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 Compare previous verse  |  Compare next verse        See the BBT's reasons for these revisions

CC Adi 17.15 (1975)

CC Adi 17.15 (1996)

please wait#div class="mw-parser-output"# #h4##span class="mw-headline" id="TEXT_15"#TEXT 15#/span##/h4# #div class="verse"# #dl##dd#tabe ta' dvi-bhuja kevala vaṁśī-vadana#/dd# #dd#śyāma-aṅga pīta-vastra vrajendra-nandana#/dd##/dl# #/div# #h4##span class="mw-headline" id="SYNONYMS"#SYNONYMS#/span##/h4# #div class="synonyms"# tabe — thereafter; ta'-certainly; dvi-bhuja — two-handed; kevala — only; vaṁśī — flute; vadana — on the mouth; śyāma — bluish; aṅga — body; pīta-vastra — yellow dress; vrajendra-nandana — the son of Nanda Mahārāja. #/div# #h4##span class="mw-headline" id="TRANSLATION"#TRANSLATION#/span##/h4# #div class="translation"# Finally the Lord showed Nityānanda Prabhu His two-armed form of Kṛṣṇa, the son of Mahārāja Nanda, simply playing on His flute, His bluish body dressed in yellow garments. #/div# #h4##span class="mw-headline" id="PURPORT"#PURPORT#/span##/h4# #div class="purport"# Śrī Caitanya-maṅgala vividly elaborates upon this description. #/div# #/div# please wait#div class="mw-parser-output"# #h4##span class="mw-headline" id="TEXT_15"#TEXT 15#/span##/h4# #div class="verse"# #dl##dd#tabe ta’ dvi-bhuja kevala vaṁśī-vadana#/dd# #dd#śyāma-aṅga pīta-vastra vrajendra-nandana#/dd##/dl# #/div# #h4##span class="mw-headline" id="SYNONYMS"#SYNONYMS#/span##/h4# #div class="synonyms"# tabe — thereafter; ta’ — certainly; dvi-bhuja — two-handed; kevala — only; vaṁśī — flute; vadana — on the mouth; śyāma — bluish; aṅga — body; pīta-vastra — yellow dress; vrajendra — nandana — the son of Nanda Mahārāja. #/div# #h4##span class="mw-headline" id="TRANSLATION"#TRANSLATION#/span##/h4# #div class="translation"# Finally the Lord showed Nityānanda Prabhu His two-armed form of Kṛṣṇa, the son of Mahārāja Nanda, simply playing on His flute, His bluish body dressed in yellow garments. #/div# #h4##span class="mw-headline" id="PURPORT"#PURPORT#/span##/h4# #div class="purport"# Śrī Caitanya-maṅgala vividly elaborates upon this description. #/div# #/div#
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hare kṛṣṇa hare kṛṣṇa - kṛṣṇa kṛṣṇa hare hare - hare rāma hare rāma - rāma rāma hare hare

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