 #div class="mw-parser-output"#
#h4##span class="mw-headline" id="TEXT_117"#TEXT 117#/span##/h4#
#div class="verse"#
#dl##dd#jagannāthe magna prabhura nayana-hṛdaya#/dd#
#dd#śrī-hasta-yuge kare gītera abhinaya#/dd##/dl#
#/div#
#h4##span class="mw-headline" id="SYNONYMS"#SYNONYMS#/span##/h4#
#div class="synonyms"#
jagannāthe—into Lord Jagannātha; magna—absorbed; prabhura—of Lord Caitanya Mahāprabhu; nayana-hṛdaya—the eyes and mind; śrī-hasta-yuge—with His two arms; kare—performed; gītera—of the song; abhinaya—dramatic movement.
#/div#
#h4##span class="mw-headline" id="TRANSLATION"#TRANSLATION#/span##/h4#
#div class="translation"#
His eyes and mind fully absorbed in Lord Jagannātha, Caitanya Mahāprabhu began to play the drama of the song with His two arms.
#/div#
#/div# |
#div class="mw-parser-output"#
#h4##span class="mw-headline" id="TEXT_117"#TEXT 117#/span##/h4#
#div class="verse"#
#dl##dd#jagannāthe magna prabhura nayana-hṛdaya#/dd#
#dd#śrī-hasta-yuge kare gītera abhinaya#/dd##/dl#
#/div#
#h4##span class="mw-headline" id="SYNONYMS"#SYNONYMS#/span##/h4#
#div class="synonyms"#
#i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=jagannāthe&tab=syno_o&ds=1"#jagannāthe#/i# — in Lord Jagannātha; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=magna&tab=syno_o&ds=1"#magna#/i# — #i#absorbed; #/i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=prabhura&tab=syno_o&ds=1"#prabhura#i# — of Lord Caitanya Mahāprabhu; #/i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=nayana&tab=syno_o&ds=1"#nayana-#a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=hṛdaya&tab=syno_o&ds=1"#hṛdaya#i# — the eyes and mind; #/i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=śrī&tab=syno_o&ds=1"#śrī-#a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=hasta&tab=syno_o&ds=1"#hasta-#a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=yuge&tab=syno_o&ds=1"#yuge#i# — with His two arms; #/i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=kare&tab=syno_o&ds=1"#kare#i# — performed; #/i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=gītera&tab=syno_o&ds=1"#gītera#i# — of the song; #/i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=abhinaya&tab=syno_o&ds=1"#abhinaya#i# — dramatic movement.#/i#
#/div#
#h4##span class="mw-headline" id="TRANSLATION"#TRANSLATION#/span##/h4#
#div class="translation"#
His eyes and mind fully absorbed in Lord Jagannātha, Caitanya Mahāprabhu began to play the drama of the song with His two arms.
#/div#
#/div# |
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