 #div class="mw-parser-output"#
#h4##span class="mw-headline" id="TEXT_168"#TEXT 168#/span##/h4#
#div class="verse"#
#dl##dd#lāvaṇyāmṛta-dhārāya tad-upari snāna#/dd#
#dd#nija-lajjā-śyāma-paṭṭasāṭi-paridhāna#/dd##/dl#
#/div#
#h4##span class="mw-headline" id="SYNONYMS"#SYNONYMS#/span##/h4#
#div class="synonyms"#
lāvaṇya-amṛta-dhārāya—in the shower of the nectar of bodily luster; tat-upari—over and above that; snāna—the bath; nija—own; lajjā—shyness; śyāma—blackish; paṭṭa—silk; sāṭi—garments; paridhāna—wearing.
#/div#
#h4##span class="mw-headline" id="TRANSLATION"#TRANSLATION#/span##/h4#
#div class="translation"#
"After Her midday bath, Rādhārāṇī takes another bath in the nectar of bodily luster, and She puts on the garment of shyness, which is exactly like a black silk sari.
#/div#
#h4##span class="mw-headline" id="PURPORT"#PURPORT#/span##/h4#
#div class="purport"#
Over and above the other baths, the bath taken in the afternoon is taken in the nectar of full beauty. This nectar represents the personal qualities of beauty and luster. Thus there are three baths in different kinds of water. Rādhārāṇī then puts on two garments—a lower and an upper garment. The upper garment is pinkish and is Her affection and attraction for Kṛṣṇa, and the lower garment, a blackish silk sari, is Her shyness.
#/div#
#/div# |
#div class="mw-parser-output"#
#h4##span class="mw-headline" id="TEXT_168"#TEXT 168#/span##/h4#
#div class="verse"#
#dl##dd#lāvaṇyāmṛta-dhārāya tad-upari snāna#/dd#
#dd#nija-lajjā-śyāma-paṭṭasāṭi-paridhāna#/dd##/dl#
#/div#
#h4##span class="mw-headline" id="SYNONYMS"#SYNONYMS#/span##/h4#
#div class="synonyms"#
#i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=lāvaṇya&tab=syno_o&ds=1"#lāvaṇya-#a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=amṛta&tab=syno_o&ds=1"#amṛta-#a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=dhārāya&tab=syno_o&ds=1"#dhārāya#/i# — in the shower of the nectar of bodily luster; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=tat&tab=syno_o&ds=1"#tat-#a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=upari&tab=syno_o&ds=1"#upari#/i# — over and above that; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=snāna&tab=syno_o&ds=1"#snāna#/i# — the bath; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=nija&tab=syno_o&ds=1"#nija#/i# — own; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=lajjā&tab=syno_o&ds=1"#lajjā#/i# — shyness; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=śyāma&tab=syno_o&ds=1"#śyāma#/i# — blackish; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=paṭṭa&tab=syno_o&ds=1"#paṭṭa#/i# — silk; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=sāṭi&tab=syno_o&ds=1"#sāṭi#/i# — garments; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=paridhāna&tab=syno_o&ds=1"#paridhāna#/i# — wearing.
#/div#
#h4##span class="mw-headline" id="TRANSLATION"#TRANSLATION#/span##/h4#
#div class="translation"#
“After Her midday bath, Rādhārāṇī takes another bath in the nectar of bodily luster, and She puts on the garment of shyness, which is Her black silk sari.
#/div#
#h4##span class="mw-headline" id="PURPORT"#PURPORT#/span##/h4#
#div class="purport"#
Over and above the other baths, the bath taken in the afternoon is taken in the nectar of full beauty. This nectar represents the personal qualities of beauty and luster. Thus there are three baths in different kinds of water. Rādhārāṇī then puts on two garments—a lower and an upper garment. The upper garment is pinkish and is Her affection and attraction for Kṛṣṇa, and the lower garment, a blackish silk sari, is Her shyness.
#/div#
#/div# |
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