CC Antya 5.22: Difference between revisions
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{{ | [[Category:Sri Caitanya-caritamrta - Antya-lila Chapter 05]] | ||
<div style="float:left">'''[[Sri Caitanya-caritamrta|Śrī Caitanya-caritāmṛta]] - [[CC Antya|Antya-līlā]] - [[CC Antya 5|Chapter 5: How Pradyumna Miśra Received Instructions from Rāmānanda Rāya]]'''</div> | |||
<div style="float:right">[[File:Go-previous.png|link=CC Antya 5.21|Antya-līlā 5.21]] '''[[CC Antya 5.21|Antya-līlā 5.21]] - [[CC Antya 5.23|Antya-līlā 5.23]]''' [[File:Go-next.png|link=CC Antya 5.23|Antya-līlā 5.23]]</div> | |||
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==== TEXT 22 ==== | ==== TEXT 22 ==== | ||
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tabe sei dui-jane nṛtya śikhāilā | :tabe sei dui-jane nṛtya śikhāilā | ||
gītera gūḍha artha abhinaya karāilā | :gītera gūḍha artha abhinaya karāilā | ||
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==== SYNONYMS ==== | ==== SYNONYMS ==== | ||
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''[//vanipedia.org/wiki/Special:VaniSearch?s=tabe&tab=syno_o&ds=1 tabe]'' — thereupon; ''[//vanipedia.org/wiki/Special:VaniSearch?s=sei&tab=syno_o&ds=1 sei]'' — those; ''[//vanipedia.org/wiki/Special:VaniSearch?s=dui&tab=syno_o&ds=1 dui]-[//vanipedia.org/wiki/Special:VaniSearch?s=jane&tab=syno_o&ds=1 jane]'' — two young girls; ''[//vanipedia.org/wiki/Special:VaniSearch?s=nṛtya&tab=syno_o&ds=1 nṛtya] [//vanipedia.org/wiki/Special:VaniSearch?s=śikhāilā&tab=syno_o&ds=1 śikhāilā]'' — directed how to dance; ''[//vanipedia.org/wiki/Special:VaniSearch?s=gītera&tab=syno_o&ds=1 gītera]'' — of the songs; ''[//vanipedia.org/wiki/Special:VaniSearch?s=gūḍha&tab=syno_o&ds=1 gūḍha] [//vanipedia.org/wiki/Special:VaniSearch?s=artha&tab=syno_o&ds=1 artha]'' — the deep meaning; ''[//vanipedia.org/wiki/Special:VaniSearch?s=abhinaya&tab=syno_o&ds=1 abhinaya] [//vanipedia.org/wiki/Special:VaniSearch?s=karāilā&tab=syno_o&ds=1 karāilā]'' — taught how to express by dramatic performances. | |||
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==== TRANSLATION ==== | ==== TRANSLATION ==== | ||
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Rāmānanda Rāya directed the two girls how to dance and express the deep meaning of his songs through dramatic performances. | Rāmānanda Rāya directed the two girls how to dance and express the deep meaning of his songs through dramatic performances. | ||
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<div style="float:right; clear:both;">[[File:Go-previous.png|link=CC Antya 5.21|Antya-līlā 5.21]] '''[[CC Antya 5.21|Antya-līlā 5.21]] - [[CC Antya 5.23|Antya-līlā 5.23]]''' [[File:Go-next.png|link=CC Antya 5.23|Antya-līlā 5.23]]</div> | |||
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Latest revision as of 20:40, 19 February 2024
Śrī Caitanya-caritāmṛta - Antya-līlā - Chapter 5: How Pradyumna Miśra Received Instructions from Rāmānanda Rāya
His Divine Grace
A.C. Bhaktivedanta Swami Prabhupada
A.C. Bhaktivedanta Swami Prabhupada
TEXT 22
- tabe sei dui-jane nṛtya śikhāilā
- gītera gūḍha artha abhinaya karāilā
SYNONYMS
tabe — thereupon; sei — those; dui-jane — two young girls; nṛtya śikhāilā — directed how to dance; gītera — of the songs; gūḍha artha — the deep meaning; abhinaya karāilā — taught how to express by dramatic performances.
TRANSLATION
Rāmānanda Rāya directed the two girls how to dance and express the deep meaning of his songs through dramatic performances.