SB 8.15.21: Difference between revisions
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''mṛdaṅga'' | ''[//vanipedia.org/wiki/Special:VaniSearch?s=mṛdaṅga&tab=syno_o&ds=1 mṛdaṅga]'' — of drums; ''[//vanipedia.org/wiki/Special:VaniSearch?s=śaṅkha&tab=syno_o&ds=1 śaṅkha]'' — conchshells; ''[//vanipedia.org/wiki/Special:VaniSearch?s=ānaka&tab=syno_o&ds=1 ānaka]-[//vanipedia.org/wiki/Special:VaniSearch?s=dundubhi&tab=syno_o&ds=1 dundubhi]'' — and kettledrums; ''[//vanipedia.org/wiki/Special:VaniSearch?s=svanaiḥ&tab=syno_o&ds=1 svanaiḥ]'' — by the sounds; ''[//vanipedia.org/wiki/Special:VaniSearch?s=sa&tab=syno_o&ds=1 sa]-[//vanipedia.org/wiki/Special:VaniSearch?s=tāla&tab=syno_o&ds=1 tāla]'' — in perfect tune; ''[//vanipedia.org/wiki/Special:VaniSearch?s=vīṇā&tab=syno_o&ds=1 vīṇā]'' — a stringed instrument; ''[//vanipedia.org/wiki/Special:VaniSearch?s=muraja&tab=syno_o&ds=1 muraja]'' — a kind of drum; ''[//vanipedia.org/wiki/Special:VaniSearch?s=iṣṭa&tab=syno_o&ds=1 iṣṭa]-[//vanipedia.org/wiki/Special:VaniSearch?s=veṇubhiḥ&tab=syno_o&ds=1 veṇubhiḥ]'' — accompanied by the very nice sound of the flute; ''[//vanipedia.org/wiki/Special:VaniSearch?s=nṛtyaiḥ&tab=syno_o&ds=1 nṛtyaiḥ]'' — with dancing; ''[//vanipedia.org/wiki/Special:VaniSearch?s=sa&tab=syno_o&ds=1 sa]-[//vanipedia.org/wiki/Special:VaniSearch?s=vādyaiḥ&tab=syno_o&ds=1 vādyaiḥ]'' — with concert instruments; ''[//vanipedia.org/wiki/Special:VaniSearch?s=upadeva&tab=syno_o&ds=1 upadeva]-[//vanipedia.org/wiki/Special:VaniSearch?s=gītakaiḥ&tab=syno_o&ds=1 gītakaiḥ]'' — with singing by the secondary demigods like the Gandharvas; ''[//vanipedia.org/wiki/Special:VaniSearch?s=manoramām&tab=syno_o&ds=1 manoramām]'' — beautiful and pleasing; ''[//vanipedia.org/wiki/Special:VaniSearch?s=sva&tab=syno_o&ds=1 sva]-[//vanipedia.org/wiki/Special:VaniSearch?s=prabhayā&tab=syno_o&ds=1 prabhayā]'' — by its own brilliance; ''[//vanipedia.org/wiki/Special:VaniSearch?s=jita&tab=syno_o&ds=1 jita]-[//vanipedia.org/wiki/Special:VaniSearch?s=prabhām&tab=syno_o&ds=1 prabhām]'' — the personification of beauty was conquered. | ||
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Latest revision as of 23:17, 18 February 2024
A.C. Bhaktivedanta Swami Prabhupada
TEXT 21
- mṛdaṅga-śaṅkhānaka-dundubhi-svanaiḥ
- satāla-vīṇā-murajeṣṭa-veṇubhiḥ
- nṛtyaiḥ savādyair upadeva-gītakair
- manoramāṁ sva-prabhayā jita-prabhām
SYNONYMS
mṛdaṅga — of drums; śaṅkha — conchshells; ānaka-dundubhi — and kettledrums; svanaiḥ — by the sounds; sa-tāla — in perfect tune; vīṇā — a stringed instrument; muraja — a kind of drum; iṣṭa-veṇubhiḥ — accompanied by the very nice sound of the flute; nṛtyaiḥ — with dancing; sa-vādyaiḥ — with concert instruments; upadeva-gītakaiḥ — with singing by the secondary demigods like the Gandharvas; manoramām — beautiful and pleasing; sva-prabhayā — by its own brilliance; jita-prabhām — the personification of beauty was conquered.
TRANSLATION
The city was filled with the sounds of mṛdaṅgas, conchshells, kettledrums, flutes and well-tuned stringed instruments all playing in concert. There was constant dancing and the Gandharvas sang. The combined beauty of Indrapurī defeated beauty personified.