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#dl##dd#nirveda-harṣādi--tetriśa 'vyabhicārī'#/dd#
#dd#saba mili' 'rasa' haya camatkārakārī#/dd##/dl#
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#h4##span class="mw-headline" id="SYNONYMS"#SYNONYMS#/span##/h4#
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nirveda-harṣa-ādi—complete despondency, jubilation and so on; tetriśa—thirty-three; vyabhicārī-transitory elements; saba mili'-all meeting together; rasa-the mellows; haya-becomes; camatkārakārī-a cause of wonder.
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#h4##span class="mw-headline" id="TRANSLATION"#TRANSLATION#/span##/h4#
#div class="translation"#
"There are other ingredients beginning with complete despondency and jubilation. Altogether there are thirty-three varieties, and when these combine, the mellow becomes very wonderful.
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#h4##span class="mw-headline" id="PURPORT"#PURPORT#/span##/h4#
#div class="purport"#
Nirveda, harṣa, and other symptoms are explained in Madhya-līlā (14.167). The transitory elements (vyabhicārī) are described in the Bhakti-rasāmṛta-sindhu as follows:
#dl##dd#athocyante trayas triṁśad-#/dd#
#dd#bhāvā ye vyabhicāriṇaḥ#/dd#
#dd#viśeṣeṇābhimukhyena#/dd#
#dd#caranti sthāyinaṁ prati#/dd#
#dd#vāg-aṅga-sattva-sūcyā ye#/dd#
#dd#jñeyās te vyabhicāriṇaḥ#/dd##/dl#
#dl##dd#sañcārayanti bhāvasya#/dd#
#dd#gatiṁ sañcāriṇo 'pi te#/dd#
#dd#unmajjanti nimajjanti#/dd#
#dd#stāyiny-amṛta-vāridhau#/dd#
#dd#ūrmivad vardhayanty enaṁ#/dd#
#dd#yānti tad-rūpatāṁ ca te#/dd##/dl#
There are thirty-three transitory elements known as vyabhicārī-ecstatic emotions. They especially wander about the permanent sentiments as assistants. They are to be known by words, by different symptoms seen in the limbs and in other parts of the body, and by the peculiar conditions of the heart. Because they set in motion the progress of the permanent sentiments, they are specifically called sañcārī, or impelling principles. These impelling principles rise up and fall back in the permanent sentiments of ecstatic love like waves in an ocean of ecstasy. Consequently they are called vyabhicāri.
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#h4##span class="mw-headline" id="TEXT_52"#TEXT 52#/span##/h4#
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#dl##dd#nirveda-harṣādi—tetriśa ‘vyabhicārī’#/dd#
#dd#saba mili’ ‘rasa’ haya camatkāra-kārī#/dd##/dl#
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#h4##span class="mw-headline" id="SYNONYMS"#SYNONYMS#/span##/h4#
#div class="synonyms"#
#i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=nirveda&tab=syno_o&ds=1"#nirveda-#a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=harṣa&tab=syno_o&ds=1"#harṣa-#a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=ādi&tab=syno_o&ds=1"#ādi#/i# — complete despondency, jubilation and so on; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=tetriśa&tab=syno_o&ds=1"#tetriśa#/i# — thirty-three; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=vyabhicārī&tab=syno_o&ds=1"#vyabhicārī#/i# — transitory elements; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=saba&tab=syno_o&ds=1"#saba #a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=mili&tab=syno_o&ds=1"#mili #/i# — all meeting together; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=rasa&tab=syno_o&ds=1"#rasa#/i# — the mellow; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=haya&tab=syno_o&ds=1"#haya#/i# — becomes; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=camatkāra&tab=syno_o&ds=1"#camatkāra-#a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=kārī&tab=syno_o&ds=1"#kārī#/i# — a cause of wonder.
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#h4##span class="mw-headline" id="TRANSLATION"#TRANSLATION#/span##/h4#
#div class="translation"#
"There are other ingredients, beginning with complete despondency and jubilation. Altogether there are thirty-three varieties, and when these combine, the mellow becomes very wonderful.
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#h4##span class="mw-headline" id="PURPORT"#PURPORT#/span##/h4#
#div class="purport"#
#i#Nirveda#/i#, #i#harṣa#/i# and other symptoms are explained in #i#Madhya-līlā#/i# 14.167. The transitory elements (#i#vyabhicārī#/i#) are described in the #i#Bhakti-rasāmṛta-sindhu#/i# as follows:
#dl##dd##i#athocyante trayas triṁśad-bhāvā ye vyabhicāriṇaḥ#/i##/dd#
#dd##i#viśeṣeṇābhimukhyena caranti sthāyinaṁ prati#/i##/dd##/dl#
#dl##dd##i#vāg-aṅga-sattva-sūcyā ye jñeyās te vyabhicāriṇaḥ#/i##/dd#
#dd##i#sañcārayanti bhāvasya gatiṁ sañcāriṇo’pi te#/i##/dd##/dl#
#dl##dd##i#unmajjanti nimajjanti stāyiny amṛta-vāridhau#/i##/dd#
#dd##i#ūrmi-vad vardhayanty enaṁ yānti tad-rūpatāṁ ca te#/i##/dd##/dl#
"There are thirty-three transitory elements, known as #i#vyabhicārī#/i# ecstatic emotions. They especially wander about the permanent sentiments as assistants. They are to be known by words, by different symptoms seen in the limbs and in other parts of the body, and by the peculiar conditions of the heart. Because they set in motion the progress of the permanent sentiments, they are specifically called #i#sañcārī#/i#, or impelling principles. These impelling principles rise up and fall back in the permanent sentiments of ecstatic love like waves in an ocean of ecstasy. Consequently they are called #i#vyabhicārī#/i#."
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