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CC Madhya 21.140 (1975)

CC Madhya 21.140 (1996)

please wait#div class="mw-parser-output"# #h4##span class="mw-headline" id="TEXT_140"#TEXT 140#/span##/h4# #div class="verse"# #dl##dd#smita-kiraṇa-sukarpūre, paiśe adhara-madhure,#/dd# #dd#sei madhu mātāya tribhuvane#/dd# #dd#vaṁśī-chidra ākāśe, tāra guṇa śabde paiśe,#/dd# #dd#dhvani-rūpe pāñā pariṇāme#/dd##/dl# #/div# #h4##span class="mw-headline" id="SYNONYMS"#SYNONYMS#/span##/h4# #div class="synonyms"# smita-kiraṇa—the shining of Kṛṣṇa's smile; su-karpūre—compared to camphor; paiśe—enters; adhara-madhure—within the sweetness of the lips; sei madhu—that ambrosia; mātāya—maddens; tri-bhuvane—the three worlds; vaṁśī-chidra—of the holes in the flute; ākāśe—in the space; tāra guṇa—the quality of that sweetness; śabde—in sound vibration; paiśe—enters; dhvani-rūpe—the form of sound vibration; pāñā—obtaining; pariṇāme—by transformation. #/div# #h4##span class="mw-headline" id="TRANSLATION"#TRANSLATION#/span##/h4# #div class="translation"# "His slight smiling and fragrant illumination are compared to camphor, which enters the sweetness of the lips. That sweetness is transformed and enters into space as vibrations from the holes of His flute. #/div# #/div# please wait#div class="mw-parser-output"# #h4##span class="mw-headline" id="TEXT_140"#TEXT 140#/span##/h4# #div class="verse"# #dl##dd#smita-kiraṇa-sukarpūre, paiśe adhara-madhure,#/dd# #dd#sei madhu mātāya tribhuvane#/dd# #dd#vaṁśī-chidra ākāśe, tāra guṇa śabde paiśe,#/dd# #dd#dhvani-rūpe pāñā pariṇāme#/dd##/dl# #/div# #h4##span class="mw-headline" id="SYNONYMS"#SYNONYMS#/span##/h4# #div class="synonyms"# #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=smita&tab=syno_o&ds=1"#smita-#a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=kiraṇa&tab=syno_o&ds=1"#kiraṇa#/i# — the shining of Kṛṣṇa’s smile; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=su&tab=syno_o&ds=1"#su-#a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=karpūre&tab=syno_o&ds=1"#karpūre#/i# — compared to camphor; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=paiśe&tab=syno_o&ds=1"#paiśe#/i# — enters; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=adhara&tab=syno_o&ds=1"#adhara-#a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=madhure&tab=syno_o&ds=1"#madhure#/i# — within the sweetness of the lips; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=sei&tab=syno_o&ds=1"#sei #a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=madhu&tab=syno_o&ds=1"#madhu#/i# — that ambrosia; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=mātāya&tab=syno_o&ds=1"#mātāya#/i# — maddens; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=tri&tab=syno_o&ds=1"#tri-#a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=bhuvane&tab=syno_o&ds=1"#bhuvane#/i# — the three worlds; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=vaṁśī&tab=syno_o&ds=1"#vaṁśī-#a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=chidra&tab=syno_o&ds=1"#chidra#/i# — of the holes in the flute; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=ākāśe&tab=syno_o&ds=1"#ākāśe#/i# — in the space; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=tāra&tab=syno_o&ds=1"#tāra #a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=guṇa&tab=syno_o&ds=1"#guṇa#/i# — the quality of that sweetness; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=śabde&tab=syno_o&ds=1"#śabde#/i# — in sound vibration; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=paiśe&tab=syno_o&ds=1"#paiśe#/i# — enters; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=dhvani&tab=syno_o&ds=1"#dhvani-#a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=rūpe&tab=syno_o&ds=1"#rūpe#/i# — the form of sound vibration; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=pāñā&tab=syno_o&ds=1"#pāñā#/i# — obtaining; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=pariṇāme&tab=syno_o&ds=1"#pariṇāme#/i# — by transformation. #/div# #h4##span class="mw-headline" id="TRANSLATION"#TRANSLATION#/span##/h4# #div class="translation"# “His slight smiling and fragrant illumination are compared to camphor, which enters the sweetness of His lips. That sweetness is transformed and enters into space as vibrations from the holes of His flute. #/div# #/div#
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hare kṛṣṇa hare kṛṣṇa - kṛṣṇa kṛṣṇa hare hare - hare rāma hare rāma - rāma rāma hare hare

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