be greatly morose and would cry, "Alas, where is Vṛndāvana? Where is Kṛṣṇa, the son of the King of the cowherd men? Where is that person who plays the flute?"
 </div>