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#h4##span class="mw-headline" id="TEXT_No._11"#TEXT No. 11#/span##/h4#
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Swalamkritam shyama turanga yojitam
Ratham mrigendra dhwajam asritah purat.
Vrito ratha aswa dwipapatti yuktaya
Swasenaya digvijayaya nirgatah.
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#h4##span class="mw-headline" id="ENGLISH_SYNONYMS"#ENGLISH SYNONYMS#/span##/h4#
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Salamkritam—very well decorated, Shyama—black, Turanga—horses, Yojitam—tackled, Ratha—Chariot, Mrigendra—lion, Dhwajam—flag-staffed, Asritah—under the protection, Purat—from the capital, Vrito—surrounded by, Ratha—charioteers, Aswa—cavalry, Dwipapatti—elephants, Yuktaya—thus being equipped, Swasenaya—along with infantry, Digvijayaya—for the purpose of conquering, Nirgatah—went out.
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#h4##span class="mw-headline" id="TRANSLATION"#TRANSLATION#/span##/h4#
#div class="translation"#
Maharaj Parikshit was seated on a chariot which was tackled with black horses, flag staffed with the sign of a lion and thus being well decorated he was surrounded by charioteers, cavalry, elephants and infantry soldiers he went out of the capital for conquering all directions.
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#h4##span class="mw-headline" id="PURPORT"#PURPORT#/span##/h4#
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Maharaj Parikshit is distinguished from his grand father Arjuna as he tackled black horses in his chariot instead of white horses of his grand father. He ensigned his flag staff with the mark of a lion than his grand father who ensigned the flag with mark of Hanumanji. A royal procession like that of Maharaj Parikshit surrounded by well decorated chariots, cavalry, elephants, infantry and band is not only pleasing to the eyes but also they were signs of aesthetic sense of a civilization used to be manifested even in the fighting front.
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#h4##span class="mw-headline" id="TEXT_11"#TEXT 11#/span##/h4#
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#dl##dd#svalaṅkṛtaṁ śyāma-turaṅga-yojitaṁ#/dd#
#dd#rathaṁ mṛgendra-dhvajam āśritaḥ purāt#/dd#
#dd#vṛto rathāśva-dvipa-patti-yuktayā#/dd#
#dd#sva-senayā digvijayāya nirgataḥ#/dd##/dl#
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#h4##span class="mw-headline" id="SYNONYMS"#SYNONYMS#/span##/h4#
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#i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=su&tab=syno_o&ds=1"#su-#a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=alaṅkṛtam&tab=syno_o&ds=1"#alaṅkṛtam#/i# — very well decorated; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=śyāma&tab=syno_o&ds=1"#śyāma#/i# — black; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=turaṅga&tab=syno_o&ds=1"#turaṅga#/i# — horses; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=yojitam&tab=syno_o&ds=1"#yojitam#/i# — tackled; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=ratham&tab=syno_o&ds=1"#ratham#/i# — chariot; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=mṛga&tab=syno_o&ds=1"#mṛga-#a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=indra&tab=syno_o&ds=1"#indra#/i# — lion; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=dhvajam&tab=syno_o&ds=1"#dhvajam#/i# — flagged; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=āśritaḥ&tab=syno_o&ds=1"#āśritaḥ#/i# — under the protection; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=purāt&tab=syno_o&ds=1"#purāt#/i# — from the capital; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=vṛtaḥ&tab=syno_o&ds=1"#vṛtaḥ#/i# — surrounded by; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=ratha&tab=syno_o&ds=1"#ratha#/i# — charioteers; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=aśva&tab=syno_o&ds=1"#aśva#/i# — cavalry; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=dvipapatti&tab=syno_o&ds=1"#dvipapatti#/i# — elephants; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=yuktayā&tab=syno_o&ds=1"#yuktayā#/i# — thus being equipped; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=sva&tab=syno_o&ds=1"#sva-#a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=senayā&tab=syno_o&ds=1"#senayā#/i# — along with infantry; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=digvijayāya&tab=syno_o&ds=1"#digvijayāya#/i# — for the purpose of conquering; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=nirgataḥ&tab=syno_o&ds=1"#nirgataḥ#/i# — went out.
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#h4##span class="mw-headline" id="TRANSLATION"#TRANSLATION#/span##/h4#
#div class="translation"#
Mahārāja Parīkṣit sat on a chariot drawn by black horses. His flag was marked with the sign of a lion. Being so decorated and surrounded by charioteers, cavalry, elephants and infantry soldiers, he left the capital to conquer in all directions.
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#h4##span class="mw-headline" id="PURPORT"#PURPORT#/span##/h4#
#div class="purport"#
Mahārāja Parīkṣit is distinguished from his grandfather Arjuna, for black horses pulled his chariot instead of white horses. He marked his flag with the mark of a lion, and his grandfather marked his with the mark of Hanumānjī. A royal procession like that of Mahārāja Parīkṣit surrounded by well-decorated chariots, cavalry, elephants, infantry and band not only is pleasing to the eyes, but also is a sign of a civilization that is aesthetic even on the fighting front.
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