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 Compare previous verse  |  Compare next verse        See the BBT's reasons for these revisions

CC Madhya 14.168 (1975)

CC Madhya 14.168 (1996)

please wait#div class="mw-parser-output"# #h4##span class="mw-headline" id="TEXT_168"#TEXT 168#/span##/h4# #div class="verse"# #dl##dd#'kila-kiñcita', 'kuṭṭamita', 'vilāsa', 'lalita'#/dd# #dd#'vivvoka', 'moṭṭāyita', āra 'maugdhya', 'cakita'#/dd##/dl# #/div# #h4##span class="mw-headline" id="SYNONYMS"#SYNONYMS#/span##/h4# #div class="synonyms"# kila-kiñcita—a particular type of ornament at the time of seeing Kṛṣṇa; kuṭṭamita—the symptom explained in verse 197; vilāsa—the symptom explained in verse 187; lalita—the symptom explained in verse 192; vivvoka—neglecting the presentation given by the hero; moṭṭāyita—awakening of lusty desires by the remembrance and words of the hero; āra—and; maugdhya—assuming the position of not knowing things although everything is known; cakita—a position in which the heroine appears very afraid although she is not at all afraid. #/div# #h4##span class="mw-headline" id="TRANSLATION"#TRANSLATION#/span##/h4# #div class="translation"# "Some of the symptoms critically explained in the following verses are kilakiñcita, kuṭṭamita, vilāsa, lalita, vivvoka, moṭṭāyita, maugdhya and cakita. #/div# #/div# please wait#div class="mw-parser-output"# #h4##span class="mw-headline" id="TEXT_168"#TEXT 168#/span##/h4# #div class="verse"# #dl##dd#‘kila-kiñcita’, ‘kuṭṭamita’, ‘vilāsa’, ‘lalita’#/dd# #dd#‘vivvoka’, ‘moṭṭāyita’, āra ‘maugdhya’, ‘cakita’#/dd##/dl# #/div# #h4##span class="mw-headline" id="SYNONYMS"#SYNONYMS#/span##/h4# #div class="synonyms"# #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=kila&tab=syno_o&ds=1"#kila-#a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=kiñcita&tab=syno_o&ds=1"#kiñcita#/i# — a particular type of ecstatic ornament manifested at the time of seeing Kṛṣṇa; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=kuṭṭamita&tab=syno_o&ds=1"#kuṭṭamita#/i# — the symptom explained in verse 197; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=vilāsa&tab=syno_o&ds=1"#vilāsa#/i# — the symptom explained in verse 187; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=lalita&tab=syno_o&ds=1"#lalita#/i# — the symptom explained in verse 192; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=vivvoka&tab=syno_o&ds=1"#vivvoka#/i# — neglecting the presentation given by the hero; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=moṭṭāyita&tab=syno_o&ds=1"#moṭṭāyita#/i# — awakening of lusty desires by the remembrance and words of the hero; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=āra&tab=syno_o&ds=1"#āra#/i# — and; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=maugdhya&tab=syno_o&ds=1"#maugdhya#/i# — assuming the position of not knowing things although everything is known; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=cakita&tab=syno_o&ds=1"#cakita#/i# — a position in which the heroine appears very much afraid although she is not at all afraid. #/div# #h4##span class="mw-headline" id="TRANSLATION"#TRANSLATION#/span##/h4# #div class="translation"# “Some of the symptoms critically explained in the following verses are kila-kiñcita, kuṭṭamita, vilāsa, lalita, vivvoka, moṭṭāyita, maugdhya and cakita. #/div# #/div#
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hare kṛṣṇa hare kṛṣṇa - kṛṣṇa kṛṣṇa hare hare - hare rāma hare rāma - rāma rāma hare hare

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