CC Madhya 21.143 (1975): Difference between revisions

Latest revision as of 13:50, 27 January 2020

Śrī Caitanya-caritāmṛta (1975) - Madhya-līlā - Chapter 21: The Opulence and Sweetness of Lord Śrī Kṛṣṇa

Madhya-līlā 21.142 - Madhya-līlā 21.144

Compare Versions: CC 1975 with CC 1996

His Divine Grace
A.C. Bhaktivedanta Swami Prabhupada

TEXT 143

nīvi khasāya pati-āge, gṛha-dharma karāya tyāge,

bale dhari' āne kṛṣṇa-sthāne

loka-dharma, lajjā, bhaya, saba jñāna lupta haya,

aiche nācāya saba nārī-gaṇe

SYNONYMS

nīvi—the knots of the underwear; khasāya—loosens; pati-āge—even in front of the husbands; gṛha-dharma—household duties; karāya tyāge—causes to give up; bale—by force; dhari'-catching; āne—brings; kṛṣṇa-sthāne—before Lord Kṛṣṇa; loka-dharma—social etiquette; lajjā—shame; bhaya—fear; saba—all; jñāna—such knowledge; lupta haya—becomes hidden; aiche—in that way; nācāya—causes to dance; saba—all; nārī-gaṇe—the women.

TRANSLATION

"The vibration of His flute slackens the knots of their underwear even in front of their husbands. Thus the gopīs are forced to abandon their household duties and come before Lord Kṛṣṇa. In this way all social etiquette, shame and fear are vanquished. The vibration of His flute causes all women to dance.

Madhya-līlā 21.142 - Madhya-līlā 21.144

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 <div style="float:left">'''[[Sri Caitanya-caritamrta (1975)|Śrī Caitanya-caritāmṛta (1975)]] - [[CC Madhya (1975)|Madhya-līlā]] - [[CC Madhya 21 (1975)|Chapter 21: The Opulence and Sweetness of Lord Śrī Kṛṣṇa]]'''</div>
 <div style="float:right">[[File:Go-previous.png|link=CC Madhya 21.142 (1975)|Madhya-līlā 21.142]] '''[[CC Madhya 21.142 (1975)|Madhya-līlā 21.142]] - [[CC Madhya 21.144 (1975)|Madhya-līlā 21.144]]''' [[File:Go-next.png|link=CC Madhya 21.144 (1975)|Madhya-līlā 21.144]]</div>
+{{CompareVersions|CC|Madhya 21.143|CC 1975|CC 1996}}
 {{RandomImage}}
-''Below is the 1996 edition text, ready to be substituted with the 1975 one using the compile form.''
 ==== TEXT 143 ====
 <div class="verse">
-:nīvi khasāya pati-āge,     gṛha-dharma karāya tyāge,
+:nīvi khasāya pati-āge, gṛha-dharma karāya tyāge,
-:bale dhari’ āne kṛṣṇa-sthāne
+:bale dhari' āne kṛṣṇa-sthāne
-:loka-dharma, lajjā, bhaya,     saba jñāna lupta haya,
+:loka-dharma, lajjā, bhaya, saba jñāna lupta haya,
 :aiche nācāya saba nārī-gaṇe
 </div>
@@ Line 20: / Line 19: @@
 <div class="synonyms">
-nīvi—the knots of the underwear; khasāya—loosens; pati-āge—even in front of the husbands; gṛha-dharma—household duties; karāya tyāge—causes to give up; bale—by force; dhari’—catching; āne—brings; kṛṣṇa-sthāne—before Lord Kṛṣṇa; loka-dharma—social etiquette; lajjā—shame; bhaya—fear; saba—all; jñāna—such knowledge; lupta haya—becomes hidden; aiche—in that way; nācāya—causes to dance; saba—all; nārī-gaṇe—the women.
+nīvi—the knots of the underwear; khasāya—loosens; pati-āge—even in front of the husbands; gṛha-dharma—household duties; karāya tyāge—causes to give up; bale—by force; dhari'-catching; āne—brings; kṛṣṇa-sthāne—before Lord Kṛṣṇa; loka-dharma—social etiquette; lajjā—shame; bhaya—fear; saba—all; jñāna—such knowledge; lupta haya—becomes hidden; aiche—in that way; nācāya—causes to dance; saba—all; nārī-gaṇe—the women.
 </div>
@@ Line 27: / Line 26: @@
 <div class="translation">
-“The vibration of His flute slackens the knots of their underwear even in front of their husbands. Thus the gopīs are forced to abandon their household duties and come before Lord Kṛṣṇa. In this way all social etiquette, shame and fear are vanquished. The vibration of His flute causes all women to dance.
+"The vibration of His flute slackens the knots of their underwear even in front of their husbands. Thus the gopīs are forced to abandon their household duties and come before Lord Kṛṣṇa. In this way all social etiquette, shame and fear are vanquished. The vibration of His flute causes all women to dance.
 </div>