Go to Vaniquotes | Go to Vanipedia | Go to Vanimedia


Vanisource - the complete essence of Vedic knowledge


SB 3.20.38: Difference between revisions

m (1 revision(s))
 
(Vanibot #0054 edit - transform synonyms into clickable links, which search similar occurrences)
 
(One intermediate revision by one other user not shown)
Line 1: Line 1:
{{SB_Header|{{PAGENAME}}}}
{{info
{{info
|speaker=Maitreya Rsi
|speaker=Maitreya Ṛṣi
|listener=Vidura
|listener=Vidura
}}
}}
[[Category:Srimad-Bhagavatam - Canto 03 Chapter 20]]
[[Category:Bhagavatam Verses Spoken by Maitreya Rsi - Vanisource|032038]]
<div style="float:left">'''[[Srimad-Bhagavatam]] - [[SB 3|Third Canto]] - [[SB 3.20: Conversation Between Maitreya and Vidura|Chapter 20: Conversation Between Maitreya and Vidura]]'''</div>
<div style="float:right">[[File:Go-previous.png|link=SB 3.20.37]] '''[[SB 3.20.37]] - [[SB 3.20.39]]''' [[File:Go-next.png|link=SB 3.20.39]]</div>
{{RandomImage}}
==== TEXT 38 ====
==== TEXT 38 ====


<div id="text">
<div class="verse">
prahasya bhāva-gambhīraṁ<br>
:prahasya bhāva-gambhīraṁ
jighrantyātmānam ātmanā<br>
:jighrantyātmānam ātmanā
kāntyā sasarja bhagavān<br>
:kāntyā sasarja bhagavān
gandharvāpsarasāṁ gaṇān<br>
:gandharvāpsarasāṁ gaṇān
</div>
</div>


Line 16: Line 22:
==== SYNONYMS ====
==== SYNONYMS ====


<div id="synonyms">
<div class="synonyms">
prahasya—smiling; bhāva-gambhīram—with a deep purpose; jighrantyā—understanding; ātmānam—himself; ātmanā—by himself; kāntyā—by his loveliness; sasarja—created; bhagavān—the worshipful Lord Brahmā; gandharva—the celestial musicians; apsarasām—and of the heavenly dancing girls; gaṇān—the hosts of.
''[//vanipedia.org/wiki/Special:VaniSearch?s=prahasya&tab=syno_o&ds=1 prahasya]'' — smiling; ''[//vanipedia.org/wiki/Special:VaniSearch?s=bhāva&tab=syno_o&ds=1 bhāva]-[//vanipedia.org/wiki/Special:VaniSearch?s=gambhīram&tab=syno_o&ds=1 gambhīram]'' — with a deep purpose; ''[//vanipedia.org/wiki/Special:VaniSearch?s=jighrantyā&tab=syno_o&ds=1 jighrantyā]'' — understanding; ''[//vanipedia.org/wiki/Special:VaniSearch?s=ātmānam&tab=syno_o&ds=1 ātmānam]'' — himself; ''[//vanipedia.org/wiki/Special:VaniSearch?s=ātmanā&tab=syno_o&ds=1 ātmanā]'' — by himself; ''[//vanipedia.org/wiki/Special:VaniSearch?s=kāntyā&tab=syno_o&ds=1 kāntyā]'' — by his loveliness; ''[//vanipedia.org/wiki/Special:VaniSearch?s=sasarja&tab=syno_o&ds=1 sasarja]'' — created; ''[//vanipedia.org/wiki/Special:VaniSearch?s=bhagavān&tab=syno_o&ds=1 bhagavān]'' — the worshipful Lord Brahmā; ''[//vanipedia.org/wiki/Special:VaniSearch?s=gandharva&tab=syno_o&ds=1 gandharva]'' — the celestial musicians; ''[//vanipedia.org/wiki/Special:VaniSearch?s=apsarasām&tab=syno_o&ds=1 apsarasām]'' — and of the heavenly dancing girls; ''[//vanipedia.org/wiki/Special:VaniSearch?s=gaṇān&tab=syno_o&ds=1 gaṇān]'' — the hosts of.
</div>
</div>


Line 23: Line 29:
==== TRANSLATION ====
==== TRANSLATION ====


<div id="translation">
<div class="translation">
With a laugh full of deep significance, the worshipful Brahmā then evolved by his own loveliness, which seemed to enjoy itself by itself, the hosts of Gandharvas and Apsarās.
With a laugh full of deep significance, the worshipful Brahmā then evolved by his own loveliness, which seemed to enjoy itself by itself, the hosts of Gandharvas and Apsarās.
</div>
</div>
Line 30: Line 36:
==== PURPORT ====
==== PURPORT ====


<div id="purport">
<div class="purport">
The musicians in the upper planetary systems are called Gandharvas, and the dancing girls are called Apsarās. After being attacked by the demons and evolving a form of a beautiful woman in the twilight, Brahmā next created Gandharvas and Apsarās. Music and dancing employed in sense gratification are to be accepted as demoniac, but the same music and dancing, when employed in glorifying the Supreme Lord as kīrtana, are transcendental, and they bring about a life completely fit for spiritual enjoyment.
The musicians in the upper planetary systems are called Gandharvas, and the dancing girls are called Apsarās. After being attacked by the demons and evolving a form of a beautiful woman in the twilight, Brahmā next created Gandharvas and Apsarās. Music and dancing employed in sense gratification are to be accepted as demoniac, but the same music and dancing, when employed in glorifying the Supreme Lord as ''kīrtana'', are transcendental, and they bring about a life completely fit for spiritual enjoyment.
</div>
</div>
__NOTOC__{{SB_Footer|{{PAGENAME}}}}
 
 
<div style="float:right; clear:both;">[[File:Go-previous.png|link=SB 3.20.37]] '''[[SB 3.20.37]] - [[SB 3.20.39]]''' [[File:Go-next.png|link=SB 3.20.39]]</div>
__NOTOC__
__NOEDITSECTION__

Latest revision as of 21:39, 17 February 2024

His Divine Grace
A.C. Bhaktivedanta Swami Prabhupada



TEXT 38

prahasya bhāva-gambhīraṁ
jighrantyātmānam ātmanā
kāntyā sasarja bhagavān
gandharvāpsarasāṁ gaṇān


SYNONYMS

prahasya — smiling; bhāva-gambhīram — with a deep purpose; jighrantyā — understanding; ātmānam — himself; ātmanā — by himself; kāntyā — by his loveliness; sasarja — created; bhagavān — the worshipful Lord Brahmā; gandharva — the celestial musicians; apsarasām — and of the heavenly dancing girls; gaṇān — the hosts of.


TRANSLATION

With a laugh full of deep significance, the worshipful Brahmā then evolved by his own loveliness, which seemed to enjoy itself by itself, the hosts of Gandharvas and Apsarās.


PURPORT

The musicians in the upper planetary systems are called Gandharvas, and the dancing girls are called Apsarās. After being attacked by the demons and evolving a form of a beautiful woman in the twilight, Brahmā next created Gandharvas and Apsarās. Music and dancing employed in sense gratification are to be accepted as demoniac, but the same music and dancing, when employed in glorifying the Supreme Lord as kīrtana, are transcendental, and they bring about a life completely fit for spiritual enjoyment.



... more about "SB 3.20.38"
Maitreya Ṛṣi +
Vidura +