CC Antya 17.35 (1975): Difference between revisions

Latest revision as of 23:16, 26 January 2020

Śrī Caitanya-caritāmṛta (1975) - Antya-līlā - Chapter 17: The Bodily Transformations of Lord Śrī Caitanya Mahāprabhu

Antya-līlā 17.34 - Antya-līlā 17.36

Compare Versions: CC 1975 with CC 1996

His Divine Grace
A.C. Bhaktivedanta Swami Prabhupada

TEXT 35

kailā jagate veṇu-dhvani, siddha-mantrā yoginī,

dūtī hañā mohe nārī-mana

mahotkaṇṭhā bāḍāñā, ārya-patha chāḍāñā,

āni' tomāya kare samarpaṇa

SYNONYMS

kailā—You have made; jagate—in the world; veṇu-dhvani—the vibration of the flute; siddha-mantrā—perfected in chanting mantras; yoginī—a female mystic; dūtī—a messenger; hañā—being; mohe—enchants; nārī-mana—the minds of women; mahā-utkaṇṭhā—great anxiety; bāḍāñā—increasing; ārya-patha—the regulative principles; chāḍāñā—inducing to give up; āni'-bringing; tomāya—to You; kare samarpaṇa—delivers.

TRANSLATION

" 'When You play Your flute, it acts like a messenger in the form of a yoginī perfect in the art of chanting mantras. This messenger enchants all the women in the universe and attracts them to You. Then she increases their great anxiety and induces them to give up the regulative principle of obeying superiors. Finally, she forcibly brings them to You to surrender in amorous love.

Antya-līlā 17.34 - Antya-līlā 17.36

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 <div style="float:left">'''[[Sri Caitanya-caritamrta (1975)|Śrī Caitanya-caritāmṛta (1975)]] - [[CC Antya (1975)|Antya-līlā]] - [[CC Antya 17 (1975)|Chapter 17: The Bodily Transformations of Lord Śrī Caitanya Mahāprabhu]]'''</div>
 <div style="float:right">[[File:Go-previous.png|link=CC Antya 17.34 (1975)|Antya-līlā 17.34]] '''[[CC Antya 17.34 (1975)|Antya-līlā 17.34]] - [[CC Antya 17.36 (1975)|Antya-līlā 17.36]]''' [[File:Go-next.png|link=CC Antya 17.36 (1975)|Antya-līlā 17.36]]</div>
+{{CompareVersions|CC|Antya 17.35|CC 1975|CC 1996}}
 {{RandomImage}}
-''Below is the 1996 edition text, ready to be substituted with the 1975 one using the compile form.''
 ==== TEXT 35 ====
 <div class="verse">
-:kailā jagate veṇu-dhvani,     siddha-mantrā yoginī
+:kailā jagate veṇu-dhvani, siddha-mantrā yoginī,
 :dūtī hañā mohe nārī-mana
-:mahotkaṇṭhā bāḍāñā,     ārya-patha chāḍāñā,
+:mahotkaṇṭhā bāḍāñā, ārya-patha chāḍāñā,
-:āni’ tomāya kare samarpaṇa
+:āni' tomāya kare samarpaṇa
 </div>
@@ Line 20: / Line 19: @@
 <div class="synonyms">
-kailā—You have made; jagate—in the world; veṇu-dhvani—the vibration of the flute; siddha-mantrā—perfected in chanting mantras; yoginī—a female mystic; dūtī—a messenger; hañā—being; mohe—enchants; nārī-mana—the minds of women; mahā-utkaṇṭhā—great anxiety; bāḍāñā—increasing; ārya-patha—the regulative principles; chāḍāñā—inducing to give up; āni’—bringing; tomāya—to You; kare samarpaṇa—delivers.
+kailā—You have made; jagate—in the world; veṇu-dhvani—the vibration of the flute; siddha-mantrā—perfected in chanting mantras; yoginī—a female mystic; dūtī—a messenger; hañā—being; mohe—enchants; nārī-mana—the minds of women; mahā-utkaṇṭhā—great anxiety; bāḍāñā—increasing; ārya-patha—the regulative principles; chāḍāñā—inducing to give up; āni'-bringing; tomāya—to You; kare samarpaṇa—delivers.
 </div>
@@ Line 27: / Line 26: @@
 <div class="translation">
-“‘When You play Your flute, the vibration acts like a messenger in the form of a yoginī perfect in the art of chanting mantras. This messenger enchants all the women in the universe and attracts them to You. Then she increases their great anxiety and induces them to give up the regulative principle of obeying superiors. Finally, she forcibly brings them to You to surrender in amorous love.
+" 'When You play Your flute, it acts like a messenger in the form of a yoginī perfect in the art of chanting mantras. This messenger enchants all the women in the universe and attracts them to You. Then she increases their great anxiety and induces them to give up the regulative principle of obeying superiors. Finally, she forcibly brings them to You to surrender in amorous love.
 </div>