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[[Category:Sri Caitanya-caritamrta - Madhya-lila Chapter 23|C052]]
<div style="float:left">'''[[Sri Caitanya-caritamrta|Śrī Caitanya-caritāmṛta]] - [[CC Madhya|Madhya-līlā]] - [[CC Madhya 23|Chapter 23: Life's Ultimate Goal — Love of Godhead]]'''</div>
<div style="float:right">[[File:Go-previous.png|link=CC Madhya 23.51|Madhya-līlā 23.51]] '''[[CC Madhya 23.51|Madhya-līlā 23.51]] - [[CC Madhya 23.53|Madhya-līlā 23.53]]''' [[File:Go-next.png|link=CC Madhya 23.53|Madhya-līlā 23.53]]</div>
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==== TEXT 52 ====
==== TEXT 52 ====


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nirveda-harṣādi—tetriśa ‘vyabhicārī’<br>
:nirveda-harṣādi—tetriśa ‘vyabhicārī’
saba mili’ ‘rasa’ haya camatkāra-kārī<br>
:saba mili’ ‘rasa’ haya camatkāra-kārī
nirveda-harṣa-ādi-complete despondency, jubilation and so on; tetriśa-thirty-three; vyabhicārī-transitory elements; saba mili’-all meeting together; rasa-the mellow; haya-becomes; camatkāra-kārī-a cause of wonder.<br>
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==== SYNONYMS ====
<div class="synonyms">
''[//vanipedia.org/wiki/Special:VaniSearch?s=nirveda&tab=syno_o&ds=1 nirveda]-[//vanipedia.org/wiki/Special:VaniSearch?s=harṣa&tab=syno_o&ds=1 harṣa]-[//vanipedia.org/wiki/Special:VaniSearch?s=ādi&tab=syno_o&ds=1 ādi]'' — complete despondency, jubilation and so on; ''[//vanipedia.org/wiki/Special:VaniSearch?s=tetriśa&tab=syno_o&ds=1 tetriśa]'' — thirty-three; ''[//vanipedia.org/wiki/Special:VaniSearch?s=vyabhicārī&tab=syno_o&ds=1 vyabhicārī]'' — transitory elements; ''[//vanipedia.org/wiki/Special:VaniSearch?s=saba&tab=syno_o&ds=1 saba] [//vanipedia.org/wiki/Special:VaniSearch?s=mili&tab=syno_o&ds=1 mili] '' — all meeting together; ''[//vanipedia.org/wiki/Special:VaniSearch?s=rasa&tab=syno_o&ds=1 rasa]'' — the mellow; ''[//vanipedia.org/wiki/Special:VaniSearch?s=haya&tab=syno_o&ds=1 haya]'' — becomes; ''[//vanipedia.org/wiki/Special:VaniSearch?s=camatkāra&tab=syno_o&ds=1 camatkāra]-[//vanipedia.org/wiki/Special:VaniSearch?s=kārī&tab=syno_o&ds=1 kārī]'' — a cause of wonder.
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==== TRANSLATION ====
==== TRANSLATION ====


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“There are other ingredients, beginning with complete despondency and jubilation. Altogether there are thirty-three varieties, and when these combine, the mellow becomes very wonderful.<br>
"There are other ingredients, beginning with complete despondency and jubilation. Altogether there are thirty-three varieties, and when these combine, the mellow becomes very wonderful.
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==== PURPORT ====
==== PURPORT ====


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Nirveda, harṣa and other symptoms are explained in Madhya-līlā 14.167. The transitory elements (vyabhicārī) are described in the Bhakti-rasāmṛta-sindhu as follows:<br>
''Nirveda'', ''harṣa'' and other symptoms are explained in [[CC Madhya 14.167|''Madhya-līlā'' 14.167]]. The transitory elements (''vyabhicārī'') are described in the ''Bhakti-rasāmṛta-sindhu'' as follows:
athocyante trayas triṁśad-bhāvā ye vyabhicāriṇaḥ<br>
 
viśeṣeṇābhimukhyena caranti sthāyinaṁ prati<br>
:''athocyante trayas triṁśad-bhāvā ye vyabhicāriṇaḥ''
vāg-aṅga-sattva-sūcyā ye jñeyās te vyabhicāriṇaḥ<br>
:''viśeṣeṇābhimukhyena caranti sthāyinaṁ prati''
sañcārayanti bhāvasya gatiṁ sañcāriṇo’pi te<br>
 
unmajjanti nimajjanti stāyiny amṛta-vāridhau<br>
:''vāg-aṅga-sattva-sūcyā ye jñeyās te vyabhicāriṇaḥ''
ūrmi-vad vardhayanty enaṁ yānti tad-rūpatāṁ ca te<br>
:''sañcārayanti bhāvasya gatiṁ sañcāriṇo’pi te''
“There are thirty-three transitory elements, known as vyabhicārī ecstatic emotions. They especially wander about the permanent sentiments as assistants. They are to be known by words, by different symptoms seen in the limbs and in other parts of the body, and by the peculiar conditions of the heart. Because they set in motion the progress of the permanent sentiments, they are specifically called sañcārī, or impelling principles. These impelling principles rise up and fall back in the permanent sentiments of ecstatic love like waves in an ocean of ecstasy. Consequently they are called vyabhicārī.”<br>
 
:''unmajjanti nimajjanti stāyiny amṛta-vāridhau''
:''ūrmi-vad vardhayanty enaṁ yānti tad-rūpatāṁ ca te''
 
"There are thirty-three transitory elements, known as ''vyabhicārī'' ecstatic emotions. They especially wander about the permanent sentiments as assistants. They are to be known by words, by different symptoms seen in the limbs and in other parts of the body, and by the peculiar conditions of the heart. Because they set in motion the progress of the permanent sentiments, they are specifically called ''sañcārī'', or impelling principles. These impelling principles rise up and fall back in the permanent sentiments of ecstatic love like waves in an ocean of ecstasy. Consequently they are called ''vyabhicārī''."
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<div style="float:right; clear:both;">[[File:Go-previous.png|link=CC Madhya 23.51|Madhya-līlā 23.51]] '''[[CC Madhya 23.51|Madhya-līlā 23.51]] - [[CC Madhya 23.53|Madhya-līlā 23.53]]''' [[File:Go-next.png|link=CC Madhya 23.53|Madhya-līlā 23.53]]</div>
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Latest revision as of 22:59, 19 February 2024



His Divine Grace
A.C. Bhaktivedanta Swami Prabhupada



TEXT 52

nirveda-harṣādi—tetriśa ‘vyabhicārī’
saba mili’ ‘rasa’ haya camatkāra-kārī


SYNONYMS

nirveda-harṣa-ādi — complete despondency, jubilation and so on; tetriśa — thirty-three; vyabhicārī — transitory elements; saba mili — all meeting together; rasa — the mellow; haya — becomes; camatkāra-kārī — a cause of wonder.

TRANSLATION

"There are other ingredients, beginning with complete despondency and jubilation. Altogether there are thirty-three varieties, and when these combine, the mellow becomes very wonderful.


PURPORT

Nirveda, harṣa and other symptoms are explained in Madhya-līlā 14.167. The transitory elements (vyabhicārī) are described in the Bhakti-rasāmṛta-sindhu as follows:

athocyante trayas triṁśad-bhāvā ye vyabhicāriṇaḥ
viśeṣeṇābhimukhyena caranti sthāyinaṁ prati
vāg-aṅga-sattva-sūcyā ye jñeyās te vyabhicāriṇaḥ
sañcārayanti bhāvasya gatiṁ sañcāriṇo’pi te
unmajjanti nimajjanti stāyiny amṛta-vāridhau
ūrmi-vad vardhayanty enaṁ yānti tad-rūpatāṁ ca te

"There are thirty-three transitory elements, known as vyabhicārī ecstatic emotions. They especially wander about the permanent sentiments as assistants. They are to be known by words, by different symptoms seen in the limbs and in other parts of the body, and by the peculiar conditions of the heart. Because they set in motion the progress of the permanent sentiments, they are specifically called sañcārī, or impelling principles. These impelling principles rise up and fall back in the permanent sentiments of ecstatic love like waves in an ocean of ecstasy. Consequently they are called vyabhicārī."



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