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CC Madhya 19.210 (1975)

CC Madhya 19.210 (1996)

please wait#div class="mw-parser-output"# #h4##span class="mw-headline" id="TEXT_210"#TEXT 210#/span##/h4# #div class="verse"# #dl##dd#pati-sutānvaya-bhrātṛ-bāndhavān#/dd# #dd#ativilaṅghya te 'nty acyutāgatāḥ#/dd# #dd#gatividas tavodgīta-mohitāḥ#/dd# #dd#kitava yoṣitaḥ kas tyajen niśi#/dd##/dl# #/div# #h4##span class="mw-headline" id="SYNONYMS"#SYNONYMS#/span##/h4# #div class="synonyms"# pati—husbands; suta—sons; anvaya—family; bhrātṛ—brothers; bāndhavān—friends; ativilaṅghya—without caring for; te—Your; anti—dear shelter; acyuta—O infallible one; āgatāḥ—have come; gati-vidaḥ—who know everything of our activities; tava—of You; udgīta—by the singing flute; mohitāḥ—being attracted; kitava—O great cheater; yoṣitaḥ—beautiful women; kaḥ—who; tyajet—would give up; niśi—in the dead of night. #/div# #h4##span class="mw-headline" id="TRANSLATION"#TRANSLATION#/span##/h4# #div class="translation"# " 'Dear Kṛṣṇa, neglecting the order of our husbands and sons, family, brothers and friends and leaving their company, we gopīs have come to You. You know everything about our desires. We have only come because we are attracted by Your supremely musical flute. However, You are a great cheater. Who else would give up the company of young girls like us in the dead of night?' #/div# #h4##span class="mw-headline" id="PURPORT"#PURPORT#/span##/h4# #div class="purport"# This verse, quoted from Śrīmad-Bhāgavatam (10.31.16), describes how the gopīs exposed themselves for Kṛṣṇa's enjoyment in the dead of night. The gopīs approached Kṛṣṇa to enjoy themselves with Him in the rāsa dance. Kṛṣṇa knew this very well, but He was superficially trying to avoid them. He is therefore addressed by the gopīs as kitava, a great cheater, because He first attracted them to come dance with Him, and yet when they actually came, neglecting the orders of their friends and relatives, He tried to avoid them by giving them good instructions. These cunning instructions were too much for the gopīs to tolerate; they therefore had a right to address Kṛṣṇa as kitava, a great cheater. They were all young girls, and they had come to Him to be enjoyed. How could He avoid them? The gopīs therefore expressed great disappointment in this verse. They came voluntarily, but Kṛṣṇa was so cunning that He wanted to avoid their company. The gopīs' lamentation was certainly very appropriate, and in this way Kṛṣṇa tested their sincerity. #/div# #/div# please wait#div class="mw-parser-output"# #h4##span class="mw-headline" id="TEXT_210"#TEXT 210#/span##/h4# #div class="verse"# #dl##dd#pati-sutānvaya-bhrātṛ-bāndhavān#/dd# #dd#ativilaṅghya te ‘nty acyutāgatāḥ#/dd# #dd#gati-vidas tavodgīta-mohitāḥ#/dd# #dd#kitava yoṣitaḥ kas tyajen niśi#/dd##/dl# #/div# #h4##span class="mw-headline" id="SYNONYMS"#SYNONYMS#/span##/h4# #div class="synonyms"# #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=pati&tab=syno_o&ds=1"#pati#/i# — husbands; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=suta&tab=syno_o&ds=1"#suta#/i# — sons; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=anvaya&tab=syno_o&ds=1"#anvaya#/i# — family; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=bhrātṛ&tab=syno_o&ds=1"#bhrātṛ#/i# — brothers; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=bāndhavān&tab=syno_o&ds=1"#bāndhavān#/i# — friends; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=ativilaṅghya&tab=syno_o&ds=1"#ativilaṅghya#/i# — without caring for; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=te&tab=syno_o&ds=1"#te#/i# — Your; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=anti&tab=syno_o&ds=1"#anti#/i# — dear shelter; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=acyuta&tab=syno_o&ds=1"#acyuta#/i# — O infallible one; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=āgatāḥ&tab=syno_o&ds=1"#āgatāḥ#/i# — have come; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=gati&tab=syno_o&ds=1"#gati-#a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=vidaḥ&tab=syno_o&ds=1"#vidaḥ#/i# — who know everything of our activities; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=tava&tab=syno_o&ds=1"#tava#/i# — of You; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=udgīta&tab=syno_o&ds=1"#udgīta#/i# — by the singing flute; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=mohitāḥ&tab=syno_o&ds=1"#mohitāḥ#/i# — being attracted; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=kitava&tab=syno_o&ds=1"#kitava#/i# — O great cheater; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=yoṣitaḥ&tab=syno_o&ds=1"#yoṣitaḥ#/i# — beautiful women; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=kaḥ&tab=syno_o&ds=1"#kaḥ#/i# — who; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=tyajet&tab=syno_o&ds=1"#tyajet#/i# — would give up; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=niśi&tab=syno_o&ds=1"#niśi#/i# — in the dead of night. #/div# #h4##span class="mw-headline" id="TRANSLATION"#TRANSLATION#/span##/h4# #div class="translation"# “‘Dear Kṛṣṇa, we gopīs have neglected the order of our husbands, sons, family, brothers and friends and have left their company to come to You. You know everything about our desires. We have come only because we are attracted by the supreme music of Your flute. But You are a great cheater, for who else would give up the company of young girls like us in the dead of night?’ #/div# #h4##span class="mw-headline" id="PURPORT"#PURPORT#/span##/h4# #div class="purport"# This verse, quoted from #i#Śrīmad-Bhāgavatam#/i# (SB 10.31.16), describes how the #i#gopīs#/i# went to the forest for Kṛṣṇa’s enjoyment in the dead of night. The #i#gopīs#/i# approached Kṛṣṇa to enjoy themselves with Him in the #i#rāsa#/i# dance. Kṛṣṇa knew this very well, but He was superficially trying to avoid them. He is therefore addressed by the #i#gopīs#/i# as #i#kitava#/i#, a great cheater, because He first attracted them to come dance with Him, and yet when they actually came, neglecting the orders of their friends and relatives, He tried to avoid them by giving them so-called good instructions. These cunning instructions were too much for the #i#gopīs#/i# to tolerate; they therefore had a right to address Kṛṣṇa as #i#kitava#/i#, a great cheater. They were all young girls, and they had come to Him to be enjoyed. How could He avoid them? The #i#gopīs#/i# therefore expressed great disappointment in this verse. They came voluntarily, but Kṛṣṇa was so cunning that He wanted to avoid their company. The #i#gopīs’#/i# lamentation was certainly very appropriate, and in this way Kṛṣṇa tested their sincerity. #/div# #/div#
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hare kṛṣṇa hare kṛṣṇa - kṛṣṇa kṛṣṇa hare hare - hare rāma hare rāma - rāma rāma hare hare

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