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#h4##span class="mw-headline" id="TEXT_23"#TEXT 23#/span##/h4#
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#dl##dd#sañcārī, sāttvika, sthāyi-bhāvera lakṣaṇa#/dd#
#dd#mukhe netre abhinaya kare prakaṭana#/dd##/dl#
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#h4##span class="mw-headline" id="SYNONYMS"#SYNONYMS#/span##/h4#
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sañcārī—passing; sāttvika—natural; sthāyi—continuously existing; bhāvera—of ecstasies; lakṣaṇa—symptoms; mukhe—in the facial expressions; netre—in the movement of the eyes; abhinaya—the dramatic performance; kare prakaṭana—he demonstrates.
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#h4##span class="mw-headline" id="TRANSLATION"#TRANSLATION#/span##/h4#
#div class="translation"#
He taught them how to express the symptoms of continuous, natural and transitional ecstasies with the movements of their faces, their eyes and the other parts of their bodies.
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#div class="mw-parser-output"#
#h4##span class="mw-headline" id="TEXT_23"#TEXT 23#/span##/h4#
#div class="verse"#
#dl##dd#sañcārī, sāttvika, sthāyi-bhāvera lakṣaṇa#/dd#
#dd#mukhe netre abhinaya kare prakaṭana#/dd##/dl#
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#h4##span class="mw-headline" id="SYNONYMS"#SYNONYMS#/span##/h4#
#div class="synonyms"#
#i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=sañcārī&tab=syno_o&ds=1"#sañcārī#/i# — passing; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=sāttvika&tab=syno_o&ds=1"#sāttvika#/i# — natural; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=sthāyi&tab=syno_o&ds=1"#sthāyi#/i# — continuously existing; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=bhāvera&tab=syno_o&ds=1"#bhāvera#/i# — of ecstasies; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=lakṣaṇa&tab=syno_o&ds=1"#lakṣaṇa#/i# — symptoms; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=mukhe&tab=syno_o&ds=1"#mukhe#/i# — in the facial expressions; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=netre&tab=syno_o&ds=1"#netre#/i# — in the movement of the eyes; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=abhinaya&tab=syno_o&ds=1"#abhinaya#/i# — the dramatic performance; #i##a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=kare&tab=syno_o&ds=1"#kare #a target="_blank" rel="nofollow noreferrer noopener" class="external text" href="//vanipedia.org/wiki/Special:VaniSearch?s=prakaṭana&tab=syno_o&ds=1"#prakaṭana#/i# — he demonstrates.
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#h4##span class="mw-headline" id="TRANSLATION"#TRANSLATION#/span##/h4#
#div class="translation"#
He taught them how to express the symptoms of continuous, natural and transitional ecstasies with the movements of their faces, their eyes and the other parts of their bodies.
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