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#h4##span class="mw-headline" id="TEXT_105"#TEXT 105#/span##/h4#
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#dl##dd#bhūṣaṇera bhūṣaṇa aṅga, tāheṅ lalita tribhaṅga,#/dd#
#dd#tāhāra upara bhrūdhanu-nartana#/dd#
#dd#terache netrānta bāṇa, tāra dṛḍha sandhāna,#/dd#
#dd#vindhe rādhā-gopī-gaṇa-mana#/dd##/dl#
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#h4##span class="mw-headline" id="SYNONYMS"#SYNONYMS#/span##/h4#
#div class="synonyms"#
bhūṣaṇera—of the ornament; bhūṣaṇa—the ornament; aṅga—the limbs of the body; tāheṅ—that feature; lalita—delicate; tri-bhaṅga—bent in three places; tāhāra upara—above that; bhrū-dhanu-nartana—dancing of the eyebrows; terache—crooked; netra-anta—the end of the eye; bāṇa—arrow; tāra—of that arrow; dṛḍha—strong; sandhāna—fixing; vindhe—pierces; rādhā—of Śrīmatī Rādhārāṇī; gopī-gaṇa—of the gopīs also; mana—the minds.
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#h4##span class="mw-headline" id="TRANSLATION"#TRANSLATION#/span##/h4#
#div class="translation"#
"Ornaments caress that body, but the transcendental body of Kṛṣṇa is so beautiful that it beautifies the ornaments He wears. Therefore Kṛṣṇa's body is said to be the ornament of ornaments. Despite the wonderful beauty of Kṛṣṇa, there is His three-curved style of standing, which beautifies that form. Above all these beautiful features, Kṛṣṇa's eyes dance and move obliquely, acting like arrows to pierce the minds of Śrīmatī Rādhārāṇī and the gopīs. When the arrow succeeds in hitting its target, their minds become agitated.
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#h4##span class="mw-headline" id="TEXT_105"#TEXT 105#/span##/h4#
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#dl##dd#bhūṣaṇera bhūṣaṇa aṅga, tāheṅ lalita tri-bhaṅga,#/dd#
#dd#tāhāra upara bhrūdhanu-nartana#/dd#
#dd#terache netrānta bāṇa, tāra dṛḍha sandhāna,#/dd#
#dd#vindhe rādhā-gopī-gaṇa-mana#/dd##/dl#
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#h4##span class="mw-headline" id="SYNONYMS"#SYNONYMS#/span##/h4#
#div class="synonyms"#
#i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=bhūṣaṇera&tab=syno_o&ds=1"#bhūṣaṇera#/i# — of the ornament; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=bhūṣaṇa&tab=syno_o&ds=1"#bhūṣaṇa#/i# — the ornament; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=aṅga&tab=syno_o&ds=1"#aṅga#/i# — the limbs of the body; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=tāheṅ&tab=syno_o&ds=1"#tāheṅ#/i# — that feature; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=lalita&tab=syno_o&ds=1"#lalita#/i# — delicate; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=tri&tab=syno_o&ds=1"#tri-#a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=bhaṅga&tab=syno_o&ds=1"#bhaṅga#/i# — bent in three places; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=tāhāra&tab=syno_o&ds=1"#tāhāra #a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=upara&tab=syno_o&ds=1"#upara#/i# — above that; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=bhrū&tab=syno_o&ds=1"#bhrū-#a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=dhanu&tab=syno_o&ds=1"#dhanu-#a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=nartana&tab=syno_o&ds=1"#nartana#/i# — dancing of the eyebrows; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=terache&tab=syno_o&ds=1"#terache#/i# — crooked; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=netra&tab=syno_o&ds=1"#netra-#a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=anta&tab=syno_o&ds=1"#anta#/i# — the end of the eye; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=bāṇa&tab=syno_o&ds=1"#bāṇa#/i# — arrow; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=tāra&tab=syno_o&ds=1"#tāra#/i# — of that arrow; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=dṛḍha&tab=syno_o&ds=1"#dṛḍha#/i# — strong; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=sandhāna&tab=syno_o&ds=1"#sandhāna#/i# — fixing; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=vindhe&tab=syno_o&ds=1"#vindhe#/i# — pierces; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=rādhā&tab=syno_o&ds=1"#rādhā#/i# — of Śrīmatī Rādhārāṇī; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=gopī&tab=syno_o&ds=1"#gopī-#a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=gaṇa&tab=syno_o&ds=1"#gaṇa#/i# — of the #i#gopīs#/i# also; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=mana&tab=syno_o&ds=1"#mana#/i# — the minds.
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#h4##span class="mw-headline" id="TRANSLATION"#TRANSLATION#/span##/h4#
#div class="translation"#
“Ornaments caress that body, but the transcendental body of Kṛṣṇa is so beautiful that it beautifies the ornaments He wears. Therefore Kṛṣṇa’s body is said to be the ornament of ornaments. Enhancing the wonderful beauty of Kṛṣṇa is His three-curved style of standing. Above all these beautiful features, Kṛṣṇa’s eyes dance and move obliquely, acting like arrows to pierce the minds of Śrīmatī Rādhārāṇī and the gopīs. When the arrow succeeds in hitting its target, their minds become agitated.
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